: My Robin by Burnett Frances Hodgson - Birds; Robins Children's Literature; Animals-Wild-Birds

@FreeBooksTue 06 Jun, 2023

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Illustrator: Alfred Brennan

MY ROBIN BY FRANCES HODGSON BURNETT

ILLUSTRATED BY ALFRED BRENNAN

MY ROBIN

There came to me among the letters I received last spring one which touched me very closely. It was a letter full of delightful things but the delightful thing which so reached my soul was a question. The writer had been reading "The Secret Garden" and her question was this: "Did you own the original of the robin? He could not have been a mere creature of fantasy. I feel sure you owned him." I was thrilled to the centre of my being. Here was some one who plainly had been intimate with robins--English robins. I wrote and explained as far as one could in a letter what I am now going to relate in detail.

I did not own the robin--he owned me--or perhaps we owned each other. He was an English robin and he was a PERSON--not a mere bird. An English robin differs greatly from the American one. He is much smaller and quite differently shaped. His body is daintily round and plump, his legs are delicately slender. He is a graceful little patrician with an astonishing allurement of bearing. His eye is large and dark and dewy; he wears a tight little red satin waistcoat on his full round breast and every tilt of his head, every flirt of his wing is instinct with dramatic significance. He is fascinatingly conceited--he burns with curiosity--he is determined to engage in social relations at almost any cost and his raging jealousy of attention paid to less worthy objects than himself drives him at times to efforts to charm and distract which are irresistible. An intimacy with a robin--an English robin--is a liberal education.

This particular one I knew in my rose-garden in Kent. I feel sure he was born there and for a summer at least believed it to be the world. It was a lovesome, mystic place, shut in partly by old red brick walls against which fruit trees were trained and partly by a laurel hedge with a wood behind it. It was my habit to sit and write there under an aged writhen tree, gray with lichen and festooned with roses. The soft silence of it--the remote aloofness--were the most perfect ever dreamed of. But let me not be led astray by the garden. I must be firm and confine myself to the Robin. The garden shall be another story. There were so many people in this garden--people with feathers, or fur--who, because I sat so quietly, did not mind me in the least, that it was not a surprising thing when I looked up one summer morning to see a small bird hopping about the grass a yard or so away from me. The surprise was not that he was there but that he STAYED there--or rather he continued to hop--with short reflective-looking hops and that while hopping he looked at me--not in a furtive flighty way but rather as a person might tentatively regard a very new acquaintance. The absolute truth of the matter I had reason to believe later was that he did not know I was a person. I may have been the first of my species he had seen in this rose-garden world of his and he thought I was only another kind of robin. I was too--though that was a secret of mine and nobody but myself knew it. Because of this fact I had the power of holding myself STILL--quite STILL and filling myself with softly alluring tenderness of the tenderest when any little wild thing came near me. "What do you do to make him come to you like that?" some one asked me a month or so later. "What do you DO?" "I don't know what I do exactly," I said. "Except that I hold myself very still and feel like a robin."

You can only do that with a tiny wild thing by being so tender of him--of his little timidities and feelings--so adoringly anxious not to startle him or suggest by any movement the possibility of your being a creature who COULD HURT--that your very yearning to understand his tiny hopes and fears and desires makes you for the time cease to be quite a mere human thing and gives you another and more exquisite sense which speaks for you without speech.

As I sat and watched him I held myself softly still and felt just that. I did not know he was a robin. The truth was that he was too young at that time to look like one, but I did not know that either. He was plainly not a thrush, or a linnet or a sparrow or a starling or a blackbird. He was a little indeterminate-colored bird and he had no red on his breast. And as I sat and gazed at him he gazed at me as one quite without prejudice unless it might be with the slightest tinge of favor--and hopped--and hopped--and hopped.

That was the thrill and wonder of it. No bird, however evident his acknowledgement of my harmlessness, had ever hopped and REMAINED. Many had perched for a moment in the grass or on a nearby bough, had trilled or chirped or secured a scurrying gold and green beetle and flown away. But none had stayed to inquire--to reflect--even to seem--if one dared be so bold as to hope such a thing--to make mysterious, almost occult advances towards intimacy. Also I had never before heard of such a thing happening to any one howsoever bird loving. Birds are creatures who must be wooed and it must be delicate and careful wooing which allures them into friendship.

I held my soft stillness. Would he stay? Could it be that the last hop was nearer? Yes, it was. The moment was a breathless one. Dare one believe that the next was nearer still--and the next--and the next--and that the two yards of distance had become scarcely one--and that within that radius he was soberly hopping round my very feet with his quite unafraid eye full upon me. This was what was happening. It may not seem exciting but it was. That a little wild thing should come to one unasked was of a thrillingness touched with awe.

Without stirring a muscle I began to make low, soft, little sounds to him--very low and very caressing indeed--softer than one makes to a baby. I wanted to weave a spell--to establish mental communication--to make Magic. And as I uttered the tiny sounds he hopped nearer and nearer.

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