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Munafa ebook

Munafa ebook

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Words: 47340 in 12 pages

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PREFACE ix

PART I

THE MANNER OF VICTORIAN POETRY

PART II

THE MATERIAL OF VICTORIAN POETRY

INDEX 233

PART I: THE MANNER OF VICTORIAN POETRY

VICTORIAN POETRY

PART I: THE MANNER OF VICTORIAN POETRY

Queen Victoria came to the throne in 1837. The date is not an inconvenient one to set at the beginning of a study of the poetry of the age to which she gave her name. Shelley, Byron, and Keats were dead, Wordsworth's most important work was finished, Alfred Tennyson, Robert Browning, and Elizabeth Barrett had made their first appearances in print, Matthew Arnold was at school, Dante Gabriel Rossetti and his sister Christina were children, William Morris and Algernon Charles Swinburne had just been born. Walter Savage Landor, one of the strangest figures in our poetical literature, whose first poems had been published in 1795, was still at the prime of his genius, but the small body of his best work does not mark him very definitely as either Romantic or Victorian. There were a number of less famous but by no means inconsiderable poets whose work will call for notice as we proceed.

This circumstance of the Romantic Revival has had a profound influence upon English poetry ever since, and so far as may be prophesied it is likely to continue to do so. Poetry since the death of Keats and Shelley and Byron has acquired many new interests, chiefly intellectual interests, which did not belong to it before their time, or, at least, did not belong to it in anything like the same measure, but it has, also, become definitely a less original thing both as to manner and in its emotional content. Whether this is a gain or loss is for each reader to determine for himself, but in the conclusion it is likely that there would be at least as many people glad of the fact as sorry for it. I must elaborate this position first as to the manner, and later as to the content.

"Is there anybody there?" said the Traveller, Knocking on the moonlit door;


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