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A ROMANCE OF THE REPUBLIC

L. MARIA CHILD

THE FATHER AND MOTHER OF

COL. R.G. SHAW,

THE EARLY AND EVER-FAITHFUL FRIENDS OF FREEDOM AND EQUAL RIGHTS,

THIS VOLUME

IS MOST RESPECTFULLY AND AFFECTIONATELY

INSCRIBED

PART FIRST.

"What are you going to do with yourself this evening, Alfred?" said Mr. Royal to his companion, as they issued from his counting-house in New Orleans. "Perhaps I ought to apologize for not calling you Mr. King, considering the shortness of our acquaintance; but your father and I were like brothers in our youth, and you resemble him so much, I can hardly realize that you are not he himself, and I still a young man. It used to be a joke with us that we must be cousins, since he was a King and I was of the Royal family. So excuse me if I say to you, as I used to say to him. What are you going to do with yourself, Cousin Alfred?"

"I thank you for the friendly familiarity," rejoined the young man. "It is pleasant to know that I remind you so strongly of my good father. My most earnest wish is to resemble him in character as much as I am said to resemble him in person. I have formed no plans for the evening. I was just about to ask you what there was best worth seeing or hearing in the Crescent City."

"If I should tell you I thought there was nothing better worth seeing than my daughters, you would perhaps excuse a father's partiality," rejoined Mr. Royal.

"Your daughters!" exclaimed his companion, in a tone of surprise. "I never heard that you were married."

A shadow of embarrassment passed over the merchant's face, as he replied, "Their mother was a Spanish lady,--a stranger here,--and she formed no acquaintance. She was a woman of a great heart and of rare beauty. Nothing can ever make up her loss to me; but all the joy that remains in life is centred in the daughters she has left me. I should like to introduce them to you; and that is a compliment I never before paid to any young man. My home is in the outskirts of the city; and when we have dined at the hotel, according to my daily habit, I will send off a few letters, and then, if you like to go there with me, I will call a carriage."

"Thank you," replied the young man; "unless it is your own custom to ride, I should prefer to walk. I like the exercise, and it will give a better opportunity to observe the city, which is so different from our Northern towns that it has for me the attractions of a foreign land."

In compliance with this wish, Mr. Royal took him through the principal streets, pointing out the public buildings, and now and then stopping to smile at some placard or sign which presented an odd jumble of French and English. When they came to the suburbs of the city, the aspect of things became charmingly rural. Houses were scattered here and there among trees and gardens. Mr. Royal pointed out one of them, nestled in flowers and half encircled by an orange-grove, and said, "That is my home. When I first came here, the place where it stands was a field of sugar-canes; but the city is fast stretching itself into the suburbs."

They approached the dwelling; and in answer to the bell, the door was opened by a comely young negress, with a turban of bright colors on her head and golden hoops in her ears. Before the gentlemen had disposed of their hats and canes, a light little figure bounded from one of the rooms, clapping her hands, and exclaiming, "Ah, Papasito!" Then, seeing a stranger with him, she suddenly stood still, with a pretty look of blushing surprise.

"Never mind, Mignonne," said her father, fondly patting her head. "This is Alfred Royal King, from Boston; my namesake, and the son of a dear old friend of mine. I have invited him to see you dance. Mr. King, this is my Floracita."

The fairy dotted a courtesy, quickly and gracefully as a butterfly touching a flower, and then darted back into the room she had left. There they were met by a taller young lady, who was introduced as "My daughter Rosabella." Her beauty was superlative and peculiar. Her complexion was like a glowing reflection upon ivory from gold in the sunshine. Her large brown eyes were deeply fringed, and lambent with interior light. Lustrous dark brown hair shaded her forehead in little waves, slight as the rippling of water touched by an insect's wing. It was arranged at the back of her head in circling braids, over which fell clusters of ringlets, with moss-rose-buds nestling among them. Her full, red lips were beautifully shaped, and wore a mingled expression of dignity and sweetness. The line from ear to chin was that perfect oval which artists love, and the carriage of her head was like one born to a kingdom.

These radiant visions of beauty took Alfred King so much by surprise, that he was for a moment confused. But he soon recovered self-possession, and, after the usual salutations, took a seat offered him near a window overlooking the garden. While the commonplaces of conversation were interchanged, he could not but notice the floral appearance of the room. The ample white lace curtains were surmounted by festoons of artificial roses, caught up by a bird of paradise. On the ceiling was an exquisitely painted garland, from the centre of which hung a tasteful basket of natural flowers, with delicate vine-tresses drooping over its edge. The walls were papered with bright arabesques of flowers, interspersed with birds and butterflies. In one corner a statuette of Flora looked down upon a geranium covered with a profusion of rich blossoms. In the opposite corner, ivy was trained to form a dark background for Canova's "Dancer in Repose," over whose arm was thrown a wreath of interwoven vines and orange-blossoms. On brackets and tables were a variety of natural flowers in vases of Sevres china, whereon the best artists of France had painted flowers in all manner of graceful combinations. The ottomans were embroidered with flowers. Rosabella's white muslin dress was trailed all over with delicately tinted roses, and the lace around the corsage was fastened in front with a mosaic basket of flowers. Floracita's black curls fell over her shoulders mixed with crimson fuchsias, and on each of her little slippers was embroidered a bouquet.

"This is the Temple of Flora," said Alfred, turning to his host. "Flowers everywhere! Natural flowers, artificial flowers, painted flowers, embroidered flowers, and human flowers excelling them all,"--glancing at the young ladies as he spoke.

Mr. Royal sighed, and in an absent sort of way answered, "Yes, yes." Then, starting up, he said abruptly, "Excuse me a moment; I wish to give the servants some directions."

Floracita, who was cutting leaves from the geranium, observed his quick movement, and, as he left the room, she turned toward their visitor and said, in a childlike, confidential sort of way: "Our dear Mamita used to call this room the Temple of Flora. She had a great passion for flowers. She chose the paper, she made the garlands for the curtains, she embroidered the ottomans, and painted that table so prettily. Papasito likes to have things remain as she arranged them, but sometimes they make him sad; for the angels took Mamita away from us two years ago."

"Even the names she gave you are flowery," said Alfred, with an expression of mingled sympathy and admiration.

"In English we call that bright little flower Jump-up-and-kiss-me," rejoined Alfred, smiling as he looked down upon the lively little fairy.

She returned the smile with an arch glance, that seemed to say, "I sha'n't do it, though." And away she skipped to meet her father, whose returning steps were heard.

"You see I spoil her," said he, as she led him into the room with a half-dancing step. "But how can I help it?"

Before there was time to respond to this question, the negress with the bright turban announced that tea was ready.

"Yes, Tulipa? we will come," said Floracita.

"Yes, she's a flower, too," answered Floracita, with a merry little laugh. "We named her so because she always wears a red and yellow turban; but we call her Tulee, for short."

While they were partaking of refreshments, she and her father were perpetually exchanging badinage, which, childish as it was, served to enliven the repast. But when she began to throw oranges for him to catch, a reproving glance from her dignified sister reminded her of the presence of company.

"Let her do as she likes, Rosa dear," said her father. "She is used to being my little plaything, and I can't spare her to be a woman yet."

"I consider it a compliment to forget that I am a stranger," said Mr. King. "For my own part, I forgot it entirely before I had been in the house ten minutes."

Rosabella thanked him with a quiet smile and a slight inclination of her head. Floracita, notwithstanding this encouragement, paused in her merriment; and Mr. Royal began to talk over reminiscences connected with Alfred's father. When they rose from table, he said, "Come here, Mignonne! We won't be afraid of the Boston gentleman, will we?" Floracita sprang to his side. He passed his arm fondly round her, and, waiting for his guest and his elder daughter to precede them, they returned to the room they had left. They had scarcely entered it, when Floracita darted to the window, and, peering forth into the twilight, she looked back roguishly at her sister, and began to sing:--

"Un petit blanc, que j'aime, En ces lieux est venu. Oui! oui! c'est lui m?me! C'est lui! je l'ai vue! Petit blanc! mon bon fr?re! Ha! ha! petit blanc si doux!"

Floracita had accidentally overheard some half-whispered words which Mr. Fitzgerald had addressed to her sister, during his last visit, and, thinking she had discovered an important secret, she was disposed to use her power mischievously. Without waiting for a repetition of his request, she sang:--

"Petit blanc, mon bon fr?re! Ha! ha! petit blanc si doux! Il n'y a rien sur la terre De si joli que vous."

Mr. Fitzgerald assiduously placed the music-stool, and bent over the portfolio while Miss Royal searched for the music. A servant lighted the candelabra and drew the curtains. Alfred, glancing at Mr. Royal, saw he was watching the pair who were busy at the portfolio, and that the expression of his countenance was troubled. His eyes, however, soon had pleasanter occupation; for as soon as Rosa touched the piano, Floracita began to float round the room in a succession of graceful whirls, as if the music had taken her up and was waltzing her along. As she passed the marble Dancing Girl, she seized the wreath that was thrown over its arm, and as she went circling round, it seemed as if the tune had become a visible spirit, and that the garland was a floating accompaniment to its graceful motions. Sometimes it was held aloft by the right hand, sometimes by the left; sometimes it was a whirling semicircle behind her; and sometimes it rested on her shoulders, mingling its white orange buds and blossoms with her shower of black curls and crimson fuchsias. Now it was twined round her head in a flowery crown, and then it gracefully unwound itself, as if it were a thing alive. Ever and anon the little dancer poised herself for an instant on the point of one fairy foot, her cheeks glowing with exercise and dimpling with smiles, as she met her father's delighted gaze. Every attitude seemed spontaneous in its prettiness, as if the music had made it without her choice. At last she danced toward her father, and sank, with a wave-like motion, on the ottoman at his feet. He patted the glossy head that nestled lovingly on his knee, and drawing a long breath, as if oppressed with happiness, he murmured, "Ah, Mignonne!"

The floating fairy vision had given such exquisite pleasure, that all had been absorbed in watching its variations. Now they looked at each other and smiled. "You would make Taglioni jealous," said Mr. Fitzgerald, addressing the little dancer; and Mr. King silently thanked her with a very expressive glance.

As Rosabella retired from the piano, she busied herself with rearranging a bouquet she had taken from one of the vases. When Mr. Fitzgerald stationed himself at her side, she lowered her eyes with a perceptibly deepening color. On her peculiar complexion a blush showed like a roseate cloud in a golden atmosphere. As Alfred gazed on the long, dark, silky fringes resting on those warmly tinted cheeks, he thought he had never seen any human creature so superbly handsome.

"Nothing but music can satisfy us after such dancing," said Mr. Fitzgerald. She looked up to him with a smile; and Alfred thought the rising of those dark eyelashes surpassed their downcast expression, as the glory of morning sunshine excels the veiled beauty of starlight.

"Shall I accompany you while you sing, 'How brightly breaks the morning'?" asked she.

"That always sings itself into my heart, whenever you raise your eyes to mine," replied he, in a low tone, as he handed her to the piano.

Together they sang that popular melody, bright and joyful as sunrise on a world of blossoms. Then came a Tyrolese song, with a double voice, sounding like echoes from the mountains. This was followed by some tender, complaining Russian melodies, novelties which Mr. Fitzgerald had brought on a preceding visit. Feeling they were too much engrossed with each other, she said politely, "Mr. King has not yet chosen any music."

"The moon becomes visible through the curtains," replied he. "Perhaps you will salute her with 'Casta Diva.'"

"That is a favorite with us," she replied. "Either Flora or I sing it almost every moonlight night."

"You know, dear, what I always love to hear," answered he.

With gentle touch, she drew from the keys a plaintive prelude, which soon modulated itself into "The Light of other Days." She played and sang it with so much feeling, that it seemed the voice of memory floating with softened sadness over the far-off waters of the past. The tune was familiar to Alfred, but it had never sung itself into his heart, as now. "I felt as I did in Italy, listening to a vesper-bell sounding from a distance in the stillness of twilight," said he, turning toward his host.

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