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Read Ebook: The Lives of the Poets of Great Britain and Ireland (1753) Volume I. by Cibber Theophilus

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Ebook has 790 lines and 102641 words, and 16 pages

Lordings! quoth he, in chirch when I preche, I paine mee to have an have an hauteine speche; And ring it out, as round as doth a bell; For I can all by rote that I tell. My teme is always one, and ever was, First, I pronounce fro whence I come, And then my bills, I shew all and some: Our liege--lords seal on my patent! That shew I first, my body to warrent; That no man be so bold, priest ne clerk, Me to disturb of Christ's holy werke; And after that I tell forth my tales, Of bulls, of popes, and of cardinales, Of patriarkes, and of bishops I shew; And in Latin I speake wordes a few,

To faver with my predication, And for to stere men to devotion, Then shew I forth my long, christall stones, Ycrammed full of clouts and of bones; Relickes they been, as were they, echone! Then have I, in Latin a shoder-bone, Which that was of an holy Jewes shepe. Good men, fay, take of my words kepe! If this bone be washen in any well, If cow, or calfe, shepe, or oxe swell That any worm hath eaten, or hem strong, Take water of this well, and wash his tong. And it is hole a-non: And furthermore, Of pockes, and scabs, and every sore Shall shepe be hole, that of this well Drinketh a draught: Take keep of that I tell! If that the good man, that beasts oweth, Woll every day, ere the cocke croweth, Fasting drink of this well, a draught, His beasts and his store shall multiplie: And sirs, also it healeth jealousie, For, though a man be fall in jealous rage, Let make with this Water his potage, And never shall he more his wife mistrist, Thughe, in sooth, the defaut by her wist: All had she taken priests two or three! Here is a mittaine eke, that ye may see. He that has his hand well put in this mittaine; He shall have multiplying of his graine, When he hath sowen, be it wheat or otes; So that he offer good pens or grotes!

Those who would prefer the thoughts of this father of English poetry, in a modern dress, are referred to the elegant versions of him, by Dryden, Pope, and others, who have done ample justice to their illustrious predecessor.

LANGLAND.

It has been disputed amongst the critics whether this poet preceded or followed Chaucer. Mrs. Cooper, author of the Muses Library, is of opinion that he preceded Chaucer, and observes that in more places than one that great poet seems to copy Langland; but I am rather inclined to believe that he was cotemporary with him, which accounts for her observation, and my conjecture is strengthened by the consideration of his stile, which is equally unmusical and obsolete with Chaucer's; and tho' Dryden has told us that Chaucer exceeded those who followed him at 50 or 60 years distance, in point of smoothness, yet with great submission to his judgment, I think there is some alteration even in Skelton and Harding, which will appear to the reader to the best advantage by a quotation. Of Langland's family we have no account. Selden in his notes on Draiton's Poly Olbion, quotes him with honour; but he is entirely neglected by Philips and Winstanly, tho' he seems to have been a man of great genius: Besides Chaucer, few poets in that or the subsequent age had more real inspiration or poetical enthusiasm in their compositions. One cannot read the works of this author, or Chaucer, without lamenting the unhappiness of a fluctuating language, that buries in its ruins even genius itself; for like edifices of sand, every breath of time defaces it, and if the form remain, the beauty is lost. The piece from which I shall quote a few lines, is a work of great length and labour, of the allegoric kind; it is animated with a lively and luxurious imagination; pointed with a variety of pungent satire; and dignified with many excellent lessons of morality; but as to the conduct of the whole, it does not appear to be of a piece; every vision seems a distinct rhapsody, and does not carry on either one single action or a series of many; but we ought rather to wonder at its beauties than cavil at its defects; and if the poetical design is broken, the moral is entire, which, is uniformly the advancement of piety, and reformation of the Roman clergy. The piece before us is entitled the Vision of Piers the Plowman, and I shall quote that particular part which seems to have furnished a hint to Milton in his Paradise Lost, b. 2. 1. 475.

Numbers of all diseased: all maladies Of ghastly spasm, or racking torture, qualms Of heartsick agony, all fev'rous kinds, Convulsions, epilepsies, fierce catarrhs, Intestine stone and ulcer, cholic-pangs Demoniac phrenzy, moping melancholy And moon-struck madness, pining atrophy, Marasmus, and wide-wasting pestilence, Dropsies and asthmas, and joint-racking rheums; Dire was the tossing! deep the groans! despair Tended the sick, busiest from couch to couch: And over them, triumphant death his dart Shook. P. L. b. xi. 1. 477.

Sir JOHN GOWER

En toy quies fitz de Dieu le pere, Sauve soit, qui gist fours cest pierre.

The second writing MERCY, with this device;

O bene Jesu fait ta mercy, A'lame, dont la corps gisticy.

The third writing PITY, with this decree;

Pour ta pitie Jesu regarde, Et met cest a me, en sauve garde.

His arms were in a Field Argent, on a Chevron Azure, three Leopards heads or, their tongues Gules, two Angels supporters, and the crest a Talbot.

His EPITAPH.

Armigeri soltum nihil a modo fert sibi tutum, Reddidit immolutum morti generale tributum, Spiritus exutum se gaudeat esse solutum Est ubi virtutum regnum sine labe est statum.

I shall take a quotation from a small piece of his called the Envious Man and the Miser; by which it will appear, that he was not, as Winstanley says, a refiner of our language, but on the other hand, that poetry owes him few or no obligations.

Of the Envious MAN and the MISER.

Of Jupiter thus I find ywrite, How, whilom, that he woulde wite, Upon the plaintes, which he herde Among the men, how that it farde, As of her wronge condition To do justificacion. And, for that cause, downe he sent An angel, which aboute went, That he the sooth knowe maie.

Besides the works already mentioned our poet wrote the following:

De Compunctione Cordi, in one book.

Chronicon Ricardi secundi.

Ad Henricum Quartum, in one book.

Ad eundem de Laude Pacis, in one book.

De Rege Henrico, quarto, in one book.

De Peste Vitiorum, in one book.

Scrutinium Lucis, in one book.

De Regimine Principum.

De Conjugii Dignitate.

De Amoris Varietate.

JOHN LYDGATE,

Commonly called the monk of Bury, because a native of that place. He was another disciple and admirer of Chaucer, and it must be owned far excelled his master, in the article of versification. After sometime spent in our English universities, he travelled thro' France and Italy, improving his time to the accomplishment of learning the languages and arts. Pitseus says, he was not only an elegant poet, and an eloquent rhetorician, but also an expert mathematician, an acute philosopher, and no mean divine. His verses were so very smooth, and indeed to a modern ear they appear so, that it was said of him by his contemporaries, that his wit was framed and fashioned by the Muses themselves. After his return from France and Italy, he became tutor to many noblemen's sons, and for his excellent endowments was much esteemed and reverenced by them. He writ a poem called the Life and Death of Hector, from which I shall give a specimen of his versification.

I am a monk by my profession In Bury, called John Lydgate by my name, And wear a habit of perfection; That meddle should with things spiritual, As I must needs confess unto you all.

But seeing that I did herein proceed At his commands whom I could not refuse, I humbly do beseech all those that read, Or leisure have this story to peruse, If any fault therein they find to be, Or error that committed is by me,

That they will of their gentleness take pain, The rather to correct and mend the same, Than rashly to condemn it with disdain, For well I wot it is not without blame, Because I know the verse therein is wrong As being some too short, and some too long.

Mortuus saeclo, superis superstes, Hic jacet Lydgate tumulatus urna: Qui suit quondam celebris Britannae, Fama poesis.

Which is thus rendered into English by Winstanly;

Dead in this world, living above the sky, Intomb'd within this urn doth Lydgate lie; In former times fam'd for his poetry, All over England.

JOHN HARDING.

On the magnificent houshold of King Richard II,

Truly I herd Robert Irelese say, Clark of the Green Cloth, and that to the houshold, Came every day, forth most part alway, Ten thousand folk by his messes told; That followed the house, aye as they wold, And in the kitchen, three hundred scruitours, And in eche office many occupiours, And ladies faire, with their gentlewomen Chamberers also, and launderers, Three hundred of them were occupied then; There was great pride among the officers, And of all men far passing their compeers, Of rich arraye, and much more costous, Then was before, or sith, and more precious.

JOHN SKELTON

The to the BOUGE COURTS.

I, callynge to mynde the great auctoryte Of poetes olde, whiche full craftely, Under as couerte termes as coulde be, Can touche a trouthe, and cloke subtylly With fresh Utterance; full sentcyously, Dyverse in style: some spared not vyce to wryte, Some of mortalitie nobly dyd endyte.

His other works, as many as could be collected are chiefly these:

Meditations on St. Ann.

Sonnets on Dame Anne,

Elyner Rummin, the famous alewife of England, often printed, the last edition 1624.

The Peregrinations of human Life.

Solitary Sonnets.

The Art of dying well.

Manners of the Court.

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