Read Ebook: The Moving Picture Boys at Panama; Or Stirring Adventures Along the Great Canal by Appleton Victor

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Ebook has 1402 lines and 44930 words, and 29 pages

"What?" asked Blake, only half comprehending.

"We might overtake them on the motor cycle!" repeated his chum.

A look of understanding came into Blake's eyes.

"That's right!" he cried. "Why didn't I think of that before, instead of standing here mooning? I wonder if we've got time?"

"We'll make time!" cried Joe grimly. "Get her out, and we'll ride for all we're worth. It'll be a race, Blake!"

"Yes. A race to save a life! Lucky she's got plenty of gas and oil in her."

"Yes, and she hasn't had a chance to cool down. Run her out."

Blake fairly leaped toward the shed where he had wheeled the motor cycle. In another instant he and Joe were trundling it down the gravel walk to the road.

As they reached the highway they could hear, growing fainter and fainter, the "thump-thud," of the hoofs of the runaway horse.

Joe held the machine upright while Blake vaulted to the forward saddle and began to work the pedals to start the motor. The cylinders were still hot from the recent run, and at the first revolution the staccato explosions began.

"Jump up!" yelled Blake in his chum's ear--shouting above the rattle and bang of the exhaust, for the muffler was open.

Joe sprang to leather, but before he was in his seat Blake was letting in the friction clutch, and a moment later, at ever gathering speed, the shining motor cycle was speeding down the road to the rescue. Would Joe and Blake be in time?

ON THE BRINK

"What--what's your plan, Blake?" yelled Joe into his chum's ear, as he sat behind him on the jolting second saddle of the swaying motor cycle.

"What do you mean?" demanded Blake, half turning his head.

"I mean how are you going to stop that runaway, or rescue those fellows?"

"I haven't thought, yet, but if we can get ahead of the horse we may be able to stop him before he gets to the road-barrier or to the dangerous turn."

"That's right!" panted Joe, the words being fairly jolted out of him. "Head him off--I see!"

"Hold fast!" exclaimed Blake, as the conductor does when a trolley car goes around a curve. "Hold fast!"

There was need of the advice, for a little turn in the road was just ahead of them and Blake intended to take it at almost top speed.

Bumping, swaying, jolting, spitting fire and smoke, with a rattle, clatter and bang, on rushed the motor cycle on its errand of rescue.

"Hark!" cried Joe, close to Blake's ear, "Listen!"

"Can't, with all this racket!" yelled back Blake, for he had opened the throttle to gain a little increase of power. "What's the matter?"

"I thought I heard the horse."

"Hearing him won't do any good," observed Blake grimly. "We've got to see him and get ahead!"

And he turned on a little more gasoline.

While Blake and Joe are thus speeding to the rescue of the men in the runaway, we will take a few moments to tell our new readers something about the boys who are to figure prominently in this story.

Joe Duncan and Blake Stewart were called the "Moving Picture Boys," for an obvious reason. They took moving pictures. With their curious box-like cameras, equipped with the thousand feet of sensitive celluloid film, and the operating handle, they had risen from the ranks of mere helpers to be expert operators. And now they were qualified to take moving pictures of anything from a crowd, shuffling along the street, to a more complicated scene, such as a flood, earthquake or volcanic eruption. And, incidentally, I might mention that they had been in all three of these last situations.

The first volume of this series is called "The Moving Picture Boys," and in that I introduced to you Blake and Joe.

They worked on adjoining farms, and one day they saw a company of moving picture actors and actresses come to a stream, near where they were, to take a "movie drama."

Naturally Blake and Joe were interested at once, and making the acquaintance of Mr. Calvert Hadley, who was in charge of the taking of the play, or "filming it," as the technical term has it, the two boys were given an opportunity to get into the business.

They went to New York, and began the study of how moving pictures are taken, developed from the films, the positives printed and then, through the projecting machine, thrown on the screen more than life size.

The process is an intricate one, and rather complicated, involving much explanation. As I have already gone into it in detail in my first book of this series, I will not repeat it here. Those of you who wish to know more about the "movies" than you can gain by looking at the interesting pictures in some theater, are respectfully referred to the initial volume.

Joe and Blake were much interested in the Film Theatrical Company. My former readers will well remember some members of that organization--C.C. Piper, or "Gloomy," as he was called when not referred to as just "C.C."; Birdie Lee, a pretty, vivacious girl; Mabel Pierce, a new member of the company; Henry Robertson, who played juvenile "leads"; Miss Shay, and others in whom you are more or less interested.

After various adventures in New York City, taking films of all sorts of perilous scenes, Joe and Blake went out West, their adventures there being told in the volume of that name. They had their fill of cowboys and Indians, and, incidentally, were in no little danger.

Afterward they went to the Pacific Coast, thence to the jungle, where many stirring wild animal scenes were obtained, and afterward they had many adventures in Earthquake Land. There they were in great danger from tremors of the earth, and from volcanoes, but good luck, no less than good management, brought them home with whole skins, and with their cases filled with rare films.

Having finished in the land of uncertainty, the work assigned to them by Mr. Hadley and his associates, Joe and Blake had gone for their vacation to the farm of Mr. Hiram Baker, near Central Falls. But their intention of enjoying a quiet stay was rudely interrupted.

For not long after they had arrived, and were resting quietly under a cherry tree in the shade, Mr. Ringold, with whom they were also associated in moving picture work, called them up on the long distance telephone to offer them a most curious assignment.

This was to go to the flooded Mississippi Valley, and get moving pictures of the "Father of Waters" on one of "his" annual rampages.

Of course Blake and Joe went, and their adventures in the flood fill the volume immediately preceding this one.

And now they had returned, anticipating a second session of their vacation. They had brought a motor cycle with which to go about the pretty country surrounding Central Falls.

"For," reasoned Blake, "we haven't much time left this summer, and if we want to enjoy ourselves we'll have to hustle. A motor cycle is the most hustling thing I know of this side of an automobile, and we can't afford that yet."

"I'm with you for a motor cycle," Joe had said. So one was purchased, jointly.

It was on returning from a pleasant ride that our heroes had seen the runaway with which we are immediately concerned. They were now speeding after the maddened horse dragging the frail carriage, hoping to get ahead of and stop the animal before it either crashed into the frail barrier, and leaped into the ravine, or upset the vehicle in trying to make the turn into the temporary road.

"There he is!" suddenly cried Blake. The motor cycle, bearing the two chums, had made the curve in the road successfully and was now straightened up on a long, level stretch. And yet not so long, either, for not more than a quarter of a mile ahead was another turn, and then came the bridge.

"I see him!" answered Joe. "Can you make it?"

"I'm going to!" declared Blake, closing his lips firmly.

Every little bump and stone in the road seemed magnified because of the speed at which they were moving. But Blake held the long handles firmly, and, once the curve was passed, he turned the rubber grip that let a little more gasoline flow into the carbureter to be vaporized and sprayed into the cylinders, where the electric spark exploded it with a bang.

"We--are--going--some!" panted Joe.

"Got--to!" assented Blake, grimly.

On swayed the thundering, rattling motor cycle. The carriage top had either been let down, or some of the supports had broken, and it had fallen, and the boys could now plainly see the two men on the seat. They had not jumped, but they had evidently given up trying to make the horse stop by pulling on the one rein, for the animal was speeding straight down the center of the road.

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