Read Ebook: The Crest-Wave of Evolution A Course of Lectures in History Given to the Graduates' Class in the Raja-Yoga College Point Loma in the College-Year 1918-19 by Morris Kenneth

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For example, there is the Superior-Race Lie: I do not know where it shall not be found. Races A, B, C, and D go on preaching it for centuries; each with an eye to its sublime self. In all countries, perhaps, history is taught with that lie for mental background. Then we wonder that there are wars. But Theosophy is called onto provide a true mental background for historical study; and it alone can do so. It is the mission of Point Loma, among many other things, to float a true philosophy of history on to the currents of world-thought: and for this end it is our business to be thinkers, using the divine Manasic light within us to some purpose. H.P. Blavatsky supplied something much greater than a dogma: she--like Plato --gave the world a method and a spur to thought: pointed for it a direction, which following, it might solve all problems and heal the wounds of the ages.

A false and foolish notion in the western world has been, tacitly to accept the Greeks and Hebrews of old for the two fountains of all culture since; the one in secular matter, the other in religion and morality. Of the Hebrews nothing need be said here; but that true religion and morality have their source in the ever-living Human Spirit, not in any sect, creed, race, age, or bible. I doubt there has been any new discovery in ethics since man was man; or rather, all discoveries have been made by individuals for themselves; and each, having discovered anything, has found that that same principle was discovered a thousand times before, and written a thousand times. There is no platitude so platitudinous, but it remains to burst upon the perceptions of all who have not yet perceived it, as a new and burning truth; and on the other hand, there is no startling command to purity or compassion, that has not been given out by Teachers since the world began.--As for Greece, there was a brilliant flaming up of the Spirit there in the Fourth and Fifth Centuries B.C.; and its intensity, like the lights of an approaching automobile, rather obscures what lies beyond. It is the first of which we have much knowledge; so we think it was the first of all. But in fact civilization has been traveling its cyclic path all the time, all these millions of years; and there have been hundreds of ancient great empires and cultural epochs even in Europe of which we know nothing.

I had intended to begin with Greece; but these unexplored eras of old Europe are too attractive, and this first lecture must go to them, or some of them. Not to the antecedents of Greece, in Crete and elsewhere; but to the undiscovered North; and in particular to the Celtic peoples; who may serve us as an example by means of which light may be thrown on the question of racial growth, and on the racial cycles generally.

The Celtic Empire of old Europe affects us like some mysterious undiscovered planet. We know it was there by its effects on other peoples. Also, like many other forgotten histories, it has left indications of its achievement in a certain spirit, an uplift, the breath of an old traditional grandeur that has come down. But to give any historical account of it--to get a telescope that will reach and reveal it--we have not to come to that point yet.

Still, it may be allowed us to experiment with all sorts of glasses. To penetrate that gloom of ancient Europe may be quite beyond us; but guessing is permitted. Now the true art of guessing lies in an intuition for guiding indications. There is something in us that knows things directly; and it may deign at times to give hints, to direct the researches, to flash some little light on that part of us which works and is conscious in this world, and which we call our brain-minds. So although most or all of what I am going to say would be called by the scientific strictly empirical, fantastic and foolish, yet I shall venture; aware that their Aristotelio-Baconian method quite breaks down when it comes to such a search into the unknown; and that this guessing, guided by what seems to be a law, would not, perhaps, have been sneered at by Plato.

Guided by what seems to be a law;--guided, at any rate, by the knowledge that there are laws; that "God geometrizes," as Plato says: that which is within flows outward upon a design; that life precipitates itself through human affairs as it does through the forms of the crystals; that there is nothing more haphazard about the sequence of empires and civilizations, than there is about the unfolding of petals of a flower. In both cases it is the eternal rhythm, the Poetry of the Infinite, that manifests; our business is to listen so carefully as to hear, and apprehend the fact that what we hear is a poetry, a vast music, not a chaotic cacophony: catch the rhythms--perceive that there is a design--even if it takes us long to discover what the design may be.

H.P. Blavatsky tells us that the whole past history of the race is known to the Guardians of the Secret Wisdom; that it is all recorded, nothing lost; down to the story of every tribe since the Lords of Mind incarnated. And that these records are in the form of a few symbols; but symbols which, to those who can interpret or disintegrate them, can yield the whole story. What if the amount of the burden of history, which seems so vast to us who know so very little of it, were in reality, if we could know it all, a thing that would put but slight tax on the memory; a thing we might carry with us in a few slight formulae, a few simple symbols? I believe that it is so; and that we may make a beginning, and go some little way towards guessing what these formulae are.

As thus: A given race flowered and passed; it had so many centuries of history before its flowering; it died, and left something behind. Greece, for example. We may know very little --you and I may know very little--of the details of Greek history. We cannot, perhaps, remember the date of Aegospotami, or what happened at Plataea: we may have the vaguest notion of the import of Aeschylus, or Sophocles, or Plato. But still there is a certain color in our conscious perceptions which comes from Greece: the 'glory that was Greece' means something, is a certain light within the consciousness, to everyone of us. The Greeks added something to the wealth of the human spirit, which we all may share in, and do. An atmosphere is left, which surrounds and adheres to the many tangible memorials; just as an atmosphere is left by the glories of the Cinquecento in Italy, with its many tangible memorials.

But indeed, we may go further, and say that an atmosphere is left, and that we can feel it, by many ages and cultures which have left no tangible memorials at all; or but few and uninterpretable ones, like the Celtic. And that each has developed some mood, some indefinable inward color--which we perceive and inherit. Each different: you cannot mistake the Chinese or the Celtic color for the Greek; thought it might be hard to define your perception of either, or of their difference. It would be hard to say, for instance, that this one was crimson, the other blue; not quite so hard to say that this one affects us as crimson does, that other as blue does. And yet we can see, I think, that by chasing our impressions to their source, there might be some way of presenting them in symbolic form. There might be some way of reducing what we feel from the Greeks, or Chinese, or Celts, into a word, a sentence; of writing it down even in a single hieroglyph, of which the elements would be such as should convey to something in us behind the intellect just the indefinable feeling either of these people give us.

In the Chinese writing, with all its difficulty, there is something superior to our alphabets: an element that appeals to the soul directly, or to the imagination directly, I think. Suppose you found a Chinese ideogram--of course there is no such a one--to express the forgotten Celtic culture; and it proved in analysis, to be composed of the signs for twilight, wind, and pine trees; or wind, night, and wild waters; with certain other elements which not the brain-mind, but the creative soul, would have to supply. In such a symbol there would be an appeal to the imagination--that great Wizard within us--to rise up and supply us with quantities of knowledge left unsaid. Indeed, I am but trying to illustrate an idea, possibilities.... I think there is a power within the human soul to trace back all growths, the most profuse and complex, to the simple seed from which they sprung; or, just as a single rose or pansy bloom is the resultant, the expression, of the interaction and interplay of innumerable forces--so the innumerable forces whose interaction makes the history of one race, one culture, could find their ultimate expression in a symbol as simple as a pansy or rose bloom--color, form and fragrance. So each national great age would be a flower evolved in the garden of the eternal; and once evolved, once bloomed, it should never pass away; the actual blossom withers and falls; but the color, the form, the fragrance,--these remain in the world of causes. And just as you might press a flower in an album, or make a painting of it, and preserve its scent by chemical distillation or what not--and thereby preserve the whole story of all the forces that went to the production of that bloom--and they are, I suppose, in number beyond human computation--so you might express the history of a race in a symbol as simple as a bloom... And that there is a power, an unfolding faculty, in the soul, which, seeing such a symbol, could unravel from it, by meditation, the whole achievement of the race; its whole history, down to details; yes, even down to the lives of every soul that incarnated in it: their personal lives, with all successes, failures, attempts, everything. Because, for example, the light which comes down to us as that of ancient Greece is the resultant, the remainder of all the forces in all the lives of all individual Greeks, as these were played on by the conditions of place and time. Time:--at such and such a period, the Mood of the Oversoul is such and such. Place:--the temporal mood of the Oversoul, playing through that particular facet of the dodecahedron, which is Greece. The combinations and interplay of these two, plus the energies for good or evil of the souls there incarnate, give as their resultant the whole life of the race. There is perhaps a high Algebra of the Soul by which, if we understood its laws, we could revive the history of any past epoch, discover its thought and modes of living, as we discover the value of the unknown factor in an equation. Pythagoras must have his pupils understand music and geometry; and by music he intended, all the arts, every department of life that came under the sway of the Nine Muses. Why?--Because, as he taught, God is Poet and Geometer. Chaos is only on the outer rim of existence; as you get nearer the heart of thing, order and rhythm, geometry and poetry, are more and more found. Chaos is only in our own chaotic minds and perceptions: train these aright, and you shall hear the music of the spheres, perceive the reign of everlasting Law. These impulses from the Oversoul, that create the great epochs, raising one race after another, have perfect rhythm and rhyme. God sits harping in the Cycle of Infinity, and human history is the far faint echo of the tune he plays. Why can we not listen, till we hear and apprehend the tune? Or History is the sound heard from far, of the marching hosts of angels and archangels; the cyclic tread of their battalions; the thrill and rumble and splendor of their drums and fifes:--why should we not listen till the whole order of their cohorts and squadrons is revealed?--I mean to suggest that there are laws, undiscovered, but discoverable--discoverable from the fragments of history we possess--by knowing which we might gain knowledge, even without further material discoveries, of the lost history of man. Without moving from Point Loma, or digging up anything more important that hard-pan, we may yet make the most important finds, and throw floods of light on the whole dark problem of the past. H.P. Blavatsky gave us the clews; we owe it to her to use them.

Now I want to suggest a few ideas along these lines that may throw light on ancient Europe; of which orthodox history tells us of nothing but the few centuries of Greece and Rome. As if the people of three thousand years hence should know, of the history of Christendom, only that of Italy from Garibaldi onward, and that of Greece beginning, say, at the Second Balkan War. That is the position we are in with regard to old Europe. Very like Spain, France, Britain, Germany and Scandinavia played as great parts in the millennia B.C., as they have done in the times we know about. All analogy from the other seats of civilization is for it; all racial memories and traditions--tradition is racial memory--are for it; and I venture to say, all reason and common sense are for it too.

Now let us look at history. Right on the eastern rim of the Old World is the Chino-Japanese field of civilization. It has been, until lately, under pralaya, in a night or inactive period of its existence, for something over six centuries: a beautiful pralaya in the case of Japan; a rather ugly one, recently, in the case of China. Right on the western rim of the Old World are the remnants of the once great Celtic people. Europe at large has been very much in manvantara, a day or waking period, for a little over six hundred years. Yet of the four racial roots or stocks of Europe, the Greco-Latin, Teutonic, Slavic, and Celtic, the last-named alone has been under pralaya, sound asleep, during the whole of this time. Let me interject here the warning that it is no complete scheme that is to be offered; only a few facts that suggest that such a scheme may exist, could we find it. Before Europe awoke to her present cycle of civilization and progress, before the last quarter of the thirteenth century, the Chinese had been in manvantara, very much awake, for about fifteen hundred years. When they went to sleep, the Celts did also.

I pass by with a mere note of recognition the two dragons, the one on the Chinese, the other on the Welsh flag; just saying that national symbols are not chose haphazard, but are an expression of inner things; and proceed to give you the dates of all the important events in Chinese and Celtic, chiefly Welsh, history during the last two thousand years. In 1911 the Chinese threw off the Manchu yoke and established a native republic. In 1910 the British Government first recognized Wales as a separate nationality, when the heir to the throne was invested as Prince of Wales at Carnarvon. Within a few years a bill was passed giving Home Rule to Ireland; and national parliaments at Dublin and at Cardiff are said to be among the likelihoods of the near future. The eighteenth century, for manvantara, was a singularly dead time in Europe; but in China, for pralaya, it was a singularly living time, being filled with the glorious reigns of the Manchu emperors Kanghu and Kien Lung. In Wales it saw the religious revival which put a stop to the utter Anglicization of the country, saved the language from rapid extinction, and awakened for the first time for centuries a sort of national consciousness. Going back, the first great emperor we come to in China before the Manchu conquest, was Ming Yunglo, conqueror of half Asia. His contemporary in Wales was Owen Glyndwr, who succeeded in holding the country against the English for a number of years; there had been no Welsh history between Glyndwr and the religious revival. In 1260 or thereabouts the Mongols completed the conquest of China, and dealt her then flourishing civilization a blow from which it never really recovered. About twenty years later the English completed the conquest of Wales, and dealt her highly promising literary culture a blow from which it is only now perhaps beginning to recover. In the eleventh, twelfth, and thirteenth centuries the great Sung artists of China were painting infinity or their square feet of silk: painting Natural Magic as it has never been painted or revealed since. In those same centuries the Welsh bards were writing the Natural Magic of the Mabinogion, one of the chief European repositories of Natural Magic; and filling a remarkable poetical literature with the same quality:--and that before the rest of Europe had, for the most part, awakened to the spiritual impulses that lead to civilization. In the seventh and eighth centuries, when continental Europe was in the dead vast and middle of pralaya, Chinese poetry, under Tang Hsuan-tsong and his great predecessors, was in its Golden Age--a Golden Age comparable to that of Pericles in Athens. In the seventh and eighth centuries, Ireland was sending out scholars and thinkers as missionaries to all parts of benighted Europe: Ireland in her golden age, the one highly cultured country in Christendom, was producing a glorious prose and poetry in the many universities that starred that then by no means distressful island. In 420, China, after a couple of centuries of anarchy, began to re-establish her civilization on the banks of the Yangtse. In 410, the Britons finally threw off the Roman yoke, and the first age of Welsh poetry, the epoch of Arthur and Taliesin, which has been the light of romantic Europe ever since, began.

Does it not seem as if that great Far Eastern note could not be struck without this little far western note vibrating in sympathy? Very faintly; not in a manner to be heard clearly by the world; because in historical times the Celtic note has been as it were far up on the keyboard, and never directly under the Master-Musician's fingers. And when you add to it all that this Celtic note has come in the minds of literary critics rather to stand as the synonym for Natural Magic--you all know what is meant by that term;--and that now, as we are discovering the old Chinese poetry and painting, we are finding that Natural Magic is really far more Chinese than Celtic--that where we Celts have vibrated to it minorly, the great Chinese gave it out fully and grandly--does it not add to the piquancy of the 'coincidence?'

Now there is no particular reason for doubting the figures of Chinese chronology as far back as 2350 B.C. Our Western authorities do doubt all before about 750; but it is hard to see why, except that 'it is their nature to.' The Chinese give the year 2356 as the date of the accession of the Emperor Yao, first of the three canonized rulers who have been the patriarchs, saints, sages, and examples for all ages since. In that decade a manvantara of the race would seem to have begun, which lasted through the dynasties of Hia and Shang, and halfway through the Chow, ending about 850. During this period, then, I think presently we shall come to place the chief activities and civilization of the Celts. From 850 to 240--all these figures are of course approximations: there was pralaya in China; on the other side of the world, it was the period of Celtic eruptions--and probably, disruption. While Tsin Shi Hwangti, from 246 to 213, was establishing the modern Chinese Empire, the Gauls made their last incursion into Italy. The culmination of the age Shi Hwangti inaugurated came in the reign of Han Wuti, traditionally the most glorious in the Chines annals. It lasted from 140 to 86 B.C.; nor was there any decline under his successor, who reigned until 63. In the middle of that time--the last decade of the second century--the Cimbri, allied with the Teutones, made their incursion down into Spain. Opinion is divided as to whether this people was Celtic or Teutonic; but probably the old view is the true one, that the word is akin to Cimerii, Crimea, and Cymry, and that they were Welshmen in their day. When Caesar was in Gaul, the people he conquered had much to say about their last great king. Diviciacos, whose dominions included Gaul and Britain; they looked back to his reign as a period of great splendor and national strength. He lived, they said, about a hundred years before Caesar's coming--or was contemporary with Han Wuti.

But the empire of the Celtic Kings was already far fallen, before it was confined to Gaul, Britain, and perhaps Ireland. When first we see this people they were winning a name for fickleness of purpose: making conquests and throwing them away; which things are the marks of a race declining from a high eminence it had won of old through hard work and sound policy. We shall come to see that personal or outward characteristics can never be posited as inherent in any race. Such things belong to ages and stages in the race's growth. Whatever you can say of Englishmen, Frenchmen, Germans, now, has been totally untrue of them at some other period. We think of the Italians as passionate, subtle of intellect, above all things artistic and beauty-loving. Now look at them as they were three centuries B.C.: plodding, self- contained and self-mastered, square-dealing and unsubtle, above all things contemning beauty, wholly inartistic. But a race may retain the same traits for a very long time, if it remains in a back-water, and is unaffected by the currents of evolution.

So we may safely say of the Celts that the fickleness for which they were famed in Roman times was not a racial, but a temporal or epochal defect. They were not fickle when they held out for eight centuries against the barbarian onslaughts which brought the rest of the Roman empire down in two or three; or when they resisted for two hundred years those Normans who had conquered the Anglo-Saxons in a decade. This very quality, in old Welsh literature, is more than once given as a characteristic of extreme age; "I am old, bent double; I am fickly rash." says Llywarch Hen. I think that gives the clew to the whole position. The race was at the end of its manvantaric period; the Race Soul had lost control of the forces that bound its organism together; centrifugalism had taken the place of the centripetal impulse that marks the cycles of youth and growth. It had eaten into individual character; whence the tendency to fly off at tangents. We see the same thing in any decadent people; by which I mean, any people at the end of one of its manvantaras, and on the verge of a pralaya. And remember that a pralaya, like a night's rest or the Devachanic sleep between two lives, is simply a means for restoring strength and youth.

The Celts, then, at one time or another, have held the following lands: Britain and Ireland, of course; Gaul and Spain; Switzerland and Italy north of the Po; Germany, except perhaps some parts of Prussia; Denmark probably, which as you know was called the Cimbric Chersonese; the Austrian empire, with the Balkan Peninsula north of Macedonia, Epirus and Thrace, and much of southern Russia and the lands bordering the Black Sea. Further back, it seems probable that they and the Italic people were one race; whose name survives in that of the province of Liguria, and in the Welsh name for England, which is Lloegr. So that in the reign of Diviciacos their empire had already shrunk to the meerest fragment of its former self. It had broken and shrunk before we get the first historical glimpses of them; before they sacked Delphi in 279 B.C.: before their ambassadors made a treaty with Alexander; and replied to his question as to what they feared: "Nothing except that the skies should fall." Before they sacked Rome in 390. All these historic eruptions were the mere sporadic outburst of a race long past its prime and querulous with old age, I think Two thousand years of severe pralaya, almost complete extinction, utter insignificance and terrible karma awaited them; and we only see them, pardon the expression, kicking up their heels in a final plunge as a preparation for that long silence.

Some time back I discussed these historical questions, particularly the correspondence between Celtic and Chinese dates, with Dr. Siren and Professor Fernholm; and they pointed out to me a similar correspondence between the dates of Scandinavian and West Asian history. I can remember but one example now: Gustavus Vasa, father of modern Sweden, founder of the present monarchy, came to the throne in 1523 and died in 1560. The last great epoch of the West Asian Cycle coincides, in the west, and reign of Suleyman the Magnificent in Turkey, from 1520 to 1566. At its eastern extremity, Babar founded the Mogul Empire in India in 1526; he reigned until 1556. On the death of Aurangzeb in 1707, the Moguls ceased to be a great power; the Battle of Pultowa, in 1709, put an end to Sweden's military greatness.

It is interesting to compare the earliest Celtic literature we have, with the earliest literature of the race which was to be the main instrument of Celtic bad karma in historical times--the Teutons. Here, as usual, common impressions are false. It is the latter, the Teutonic, that is in the minor key, and full of wistful sadness. There is an earnestness about it: a recognition of, and rather mournful acquiescence in, the mightiness of Fate, which is imagined almost always adverse. I quote these lines from William Morris, who, a Celt himself by mere blood and race, lived in and interpreted the old Teutonic spirit as no other English writer has attempted to do, mush less succeeded in doing: he is the one Teuton of English literature. He speaks of the "haunting melancholy" of the northern races--the "Thought of the Otherwhere" that

"Waileth weirdly along through all music and song From a Teuton's voice or string: ..."

Withal it was a brave melancholy that possessed them; they were equal to great deeds, and not easily to be discouraged; they could make merry, too; but in the midst of their merriment, they could not forget grim and hostile Fate:--

"There dwelt men merry-hearted and in hope exceeding great, Met the good days and the evil as they went the ways of fate."

It is literature that reveals the heart of a people who had suffered long, and learnt from their suffering the lessons of patience, humility, continuity of effort: those qualities which enable them, in their coming manvantaric period, to dominate large portions of the world.

But when we turn to the Celtic remains, the picture we find is altogether different. Their literature tells of a people, in the Biblical phrase, "with a proud look and a high stomach." It is full of flashing colors, gaiety, titanic pride. There was no grayness, no mournful twilight hue on the horizon of their mind; their 'Other-World' was only more dawn-lit, more noon-illumined, than this one; Ireland of the living was sun-bright and sparkling and glorious; but the 'Great Plain' of the dead was far more sun-bright and sparkling than Ireland. It is the literature of a people accustomed to victory and predominance. When they began to meet defeat they by no means acquiesced in it. They regarded adverse fate, not with reverence, but with contempt. They saw in sorrow no friend and instructress of the human soul; were at pains to learn no lesson from her; instead, they pitted what was their pride, but what they would have called the glory of their own souls, against her; they made no terms, asked no truce; but went on believing the human--or perhaps I should say the Celtic--soul more glorious than fate, stronger to endure and defy than she to humiliate and torment. In many sense it was a fatal attitude, and they reaped the misery of it; but they gained some wealth for the human spirit from it too. The aged Oisin has returned from Fairyland to find the old glorious order in Ireland fallen and passed during the three centuries of his absence. High Paganism has gone, and a religion meek, inglorious, and Unceltic has taken its mission thereto: tells him the gods are conquered and dead, and that the omnipotent God of the Christians reigns alone now.--"I would thy God were set on yonder hill to fight with my son Oscar!" replies Oisin. Patrick paints for him the hell to which he is destined unless he accepts Christianity; and Oisin answers:

"Put the staff in my hands! for I go to the Fenians, thou cleric, to chant The warsongs that roused them of old; they will rise, making clouds with their breath. Innumerable, singing, exultant; and hell underneath them shall pant, And demons be broken in pieces, and trampled beneath them in death."

"No," says Patrick; "none war on the masters of hell, who could break up the world in their rage"; and bids him weep and kneel in prayer for his lost soul. But that will not do for the old Celtic warrior bard; no tame heaven for him. He will go to hell; he will not surrender the pride and glory of his soul to the mere meanness of fate. He will

"Go to Caolte and Conan, and Bran, Sgeolan, Lomair And dwell in the house of the Fenians, be they in flames or at feast."

So with Llywarch Hen, Prince of Cumberland, in his old age and desolation. His kingdom has been conquered; he is in exile in Wales; his four and twenty sons, "wearers of golden torques, proud rulers of princes," have been slain; he is considerably over a hundred years old, and homeless, and sick; but no whit of his pride is gone. He has learnt no lesson from life excepts this One: that fate and Karma and sorrow are not so proud, not so skillful to persecute, as the human soul is capable of bitter resentful endurance. He is titanically angry with destiny; but never meek or acquiescent.

Now, in what condition does a race gain such qualities? Not in sorrow; not in defeat, political dependence or humiliation. The virtues which these teach are of an opposite kind; they are what we may call the plebeian virtues which lead to success. But the others, the old Celtic qualities, are essentially patrician. You find them in the Turks; accustomed to sway subject races, and utterly ruthless in their dealings with them; but famed as clean and chivalrous fighters in a war with foreign peoples. See how the Samurai, the patricians of never yet defeated Japan, developed them. They are the qualities the Law teaches us through centuries of domination and aristocratic life. They are developed in a race accustomed to rule other races; a race that does not engage in commerce; in an aristocratic race, or in an aristocratic caste within a race. Here is the point: the Law designs periods of ascendency for each people in its turn, that it may acquire these qualities; and it appoints for each people in its turn Periods of subordination, poverty and sorrow, that it may develop the opposite qualities of patience, humility, and orderly effort.

Would it not appear then, that in those first centuries B. C. when Celts and Teutons were emerging into historical notice, the Teutons were coming out of a long period of subordination, in which they had learnt strength--the Celts out of a long period of ascendency, in which they had learnt other things? The Teuton, fresh from his pralayic sleep, was unconquerable by Rome. The Celt, old, and intoxicated with the triumphs of a long manvantara, could not repel Roman persistence and order. Rome. too, was rising, or in her prime; had patience, and followed her material plans every inch of the way to success. Where she conquered, she imposed her rule. But whatever material plan were set before the Celt, some spiritual red-herring, some notion in his mind, was sure to sidetrack him before he had come half way to its accomplishment. He had enough of empire-building; and thirsted only after dreams. Brennus turned from a burnt Rome, his pride satisfied. Vercingetorix, decked in all his gold, rode seven times--was it seven times?--round the camp of Caesar: defeat had come to him; death was coming; but he would bathe his soul in a little pomp and glory first. Whether you threw your sword in the scales, or surrendered to infamous Caesar, the main thing was that you should kindle the pride in your eye, and puff up the highness of your stomach. . . . So the practical Roman despised him, and presently conquered him.

And now I think we have material before us wherewith to reconstruct a sketch or plan of ancient European history. Let me remind you again that our object is simply the discovery of Laws. That, in the eyes of the Law, there are no most favored nations. That there are no such things as permanent racial characteristics; but that each race adopts the characteristics appropriate to its stage of growth.

And then go back a few more thousand years again, and you would probably find the case again reversed; and Teutons lording it over Celts, and our present conditions restored. It is by suffering these poles of experience, now pride and domination, now humiliation and adversity, that the races of mankind learn. Europe is not a new sort of continent. Man, says one of the Teachers, has been much what he is any time these million years. History has been much what it is now, ebbing and flowing. Knowledge, geographical and other, has receded, and again expanded. Europe has been the seat of empires and civilizations, all Europe, probably, for not so far short of a million years; there has been plenty of time for it to multiply terrible karma-- which takes the occasion to expend itself sometimes--as now. I mistrust the theory of recent Aryan in-pourings from Asia. The Huns came in when the Chinese drove them; and the Turks and Mongols have come in since; but there is nothing to show that the Slavs, for example, when they first appear in history, had come in from beyond the Urals and the Caspian. Slavs and Greco- Latins, Teutons and Celts, I think they were probably in Europe any time these many hundreds of thousands of years.

Or rather, I think there were Europeans--Indo-Europeans, Aryans, call them what you will--where they are now at any time during such a period. Because race is a thing that will not bear close investigation. It is a phase; an illusion; a temporary appearance taken on by sections of humanity. There is nothing in it to fight about or get the least hot over. It is a camouflage; there you have the very word for it. What we call Celts and Teutons are simply portions of the one race, humanity, camouflaged up upon their different patterns. So far as flood and ultimate physical heredity are concerned, I doubt there is sixpenny-worth of difference between any two of the lot. "Oi mesilf," said Mr. Dooley, speaking as a good American citizen, "am the thruest and purest Anglo-Saxon that iver came out of Anglo-Saxony." We call ourselves Anglo-Saxons because we speak English ; when in reality we are probably Jews, Turks, infidels or heretics, if all were known. What is a Spaniard? A Latin, you answer pat. Yes; he speaks a Latin-derived language; and has certain qualities of temperament which seem to mark him as more akin to the French and Italians, than to those whom we, just as wisely, dub 'Teutonic' or 'Slavic.' But in fact he may have in his veins not a drop of blood that is not Celtic, or not a drop that is not Teutonic, or Moorish, or Roman, or Phoenician, or Iberian, or God knows what.

England since that Teutonic expansion which made her English was spent, has grown less and less Teutonic, more and more Latin; the Italian impulse of the Renaissance drove her far along that path. In the middle of the eleventh century, her language was purely Teutonic; you could count on the fingers of your hand the words derived from Latin or Celtic. And now? Sixty percent of all English words are Latin. At the beginning of the fifth century, after nearly three hundred years of Roman occupation, one can hardly doubt that Latin was the language of what is now England. Celtic, even then I imagine, was mainly to be heard among the mountains. See how that situation is slowly coming back. And the tendency is all in the same direction. You have taken, indeed, a good few words from Dutch; and some two dozen from German, in all these centuries; but a Latin word has only to knock, to be admitted and made welcome. Teachers of composition must sweat blood and tears for it, alas, to get their pupils to write English and shun Latin. In a thousand years' time, will English be as much a Latin language as French is? Quite likely. The Saxon words grow obsolete; French ones come pouring in. And Americans are even more prone to Latinisms than Englishmen are: they 'locate' at such and such a place, where an English man would just go and live there.

Before Latin, Celtic was the language of Britain. Finally, says W.Q. Judge, Sanskrit will become the universal language. That would mean simply that the Fifth Root Race will swing back slowly through all the linguistic changes that it has known in the past, till it reaches its primitive language condition. Then the descendants of Latins, Slavs, Celts, and Teutons will proudly boast their unadulterated Aryan-Sanscrit heredity, and exult over their racial superiority to those barbarous Teutons, Celts, Slavs, and Latins of old, of whom their histories will lie profusely.

When the Law designs to get tremendous things out of a race of men, it goes to work this way and that, making straight the road for an inrush of important and awakened souls. Having in mind to get from Greece a startling harvest presently, it called one Homer, surnamed Maeonides, into incarnation, and endowed him with high poetic genius. Or he had in many past lives so endowed himself; and therefore the Law called him in. This evening I shall work up to him, and try to tell you a few things about him, some of which you may know already, but some of which may be new to you.

What comes down to us from old Europe between its waking and the age of Pericles? Some poetry, legends, and unimportant history from Greece; some legends from Rome; the spirit or substance of the Norse sagas; the spirit or substance of the Welsh Mabinogi and the Arthurian atmosphere; and of the Irish tales of the Red Branch and Fenian cycles. The actual tales as we get them were no doubt retold in much later times; and it is these late recensions that we have. What will remain of England in the memory of three or four thousand years hence? Unless this Theosophical Movement shall have lifted human standards to the point where that which has hitherto been esoteric may safely be kept public, this much:--an echo only of what England has produced of eternal truth;--something from Shakespeare; something from Milton; and as much else in prose and poetry from the rest. But all the literature of this and all past ages is and will then still be in being; in the hidden libraries of the Guardians of Esoteric Science, from which they loose fragments and hints on the outer world as the occasion cyclically recurs, and as their wisdom directs.

How do they loose such fragments of old inspiration? It may be by putting some manuscript in the way of discovery; it may be by raising up some man of genius who can read the old records on inner planes, and reproduce in epic or drama something of a long past splendor to kindle the minds of men anew. In that way Greece was kindled. Troy fell, says H. P. Blavatsky, nearly five thousand years ago. Now you will note that a European manvantara began in 2980 B. C.; which is very nearly five thousand years ago. And that this present European manvantara or major cycle was lit up from a West Asian Cycle; from the Moors in Spain; from Egypt through Sicily and Italy; and, in its greatest splendor; when Constantinople fell, and refugees therefrom came to light the Cinquecento in Italy. Now Constantinople is no great way from Troy; and, by tradition, refugees came to Italy from Troy, once. Was it they in part, who lit up that ancient European cycle of from 2980 to 1480 B. C.?

In the Homeric poems a somewhat vague tradition seems to come down of the achievements of one of the European peoples in that ancient cycle. Sometime then Greece had her last Pre-periclean age of greatness. What form it took, the details of it, were probably as much lost to the historic Greeks as the details of the Celtic Age are to us. But Homer caught an echo and preserved the atmosphere of it. As the Celtic Age bequeaths to us, in the Irish and Welsh stories, a sense of style--which thing is the impress of the human spirit triumphant over all hindrances to its expression;--so that long past period bequeathed through Homer a sense of style to the later Greeks. It rings majestically through his lines. His history is perhaps not actual history in any recognizable shape.

What does not follow is, that he ever sat down and said: "Now let us write an epic." Conditions would be against it. A wandering minstrel makes ballads, not epics; for him Poe's law applies: that is a poem which can be read or recited at a single sitting. The unity of the Iliad is one not of structure, but of spirit; and the chances are that the complete works of any great poet will be a unity of spirit.

Now these many poems, before Pisistratus took them in hand, had been in the keeping for perhaps three centuries of wandering minstrels--Rhapsodoi, Aoidoi, Citharaedi and Homeridae, as they were called--who drifted about the Isles of Greece and Asiatic mainland during the long period of Greek insignificance and unculture. The first three orders were doubtless in existence long before Homer was born; they were the bards, trouveurs and minnesingers of their time; their like are the instruments of culture in any race during its pralayas. So you find the professional story-tellers in the East today. But the Homeridae may well have been--as De Quincey suggests--an order specially trained in the chanting of Homeric poems; perhaps a single school founded in some single island by or for the sake of Homer. We hear that Lycurgus was the first who brought Homer--the works, not the man--into continental Greece; importing them from Crete. That means, probably, that he induced Homeridae to settle in Sparta. European continental Greece would in any case have been much behind the rest of the Greek world in culture; because furthest from and the least in touch with West Asian civilization. Crete was nearer to Egypt; the Greeks of Asia Minor to Lydia; as for the islanders of the Cyclades and Sporades, the necessity of gadding about would have brought them into contact with their betters to the south and east, and so awakened them, much sooner than their fellow Greeks of Attica, Boeotia, and the Peloponnese.

Where did Homer live? Naturally, as a wandering bard, all over the place. We know of the seven cities that claimed to be his birthplace:

Of these Smyrna probably has the best chance of it; for he was Maeonides, the son of Maeon, and Maeon was the son of Meles; and the Maeon and the Meles are rivers by Smyrna. But De Quincey makes out an excellent case for supposing he knew Crete better than any other part of the world. Many of the legends he records; many of the superstitions--to call them that;--many of the customs he describes: have been, and are still, peculiar to Crete. Neither the smaller islands, nor continental Greece, were very suitable countries for horse-breeding; and the horse does not figure greatly in their legends. But in Crete the friendship of horse and man was traditional; in Cretan folk-lore, horses still foresee the doom of their masters, and weep. So they do in Homer.

Now Crete is much nearer Egypt than the rest of Greece is; and may very likely have shared in a measure of Egyptian culture at the very beginning of the European manvantara, and even before. Of course, in past cycles it had been a great center of culture itself; but that was long ago, and I am not speaking of it. In the tenth century A.D., three hundred years before civilization, in our own cycle, had made its way from the West Asian Moslem world into Christendom, Sicily belonged to Egypt and shared in its refinement--was Moslem and highly civilized, while Europe was Christian and barbarous; later it became a main channel through which Europe received enlightenment. May not Crete have played a like part in ancient times? I mean, is it not highly probable? May it not have been--as Sicily was to be--a mainly European country under Egyptian influence, and a seat of Egyptianized culture?

Let us, then, suppose Homer a Greek, born early in the ninth century B.C., taken in childhood to Crete, and brought up there in contact with cultural conditions higher than any that obtained elsewhere among his own people.

But genius stirs in him, and he is Greek altogether in the deep enthusiasms proper to genius: so presently he leaves Crete and culture, to wander forth among the islands singing.--

says Hesiod: "Then first in Delos did I and Homer, two Aoidoi, perform as musical reciters." Delos, of course, is a small island in the Cyclades.

He would have had some training, it is likely, as an Aoidos: a good founding in the old stories which were their stock in trade, and which all pointed to the past glory of his race. In Crete he had seen the culture of the Egyptians; in Asia Minor, the strength and culture of the Lydians; now in his wanderings through the isles he saw the disunion and rudeness of the Greeks. But the old traditions told him of a time when Greeks acted together and were glorious: when they went against, and overthrew, a great West Asian Power strong and cultured like the Lydians and Egyptians. Why should not he create again the glory that once was Greece?

--Goddess, aid me to sing the wrath of a Greek hero!--Let the Muses help him, and he will remind his people of an ancient greatness of their own: of a time when they were united, and triumphed over these now so much stronger peoples! So Dante, remembering ancient Rome, evoked out of the past and future a vision of United Italy; so in the twelfth century a hundred Welsh bards sand of Arthur.

I think he would have created out of his own imagination the life he pictures for his brazen-coated Achaeans. It does not follow, with any great poet, that he is bothering much with historical or other accuracies, or sticking very closely even to tradition. Enough that the latter should give him a direction; as Poet-creator, he can make the details for himself. Homer's imagination would have been guided, I take it, by two conditions: what he saw of the life of his semi-barbarous Greek country men; and what he knew of civilization in Egyptianized Crete. He was consciously picturing the life of Greeks; but Greeks in an age traditionally more cultured than his own. Floating legends would tell him much of their heroic deed, but little of their ways of living. Such details he would naturally have to supply for himself. How would he go to work? In this way, I think. The Greeks, says he, were in those old ages, civilized and strong, not, as now, weak, disunited and half barbarous. Now what is strength like, and civilization? Why, I have them before me here to observe, here in Crete. But Crete is Egyptianized; I want a Greek civilization; culture as it would appear if home-grown among Greeks.--I do not mean that he consciously set this plan before himself; but that naturally it would be the course that he, or anyone, would follow. Civilization would have meant for him Cretan civilization: the civilization he knew: that part of the proposition would inhere in his subconsciousness. But in his conscious mind, in his intent and purpose, would inhere a desire to differentiate the Greek culture he wanted to paint, from the Egyptianized culture he knew. So I think that the conditions of life he depicts were largely the creation of his own imagination, working in the material of Greek character, as he knew it, and Cretan-Egyptian culture as he knew that. He made his people essentially Greeks, but ascribed to them also non-Greek features drawn from civilized life.

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