Read Ebook: The Atlantic Monthly Volume 12 No. 69 July 1863 A Magazine of Literature Art and Politics by Various

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The sitters who throng the photographer's establishment are a curious study. They are of all ages, from the babe in arms to the old wrinkled patriarchs and dames whose smiles have as many furrows as an ancient elm has rings that count its summers. The sun is a Rembrandt in his way, and loves to track all the lines in these old splintered faces. A photograph of one of them is like one of those fossilized sea-beaches where the raindrops have left their marks, and the shellfish the grooves in which they crawled, and the wading birds the divergent lines of their foot-prints,--tears, cares, griefs, once vanishing as impressions from the sand, now fixed as the vestiges in the sand-stone.

If you wish to see the very look your friend wore when his portrait was taken, let not the finishing artist's pencil intrude within the circle of the vital knot of expression.

We have learned many curious facts from photographic portraits which we were slow to learn from faces. One is the great number of aspects belonging to each countenance with which we are familiar. Sometimes, in looking at a portrait, it seems to us that this is just the face we know, and that it is always thus. But again another view shows us a wholly different aspect, and yet as absolutely characteristic as the first; and a third and a fourth convince us that our friend was not one, but many, in outward appearance, as in the mental and emotional shapes by which his inner nature made itself known to us.

In the course of a certain number of years there will have been developed some new physiognomical results, which will prove of extreme interest to the physiologist and the moralist. They will take time; for, to bring some of them out fully, a generation must be followed from its cradle to its grave.

The first is a precise study of the effects of age upon the features. Many series of portraits taken at short intervals through life, studied carefully side by side, will probably show to some acute observer that Nature is very exact in the tallies that mark the years of human life.

The vertical part of the lower jaw is short, and the angle of the jaw is obtuse, in infancy. When the physical development is complete, the lower jaw, which, as the active partner in the business of mastication, must be developed in proportion to the vigor of the nutritive apparatus, comes down by a rapid growth which gives the straight-cut posterior line and the bold right angle so familiar to us in the portraits of pugilists, exaggerated by the caricaturists in their portraits of fighting men, and noticeable in well-developed persons of all classes. But in imperfectly grown adults the jaw retains the infantile character,--the short vertical portion necessarily implying the obtuse angle. The upper jaw at the same time fails to expand laterally: in vigorous organisms it spreads out boldly, and the teeth stand square and with space enough; whereas in subvitalized persons it remains narrow, as in the child, so that the large front teeth are crowded, or slanted forward, or thrown out of line. This want of lateral expansion is frequently seen in the jaws, upper and lower, of the American, and has been considered a common cause of caries of the teeth.

A third series of results will relate to the effect of character in moulding the features. Go through a "rogues' gallery" and observe what the faces of the most hardened villains have in common. All these villanous looks have been shaped out of the unmeaning lineaments of infancy. The police-officers know well enough the expression of habitual crime. Now, if all this series of faces had been carefully studied in photographs from the days of innocence to those of confirmed guilt, there is no doubt that a keen eye might recognize, we will not say the first evil volition in the change it wrought upon the face, nor each successive stage in the downward process of the falling nature, but epochs and eras, with differential marks, as palpable perhaps as those which separate the aspects of the successive decades of life. And what is far pleasanter, when the character of a neglected and vitiated child is raised by wise culture, the converse change will be found--nay, has been found--to record itself unmistakably upon the faithful page of the countenance; so that charitable institutions have learned that their strongest appeal lies in the request, "Look on this picture, and on that,"--the lawless boy at his entrance, and the decent youth at his dismissal.

The field of photography is extending itself to embrace subjects of strange and sometimes of fearful interest. We have referred in a former article to a stereograph in a friend's collection showing the bodies of the slain heaped up for burial after the Battle of Malignano. We have now before us a series of photographs showing the field of Antietam and the surrounding country, as they appeared after the great battle of the 17th of September. These terrible mementos of one of the most sanguinary conflicts of the war we owe to the enterprise of Mr. Brady of New York. We ourselves were on the field upon the Sunday following the Wednesday when the battle took place. It is not, however, for us to bear witness to the fidelity of views which the truthful sunbeam has delineated in all their dread reality. The photographs bear witness to the accuracy of some of our own sketches in a paper published in the December number of this magazine. The "ditch" is figured, still encumbered with the dead, and strewed, as we saw it and the neighboring fields, with fragments and tatters. The "colonel's gray horse" is given in another picture just as we saw him lying.

"Is Nature's sternest painter, yet the best";

and that gives us, even without the crimson coloring which flows over the recent picture, some conception of what a repulsive, brutal, sickening, hideous thing it is, this dashing together of two frantic mobs to which we give the name of armies. The end to be attained justifies the means, we are willing to believe; but the sight of these pictures is a commentary on civilization such as a savage might well triumph to show its missionaries. Yet through such martyrdom must come our redemption. War Is the surgery of crime. Bad as it is in itself, it always implies that something worse has gone before. Where is the American, worthy of his privileges, who does not now recognize the fact, if never until now, that the disease of our nation was organic, not functional, calling for the knife, and not for washes and anodynes?

It is a relief to soar away from the contemplation of these sad scenes and fly in the balloon which carried Messrs. King and Black in their a?rial photographic excursion. Our townsman, Dr. John Jeffries, as is well recollected, was one of the first to tempt the perilous heights of the atmosphere, and the first who ever performed a journey through the air of any considerable extent. We believe this attempt of our younger townsmen to be the earliest in which the a?ronaut has sought to work the two miracles at once, of rising against the force of gravity, and picturing the face of the earth beneath him without brush or pencil.

One of their photographs is lying before us. Boston, as the eagle and the wild goose see it, is a very different object from the same place as the solid citizen looks up at its eaves and chimneys. The Old South and Trinity Church are two landmarks not to be mistaken. Washington Street slants across the picture as a narrow cleft. Milk Street winds as if the cowpath which gave it a name had been followed by the builders of its commercial palaces. Windows, chimneys, and skylights attract the eye in the central parts of the view, exquisitely defined, bewildering in numbers. Towards the circumference it grows darker, becoming clouded and confused, and at one end a black expanse of waveless water is whitened by the nebulous outline of flitting sails. As a first attempt it is on the whole a remarkable success; but its greatest interest is in showing what we may hope to see accomplished in the same direction.

In the last "Annual of Scientific Discovery" are interesting notices of photographs of the sun, showing the spots on his disk, of Jupiter with his belts, and Saturn with his ring.

The reversed method of microscopic photography is that which gives portraits and documents in little. The best specimen of this kind we have obtained is another of those miracles which recall the wonders of Arabian fiction. On a slip of glass, three inches long by one broad, is a circle of thinner glass, as large as a ten-cent piece. In the centre of this is a speck, as if a fly had stepped there without scraping his foot before setting it down. On putting this under a microscope magnifying fifty diameters there come into view the Declaration of Independence in full, in a clear, bold type, every name signed in fac-simile; the arms of all the States, easily made out, and well finished; with good portraits of all the Presidents, down to a recent date. Any person familiar with the faces of the Presidents would recognize any one of these portraits in a moment.

Still another application of photography, becoming every day more and more familiar to the public, is that which produces enlarged portraits, even life-size ones, from the old daguerreotype or more recent photographic miniature. As we have seen this process, a closet is arranged as a camera-obscura, and the enlarged image is thrown down through a lens above on a sheet of sensitive paper placed on a table capable of being easily elevated or depressed. The image, weakened by diffusion over so large a space, prints itself slowly, but at last comes out with a clearness which is surprising,--a fact which is parallel to what is observed in the stereoscopticon, where a picture of a few square inches in size is "extended" or diluted so as to cover some hundreds of square feet, and yet preserves its sharpness to a degree which seems incredible.

Some of our readers are aware that photographic operations are not confined to the delineation of material objects. There are certain establishments in which, for an extra consideration, the spirits of the departed appear in the same picture which gives the surviving friends. The actinic influence of a ghost on a sensitive plate is not so strong as might be desired; but considering that spirits are so nearly immaterial, that the stars, as Ossian tells us, can be seen through their vaporous outlines, the effect is perhaps as good as ought to be expected.

Mrs. Brown, for instance, has lost her infant, and wishes to have its spirit-portrait taken with her own. A special sitting is granted, and a special fee is paid. In due time the photograph is ready, and, sure enough, there is the misty image of an infant in the background, or, it may be, across the mother's lap. Whether the original of the image was a month or a year old, whether it belonged to Mrs. Brown or Mrs. Jones or Mrs. Robinson, King Solomon, who could point out so sagaciously the parentage of unauthenticated babies, would be puzzled to guess. But it is enough for the poor mother, whose eyes are blinded with tears, that she sees a print of drapery like an infant's dress, and a rounded something, like a foggy dumpling, which will stand for a face: she accepts the spirit-portrait as a revelation from the world of shadows. Those who have seen shapes in the clouds, or remember Hamlet and Polonius, or who have noticed how readily untaught eyes see a portrait of parent, spouse, or child in almost any daub intended for the same, will understand how easily the weak people who resort to these places are deluded.

There are various ways of producing the spirit-photographs. One of the easiest is this. First procure a bereaved subject with a mind "sensitized" by long immersion in credulity. Find out the age, sex, and whatever else you can, about his or her departed relative. Select from your numerous negatives one that corresponds to the late lamented as nearly as may be. Prepare a sensitive plate. Now place the negative against it and hold it up close to your gas-lamp, which may be turned up pretty high. In this way you get a foggy copy of the negative in one part of the sensitive plate, which you can then place in the camera and take your flesh-and-blood sitter's portrait upon it in the usual way. An appropriate background for these pictures is a view of the asylum for feeble-minded persons, the group of buildings at Somerville, and possibly, if the penitentiary could be introduced, the hint would be salutary.

The number of amateur artists in photography is continually increasing. The interest we ourselves have taken in some results of photographic art has brought us under a weight of obligation to many of them which we can hardly expect to discharge. Some of the friends in our immediate neighborhood have sent us photographs of their own making which for clearness and purity of tone compare favorably with the best professional work. Among our more distant correspondents there are two so widely known to photographers that we need not hesitate to name them: Mr. Coleman Sellers of Philadelphia and Mr. S. Wager Hull of New York. Many beautiful specimens of photographic art have been sent us by these gentlemen,--among others, some exquisite views of Sunnyside and of the scene of Ichabod Crane's adventures. Mr. Hull has also furnished us with a full account of the dry process, as followed by him, and from which he brings out results hardly surpassed by any method.

To all these friends of ours, those whom we have named, and not less those whom we have silently remembered, we send our grateful acknowledgments. They have never allowed the interest we have long taken in the miraculous art of photography to slacken. Though not one of them may learn anything from this simple account we have given, they will perhaps allow that it has a certain value for less instructed readers, in consequence of its numerous and rich omissions of much which, however valuable, is not at first indispensable.

THE WRAITH OF ODIN.

The guests were loud, the ale was strong, King Olaf feasted late and long; The hoary Scalds together sang; O'erhead the smoky rafters rang. Dead rides Sir Morten of Fogelsang.

The door swung wide, with creak and din; A blast of cold night-air came in, And on the threshold shivering stood An aged man, with cloak and hood. Dead rides Sir Morten of Fogelsang.

The King exclaimed, "O graybeard pale, Come warm thee with this cup of ale." The foaming draught the old man quaffed, The noisy guests looked on and laughed. Dead rides Sir Morten of Fogelsang.

Then spake the King: "Be not afraid; Sit here by me." The guest obeyed, And, seated at the table, told Tales of the sea, and Sagas old. Dead rides Sir Morten of Fogelsang.

And ever, when the tale was o'er, The King demanded yet one more; Till Sigurd the Bishop smiling said, "'T is late, O King, and time for bed." Dead rides Sir Morten of Fogelsang.

The King retired; the stranger guest Followed and entered with the rest; The lights were out, the pages gone, But still the garrulous guest spake on. Dead rides Sir Morten of Fogelsang.

As one who from a volume reads, He spake of heroes and their deeds, Of lands and cities he had seen, And stormy gulfs that tossed between. Dead rides Sir Morten of Fogelsang.

Then from his lips in music rolled The Havamal of Odin old, With sounds mysterious as the roar Of billows on a distant shore. Dead rides Sir Morten of Fogelsang.

"Do we not learn from runes and rhymes Made by the Gods in elder times, And do not still the great Scalds teach That silence better is than speech?" Dead rides Sir Morten of Fogelsang.

Smiling at this, the King replied, "Thy lore is by thy tongue belied; For never was I so enthralled Either by Saga-man or Scald." Dead rides Sir Morten of Fogelsang.

The Bishop said, "Late hours we keep! Night wanes, O King! 't is time for sleep!" Then slept the King, and when he woke, The guest was gone, the morning broke. Dead rides Sir Morten of Fogelsang.

They found the doors securely barred, They found the watch-dog in the yard, There was no foot-print in the grass, And none had seen the stranger pass. Dead rides Sir Morten of Fogelsang.

King Olaf crossed himself and said, "I know that Odin the Great is dead; Sure is the triumph of our Faith, The white-haired stranger was his wraith." Dead rides Sir Morten of Fogelsang.

GALA-DAYS.

"You sent for me?" she inquired, with the blandest accents imaginable. I can't tell a lie, pa,--you know I can't tell a lie; besides, I had not time to make up one, and I said, "Yes," and then, of all stupid devices that could filter into my soggy brain, I must needs stammer out that I should like a few matches! A pretty thing to bring a dowager duchess up nine pairs of stairs for!

"I will ring the bell," she said, with a tender, reproachful sweetness and dignity, which conveyed without unkindness the severest rebuke tempered by womanly pity, and proceeded to instruct me in the nature and uses of the bell-rope, as she would any little dairy-maid who had heard only the chime of cow-bells all the days of her life. Then she sailed out of the room, serene and majestic, like a seventy-four man-of-war, while I, a squalid, salt-hay gundalow, first sank down in confusion, and then rose up in fury and brushed all the hair out of my head.

"I declare," I said to Halicarnassus, when we were fairly beyond ear-shot of the city next morning, "I don't approve of sumptuary laws, and I like America to be the El Dorado of the poor man, and I go for the largest liberty of the individual; but I do think there ought to be a clause in the Constitution providing that servants shall not be dressed and educated and accomplished up to the point of making people uncomfortable."

"No," said Halicarnassus, sleepily; "perhaps it wasn't a servant."

"Well," I said, having looked at it in that light silently for half an hour, and coming to the surface in another place, "if I could dress and carry myself like that, I would not keep tavern."

"Oh! eh?" yawning; "who does?"

"Mrs. Astor. Of course nobody less rich than Mrs. Astor could go up-stairs and down-stairs and in my lady's chamber in Shiraz silk and gold of Ophir. Why, Cleopatra was nothing to her. I make no doubt she uses gold-dust for sugar in her coffee every morning; and as for the three miserable little wherries that Isabella furnished Columbus, and historians have towed through their tomes ever since, why, bless your soul, if you know of anybody that has a continent he wants to discover, send him to this housekeeper, and she can fit out a fleet of transports and Monitors for convoy with one of her bracelets."

"I don't," said Halicarnassus, rubbing his eyes.

"I only wish," I added, "that she would turn Rebel, so that Government might confiscate her. Paper currency would go up at once from the sudden influx of gold, and the credit of the country receive a new lease of life. She must be a lineal descendant of Sir Roger de Coverley, for I am sure her finger sparkles with a hundred of his richest acres."

Before bidding a final farewell to New York, I shall venture to make a single remark. I regret to be forced to confess that I greatly fear even this virtuous little city has not escaped quite free, in the general deterioration of morals and manners. The New York hackmen, for instance, are very obliging and attentive; but if it would not seem ungrateful, I would hazard the statement that their attentions are unremitting to the degree of being almost embarrassing, and proffered to the verge of obtrusiveness. I think, in short, that they are hardly quite delicate in their politeness. They press their hospitality on you till you sigh for a little marked neglect. They are not content with simple statement. They offer you their hack, for instance. You decline, with thanks. They say that they will carry you to any part of the city. Where is the pertinence of that, if you do not wish to go? But they not only say it, they repeat it, they dwell upon it as if it were a cardinal virtue. Now you have never expressed or entertained the remotest suspicion that they would not carry you to any part of the city. You have not the slightest intention or desire to discredit their assertion. The only trouble is, as I said before, you do not wish to go to any part of the city. Very few people have the time to drive about in that general way; and I think, that, when you have once distinctly informed them that you do not design to inspect New York, they ought to see plainly that you cannot change your whole plan of operations out of gratitude to them, and that the part of true politeness is to withdraw. But they even go beyond a censurable urgency; for an old gentleman and lady, evidently unaccustomed to travelling, had given themselves in charge of a driver, who placed them in his coach, leaving the door open while he went back seeking whom he might devour. Presently a rival coachman came up and said to the aged and respectable couple,--

"Here's a carriage all ready to start."

"But," replied the lady, "we have already told the gentleman who drives this coach that we would go with him."

"Catch me to go in that coach, if I was you!" responded the wicked coachman. "Why, that coach has had the small-pox in it."

"Driver, that man in the gray coat is trying to frighten the old lady and gentleman away from your coach, by telling them it has had the small-pox."

Oh I but did not the fire flash into his honest eyes, and leap into his swarthy cheek, and nerve his brawny arm, and clinch his horny fist, as he marched straightway up to the doomed offender, fiercely denounced his dishonesty, and violently demanded redress? Ah! then and there was hurrying to and fro, and eagerness and delight on every countenance, and a ring formed, and the prospect of a lovely "row,"--and I did it; but a police-officer sprang up, full-armed, from somewhere underground, and undid it all, and enforced a reluctant peace.

And so we are at Saratoga. Now, of all places to stay at in the summer-time, Saratoga is the very last one to choose. It may have attractions in winter; but, if one wishes to rest and change and root down and shoot up and branch out, he might as well take lodgings in the water-wheel of a saw-mill. The uniformity and variety will be much the same. It is all a noiseless kind of din, narrow and intense. There is nothing in Saratoga nor of Saratoga to see or to hear or to feel. They tell you of a lake. You jam into an omnibus and ride four miles. Then you step into a cockle-shell and circumnavigate a pond, so small that it almost makes you dizzy to sail around it. This is the lake,--a very nice thing as far as it goes; but when it has to be constantly on duty as the natural scenery of the whole surrounding country, it is putting altogether too fine a point on it. The picturesque people will inform you of an Indian encampment. You go to see it, thinking of the forest primeval, and expecting to be transported back to tomahawks, scalps, and forefathers; but you return without them, and that is all. I never heard of anybody's going anywhere. In fact, there did not seem to be anywhere to go. Any suggestion of mine to strike out into the champaign was frowned down in the severest manner. As far as I could see, nobody ever did anything. There never was any plan on foot. Nothing was ever stirring. People sat on the piazza and sewed. They went to the springs, and the springs are dreadful. They bubble up salts and senna. I never knew anything that pretended to be water that was half as bad. It has no one redeeming quality. It is bitter. It is greasy. Every spring is worse than the last, whichever end you begin at. They told apocryphal stories of people's drinking sixteen glasses before breakfast; and yet it may have been true; for, if one could bring himself to the point of drinking one glass of it, I should suppose it would have taken such a force to enable him to do it that he might go on drinking indefinitely, from the mere action of the original impulse. I should think one dose of it would render a person permanently indifferent to savors, and make him, like Mithridates, poison-proof. Nevertheless, people go to the springs and drink. Then they go to the bowling-alleys and bowl. In the evening, if you are hilariously inclined, you can make the tour of the hotels. In each one you see a large and brilliantly lighted parlor, along the four sides of which are women sitting solemn and stately, in rows three deep, with a man dropped in here and there, about as thick as periods on a page, very young or very old or in white cravats. A piano or a band or something that can make a noise makes it at intervals at one end of the room. They all look as if they were waiting for something, but nothing in particular happens. Sometimes, after the mountain has labored awhile, some little mouse of a boy and girl will get up, execute an antic or two and sit down again, when everything relapses into its original solemnity. At very long intervals somebody walks across the floor. There is a moderate fluttering of fans and an occasional whisper. Expectation interspersed with gimcracks seems to be the programme. The greater part of the dancing that I saw was done by boys and girls. It was pretty and painful. Nobody dances so well as children; no grace is equal to their grace: but to go into a hotel at ten o'clock at night, and see little things, eight, ten, twelve years old, who ought to be in bed and asleep, tricked out in flounces and ribbons and all the paraphernalia of ballet-girls, and dancing in the centre of a hollow square of strangers,--I call it murder in the first degree. What can mothers be thinking of to abuse their children so? Children are naturally healthy and simple; why should they be spoiled? They will have to plunge into the world full soon enough; why should the world be plunged into them? Physically, mentally, and morally, the innocents are massacred. Night after night I saw the same children led out to the slaughter, and as I looked I saw their round, red cheeks grow thin and white, their delicate nerves lose tone and tension, their brains become feeble and flabby, their minds flutter out weakly in muslin and ribbons, their vanity kindled by injudicious admiration, the sweet child--unconsciousness withering away in the glare of indiscriminate gazing, the innocence and simplicity and naturalness and child-likeness swallowed up in a seething whirlpool of artificialness, all the fine, golden butterfly-dust of modesty and delicacy and retiring girlhood ruthlessly rubbed off forever before girlhood had even reddened from the dim dawn of infancy. Oh! it is cruel to sacrifice children so. What can atone for a lost childhood? What can be given in recompense for the ethereal, spontaneous, sharply defined, new, delicious sensations of a sheltered, untainted, opening life?

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