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Read Ebook: Tell England: A Study in a Generation by Raymond Ernest
Font size: Background color: Text color: Add to tbrJar First Page Next PageEbook has 1097 lines and 113716 words, and 22 pagesBY PADRE MONTY BOOK I: FIVE GAY YEARS OF SCHOOL BOOK II: AND THE REST--WAR TELL ENGLAND A BY PADRE MONTY In the year that the Colonel died he took little Rupert to see the swallows fly away. I can find no better beginning than that. When there devolved upon me as a labour of love the editing of Rupert Ray's book, "Tell England," I carried the manuscript into my room one bright autumn afternoon, and read it during the fall of a soft evening, till the light failed, and my eyes burned with the strain of reading in the dark. I could hardly leave his ingenuous tale to rise and turn on the gas. Nor, perhaps, did I want such artificial brightness. There are times when one prefers the twilight. Doubtless the tale held me fascinated because it revealed the schooldays of those boys whom I met in their young manhood, and told afresh that wild old Gallipoli adventure which I shared with them. Though, sadly enough, I take Heaven to witness that I was not the idealised creature whom Rupert portrays. God bless them, how these boys will idealise us! Then again, as Rupert tells you, it was I who suggested to him the writing of his story. And well I recall how he demurred, asking: "But what am I to write about?" For he was always diffident and unconscious of his power. "Is Gallipoli nothing to write about?" I retorted. "And you can't have spent five years at a great public school like Kensingtowe without one or two sensational things. Pick them out and let us have them. For whatever the modern theorists say, the main duty of a story-teller is certainly to tell stories." "But I thought," he broke in, "that you're always maintaining that the greatest fiction should be occupied with Subjective Incident." "Don't interrupt, you argumentative child," I said . "Surely the ideal story must contain the maximum of Objective Incident with the maximum of Subjective Incident. Only give us the exciting events of your schooldays, and describe your thoughts as they happened, and you will unconsciously reveal what sort of scoundrelly characters you and your friends were. And when you get to the Gallipoli part, well, you can give us chiefly your thoughts, for Gallipoli, as far as dramatic incident is concerned, is well able to shift for itself." Little wonder that I was fascinated to read Rupert's final manuscript. And, when I had finished the last words, I announced aloud a weighty decision: "We must have a Prologue, Rupert,"--though, to be sure, my study was empty at the time--"and it must give pictures of what your three heroes were like, when they were small, abominable boys." And thereafter I busied myself in seeking information of the early childhood of Rupert Ray, Archibald Pennybet, and Edgar Gray Doe. Not without misgiving do I offer the result of these researches, for I fear all the time lest my self-conscious hand should profane Rupert's artless narrative. In the year that the Colonel died he took little Rupert to see the swallows fly away. Colonel Ray was a stately, grey-bearded grandfather; and Rupert his flushed and blue-eyed grandson of six years old; and the two stood side by side and watched. Behind them lay the French town, Boulogne; beside them went the waters of the French river, the Liane. Suddenly Rupert, who had kept his blue eyes on a sky but little bluer, cried out excitedly: "There they are!" For him at that moment the most interesting thing in the world was the flight of swallows overhead. The Colonel, also, looked at the birds till they were out of sight, and then, after keeping silence awhile, uttered a remark which was rather sent in pursuit of the birds than addressed to his young companion. "I shall not see the swallows again," he said. Colonel Rupert Ray was no ordinary person. He was one of those of whom tales are told; and such people are never ordinary. The most treasured of these tales is the story of the swallows; and it goes on to tell, as you would expect, how the Colonel died that year, before the swallows came flying north and home again. He was buried, while little Rupert and Rupert's mother looked on, in that untidy corner of the Boulogne Cemetery, where many another English half-pay officer had been laid before him. Of course the burial of the Colonel was very sad for Rupert; but he soon forgot it all in the excitement of preparing for the journey back to London. The Colonel, you see, had known that his old life would break up soon, and had summoned from their home in London the widow and child of his favourite son, "that Rupert, the best of the lot," as he used to call him. And now the Colonel was dead. So his grandson, the last of the Rupert Rays, could look forward to all the jolly thrills of steaming across the Channel to Folkestone and bowling in a train to London. Really life was an excellent thing. Now the Captain of all these manoeuvres, as the meanest intelligence will have observed, was Mrs. Ray. Mrs. Ray was Rupert's mother, and as beautiful as every mother must be, who has an only son, and is a widow. Moreover she was a perfect teller of stories: all really beautiful mothers are. And, for years after, she used at evening time to draw young Rupert against her knees, and tell him the traditional stories of that old half-pay officer at Boulogne. And grandfather was indeed a hero in these stories. We suspect--but who can sound the artful depths of a woman who is at once young, lovely, a mother, and a widow?--that Mrs. Ray, knowing that Rupert could never recall his father, was determined that at least one soldierly figure should loom heroic in his childish memories. She would tell again and again how he asked repeatedly, as he lay dying, for "that Rupert, the best of the lot." And her son would say: "I s'pose he meant Daddy, mother." "Yes," she would answer. "You see, you were all Ruperts: Grandfather Rupert Ray, Daddy Rupert Ray, and Sonny Rupert Ray, my own little Sonny Ray." But quite the masterpiece of all her tales was this. One summer morning, when the Boulogue promenade was bright and crowded and lively, the Colonel was seated with his grandson beside him. A little distance away sat Rupert's mother, who was just about as shy of the Colonel as the Colonel was shy of her . Well, all of a sudden, the boy got up, stood immediately in front of his grandsire, and leaned forward against his knees. There was no mistaking the meaning in the child's eyes; they said plainly: "This is entirely the best attitude for story-telling, so please." The officer, with military quickness, summed up the perilous situation on his front; he had suffered himself to be bombarded by a pair of patient eyes. And now he must either acknowledge his incompetence by a shameful retreat, or he must stir up the dump of his imagination and see what stories it contained. So with no small apprehension, he drew upon his inventive genius. A wonderful story resulted--wonderful as a prophetic parable of things which the Colonel would not live to see. Perhaps it was only coincidence that it should be so; perhaps the approach of death endowed the old gentleman with the gift of dim prophecy--did he not know that he would follow the swallows away?--perhaps all the Rays, when they stand in that shadow, possess a mystic vision. Certainly the boy Rupert--but there! I knew I was in danger of spoiling his story. "What was the other knight like?" interrupted Rupert. "What was his name?" "Revoller," suggested the listener. "Yes, his revolver fixed to his chain-mail--" In this strain the Colonel proceeded, wondering whether such abominable nonsense was interesting the child, whose gaze had now begun to reach out to sea. In reality Rupert was thrilled, and did not like to disturb the flow of a story so affecting. But the strength of his feelings was too much. He was obliged to suggest an amendment. "Are you sure I didn't go upon a horse?" he asked. "Why, of course, the unknown knight in question did, and the sheath of his sword clanked against his horse's side, as he dashed through the thicket." "Had the fair-haired knight anything to eat all this time?" This important problem was duly settled, and several others which were seen to be involved in such an intricate story; and a very happy conclusion was reached, when Mrs. Ray decided that it was time for Rupert to be taken home. She was about to lead him away, when the Colonel, who seldom spoke to her much, abruptly murmured: "He has that Rupert's eyes." For a moment she was quite taken aback, and then timorously replied: "Yes, they are very blue." "Very blue," repeated the Colonel. Mrs. Ray thereupon felt she must obviate an uncomfortable silence, and began with a nervous laugh: "He was born when we were in Geneva, you know, and we used to call him 'our mountain boy,' saying that he had brought a speck of the mountain skies away in his eyes." At this happy description the tears of pleasure sprang to the foolish eyes of Mrs. Ray, while Rupert, thinking with much wisdom that all the conditions were favourable, gazed up into the Colonel's face, and fired his last shot. "What really was the fair-haired knight's name?" "Perhaps you will know some day," answered the Colonel, half playfully, half wearily. In the course of the same summer Master Archibald Pennybet, of Wimbledon, celebrated his eighth birthday. He celebrated it by a riotous waking-up in the sleeping hours of dawn; he celebrated it by a breakfast which extended him so much that his skin became unbearably tight; and then, in a new white sailor-suit and brown stockings turned over at the calves to display a couple of magnificent knees, he celebrated some more of it in the garden. There on the summer lawn he stood, unconsciously deliberating how best to give new expression to the personality of Archibald Pennybet. He was dark, gloriously built, and possessed eyes that lazily drooped by reason of their heavy lashes; and, I am sorry to say, he evoked from a boudoir window the gurgling admiration of his fashionable mother, who, while her hair was being dressed, allowed her glance to swing from her hand-mirror, which framed a gratifying vision of herself, to the window, which framed a still more gratifying vision of her son. "He gets his good looks from me," she thought. And, having noticed the drooping of his eyelids, over-weighted with lashes, she brought her hand-mirror into play again. "He is lucky," she added, "to have inherited those lazy eyes from me." Soon Archie retired in the direction of the kitchen-garden. The kitchen-garden, with its opportunities of occasional refreshment such as would not add uncomfortably to his present feeling of tightness, was the place for a roam. Five minutes later he was leaning against the wire-netting of the chicken-run, and offering an old cock, who asked most pointedly for bread, a stone. To know how to spend a morning was no easier on a birthday than on any ordinary day. Suddenly, however, he overheard the gardener mentioning a murder which had been committed on Wimbledon Common, a fine tract of wild jungle and rolling prairie, that lay across the main road. Without waiting to prosecute inquiries which would have told him that, although the confession was only in the morning papers, the murder was twenty years old, he escaped unseen and set his little white figure on a walk through the common. He was out to see the blood. But, for a birthday, it was a disappointing morning. He discovered for the first time that Wimbledon Common occupied an interminable expanse of country; and really there was nothing unusual this morning about its appearance, or about the looks of the people whom he passed. So he gave up his quest and returned homeward. Then it was that his lazy eyes looked down a narrow, leafy lane that ran along the high wall of his own garden. Now all Wimbledon suspects that this lane was designed by the Corporation as a walk for lovers. There is evidence of the care and calculation that one spends on a chicken-run. For the Corporation, knowing the practice of lovers, has placed in the shady recesses of the lane a seat where these comical people can intertwine. At the sight of the lane and the seat, Master Pennybet immediately decided how he would occupy his afternoon. He would move that seat along his garden wall, till it rested beneath some ample foliage where he could lie hidden. Then he would wait the romantic moments of the evening. This idea proved so exciting that the luncheon of which he partook was regrettably small. And no sooner was it finished than he rushed into the lane, and addressed his splendid muscles to removing the seat. To begin with he tried pushing. This failed. The more he pushed the more his end of the seat went up into the air, while the other remained fast in the ground. The only time he succeeded in making the seat travel at all it went so fast that it laid him on his stomach in the lane. So he tried pulling from the other end. This was only partially successful. The seat moved towards him with jerks, at one time arriving most damnably on his shins, and at another throwing him into a sitting position on to the ground. And there is a portion of small boys which is very sensitive to stony ground. At these repeated checks the natural child in Mr. Pennybet caused his eyes to become moist, whereupon the strong and unconquerable man in him choked back a sob of temper, and pulled the seat with a passionate determination. I tell you, such indomitable grit will always get its way, and the seat was well lodged against Mr. Pennybet's wall and beneath his green fastness, before the afternoon blushed into the lovers' hour. He returned into his garden, and, climbing up the wall by means of the mantling ivy, reached his chosen observation-post. Through curtains of greenery he watched the arrival of a pair of lovers, and held his breath, as they seated themselves beneath him. They were an even more ridiculous couple than their kind usually are. And, when the gentleman squeezed the lady, she laughed so foolishly that Archie Pennybet was within an ace of forgetting himself and heartily laughing too. It was worse still, when they began the pernicious practice of "rubbing noses." For the operation was so new and unexpected, and withal so congenial to Archie, that he risked discovery by craning forward to study it. He watched with jaws parted in a wide gape of amazement, and then said to himself: "Well, I'm damned!" There is but one step from rubbing noses to the real business of the kiss. And it was when the gentleman brought the lady's lips into contact with his own, and the peculiar sound was heard in the lane, that Mr. Pennybet's moment had come. "Hem! Hem! Oh, I say!" he suggested loudly, and sought safety by slipping rapidly down his side of the wall, scratching his hands and bare knees as he fell. This fine triumph had been at a cost. Archie surveyed himself. His new suit was clearly disreputable. And, in his mother's eyes, the one crime punishable by whipping was to make a new suit disreputable. The more he studied the extent of the damage, the more he felt convinced that, in the expiation of this potty little offence, his body would be commandeered to play a painful and rather passive part. His brain, therefore, worked rapidly and well. It was more than possible, thought he, that his mother's sympathy could be induced to exceed her indignation. She was really an affectionate woman; and this was the line to go upon. So he squeezed the scratches in his knees to expedite the issue of blood, and bravely entered the house. "Mother," he called, introducing suitable pathos into his tones, "Mother, I've fallen all down the wall!" Add to tbrJar First Page Next Page |
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