Read Ebook: Joy in the Morning by Andrews Mary Raymond Shipman

Font size: 10 px 15 px 20 px 25 px 30 px 35 px

Background color: BlackWhiteGrayLight GrayDark GrayDim Gray

Text color: BlackWhiteGrayLight GrayDark GrayDim Gray

Apply/Save settings

Ebook has 728 lines and 59151 words, and 15 pages

Five minutes later the old woman went off down the street talking half aloud to herself in fragments of sentences about "Liberty what-je-call-'ems" and "my country too." In the little shack uptown that was home for her and her husband she began at once to set forth her new light. Jeems, who added to the family income by taking care of furnaces and doing odd jobs, was grizzled and hobbling of body, but argumentative of soul.

"'Oman," he addressed Aunt Basha, "Unc' Sam got lots o' money. What use he gwine have, great big rich man lak Unc' Sam, fo' yo' two hun'erd? But we got mighty lot o' use fo' dat money, we'uns. An' you gwine gib dat away? Thes lak a 'oman!" which, in other forms, is an argument used by male people of many classes.

Aunt Basha suggested that Young Marse David said something about a piece of paper and Uncle Sam paying back, but Jeems pooh-poohed that.

"Naw, sir. When big rich folks goes round collectin' po' folkses money, is dey liable to pay back? What good piece o' paper gwine do you? Is dey aimin' to let you see de color ob dat money agin? Naw, sir. Dey am not." He proceeded to another branch of the subject. "War ain' gwine las' long, nohow. Young Ananias he gwine to Franch right soon, an' de yether colored brothers. De Germans dey ain't gwine las' long, once ef dey see us Anglo-Saxons in de scrablin'. Naw, sir.

"White man what come hyer yether day, he say how dey ain't gwine 'low de colored sojers to fight," suggested Aunt Basha. German propaganda reaches far and takes strange shapes.

Aunt Basha, her hands folded on the rounded volume of apron considered deeply. After a time she arrived at a decision.

"Jeems," she began, "yo' cert'nly is a strong reasoner. Yassir. But I got it bo'ne in upon me powerful dat I gotter give dese yer savin's to Unc' Sam. It's my country too, Jeems, same as dem sojers what's fightin', dem boys in de mud what ain' got a soul to wash fo' 'em. An' lak as not dey mas not dere. Dem boys is fightin', and gittin' wet and hunted up lak young marse say, fo' Aunt Basha and--bress dere hearts"--Aunt Basha broke down, and the upshot was that Jeems washed his hands of an obstinate female and--the savings not being his in any case--gave unwilling consent.

"I'll set and rest ontwell he comes in," she announced, and retired to a chair against the wall.

There she folded her hands statelily and sat erect, motionless, an image of fine old dignity. But much thinking was going on inside the calm exterior. What was she going to do if young marse did not come back? She had the 0 with her, carefully pinned and double pinned into a pocket in her purple alpaca petticoat. She did not want to take it home. Jeems had submitted this morning, but with mutterings, and a second time there might be trouble. The savings were indeed hers, but a rebellious husband in high finance is an embarrassment. Deeply Aunt Basha considered, and memory whispered something about a bank. Young marse was going to the bank with her to give her money to Uncle Sam. She had just passed a bank. Why could she not go alone? Somebody certainly would tell her what to do. Possibly Uncle Sam was there himself--for Aunt Basha's conception of our national myth was half mystical, half practical--as a child with Santa Claus. In any case banks were responsible places, and somebody would look after her. She crossed to the desk where two or three young men appeared to be doing most of the world's business.

"Marsters!"

The three looked up.

"Good mawnin', young marsters. I'm 'bleeged to go now. I cert'nly thank you-all fo' lettin' me set in de cheer. I won't wait fo' marse David Lance no mo', sir. Good mawnin', marsters."

A smiling courtesy dropped, and she was gone.

"I'll be darned!" remarked reporter number one.

"Where did that blow in from?" added reporter number two.

But reporter number three had imagination. "The dearest old soul I've seen in a blue moon," said he.

Aunt Basha proceeded down the street and more than one in the crowd glanced twice at the erect, stout figure swinging, like a quaint and stately ship in full sail, among the steam-tuggery of up-to-date humanity. There were high steps leading to the bank entrance, impressive and alarming to Aunt Basha. She paused to take breath for this adventure. Was a humble old colored woman permitted to walk freely in at those grand doors, open iron-work and enormous of size? She did not know. She stood a moment, suddenly frightened and helpless, not daring to go on, looking about for a friendly face. And behold! there it was--the friendliest face in the world, it seemed to the lost old soul--a vision of loveliness. It was the face of a beautiful young white lady in beautiful clothes who had stepped from a huge limousine. She was coming up the steps, straight to Aunt Basha. She saw the old woman, saw her anxious hesitation, and halted. The next event was a heavenly smile. Aunt Basha knew the repartee to that, and the smile that shone in answer was as heavenly in its way as the girl's.

"Is there anything I can do for you?" spoke a voice of gentleness.

And the world had turned over and come up right side on top. "Mawnin', Miss. Yas'm, I was fixin' to go in dat big do' yander, but I dunno as I'm 'lowed. Is I 'lowed, young miss, to go in dar an' gib my two hun'erd to Unc' Sam?"

"What?" The tone was kindness itself, but bewildered.

Aunt Basha elucidated. "I got two hun'erd, young miss, and I cert'nly want to gib it to Unc' Sam to buy clo'se for dem boys what's fightin' for us in Franch."

"I wonder," spoke the girl, gazing thoughtfully, "if you want to get a Liberty Bond?"

"Yas'm--yas, miss. Dat's sho' it, a whatjer-ma-call-'em. I know'd 'twas some cu'is name lak dat." The vision nodded her head.

"I'm going in to do that very thing myself," she said. "Come with me. I'll help you get yours."

Aunt Basha followed joyfully in the wake, and behold, everything was easy. Ready attention met them and shortly they sat in a private office carpeted in velvet and upholstered in grandeur. A personage gave grave attention to what the vision was saying.

"I met--I don't know your name," she interrupted herself, turning to the old negro woman.

Aunt Basha rose and curtsied. "Dey christened me Bathsheba Jeptha, young miss," she stated. "But I'se rightly known as Aunt Basha. Jes' Aunt Basha, young miss. And marster."

A surname was disinterred by the efforts of the personage which appeared to startle the vision.

"Why, it's our name, Mr. Davidson," she exclaimed. "She said Cabell."

Aunt Basha turned inquiring, vague eyes. "Is it, honey? Is yo' a Cabell?"

And then the personage, who was, after all, cashier of the Ninth National Bank and very busy, cut in. "Ah, yes! A well known Southern name. Doubtless a large connection. And now Mrs.--ah--Cabell--"

"I'd be 'bleeged ef yo' jis' name me Aunt Basha, marster."

"It's all hyer, marster. It's two hun'erd dollars, sir. I ben savin' up fo' twenty years an' mo', and me'n Jeems, we ben countin' it every mont, so I reckon I knows."

The man and the girl regarded the old woman a moment. "It's a large sum for you to invest," Mr. Davidson said.

"Yassir. Yas, marster. It's right smart money. But I sho' am glad to gib dis hyer to Unc' Sam for dem boys."

The cashier of the Ninth National Bank lifted his eyes from the blank he was filling out and looked at Aunt Basha thoughtfully. "You understand, of course, that the Government--Uncle Sam--is only borrowing your money. That you may have it back any time you wish."

Aunt Basha drew herself up. "I don' wish it, sir. I'm gibin' dis hyer gif,' a free gif' to my country. Yassir. It's de onliest country I got, an' I reckon I got a right to gib dis hyer what I earned doin' fine washin' and i'nin. I gibs it to my country. I don't wan' to hyer any talk 'bout payin' back. Naw, sir."

It took Mr. Davidson and the vision at least ten minutes to make clear to Aunt Basha the character and habits of a Liberty Bond, and then, though gratified with the ownership of what seemed a brand new 0 and a valuable slip of paper--which meandered, shamelessly into the purple alpaca petticoat--yet she was disappointed.

"White folks sho' am cu'is," she reflected, "Now who'd 'a thought 'bout dat way ob raisin' money! Not me--no, Lawd! It do beat me." With that she threw an earnest glance at Mr. Davidson, lean and tall and gray, with a clipped pointed beard. "'Scuse me, marster," said Aunt Basha, "mout I ask a quexshun?"

"Surely," agreed Mr. Davidson blandly.

"Is you'--'scuse de ole 'oman, sir--is you' Unc' Sam?"

The "quexshun" left the personage too staggered to laugh. But the girl filled the staid place with gay peals. Then she leaned over and patted the wrinkled and bony worn black knuckles. "Bless your dear heart," she said; "no, he isn't, Aunt Basha. He's awfully important and good to us all, and he knows everything. But he's not Uncle Sam."

The bewilderment of the old face melted to smiles. "Dar, now," she brought out; "I mout 'a know'd, becaze he didn't have no red striped pants. An' de whiskers is diff'ent, too. 'Scuse me, sir, and thank you kindly, marster. Thank you, young miss. De Lawd bress you fo' helpin' de ole 'oman." She had risen and she dropped her old time curtsey at this point. "Mawnin' to yo', marster and young miss."

But the girl sprang up. "You can't go," she said. "I'm going to take you to my house to see my grandmother. She's Southern, and our name is Cabell, and likely--maybe--she knew your people down South."

"Maybe, young miss. Dar's lots o' Cabells," agreed Aunt Basha, and in three minutes found herself where she had never thought to be, inside a fine private car.

She was dumb with rapture and excitement, and quite unable to answer the girl's friendly words except with smiles and nods. The girl saw how it was and let her be, only patting the calico arm once and again reassuringly. "I wonder if she didn't want to come. I wonder if I've frightened her," thought Eleanor Cabell. When into the silence broke suddenly the rich, high, irresistible music which was Aunt Basha's laugh, and which David Lance had said was pitched on "Q sharp." The girl joined the infectious sound and a moment after that the car stopped.

"This is home," said Eleanor.

Aunt Basha observed, with the liking for magnificence of a servant trained in a large house, the fine fa?ade and the huge size of "home." In a moment she was inside, and "young miss" was carefully escorting her into a sunshiny big room, where a wood fire burned, and a bird sang, and there were books and flowers.

"Wait here, Aunt Basha, dear," Eleanor said, "and I'll get Grandmother." It was exactly like the loveliest of dreams, Aunt Basha told Jeems an hour later. It could not possibly have been true, except that it was. When "Grandmother" came in, slender and white-haired and a bit breathless with this last surprise of a surprising granddaughter, Aunt Basha stood and curtsied her stateliest.

Then suddenly she cried out, "Fo' God! Oh, my Miss Jinny!" and fell on her knees.

"Yas'm. Yas, Miss Jinny," endorsed Aunt Basha, climbing to her feet. "Yas, my Miss Jinny, bress de Lawd. It's Basha." She turned to the girl. "Dis yer chile ain't nebber my young Marse Pendleton's chile!"

Share on: WhatsApp @Hash Facebook Tweet