Read Ebook: The Atlantic Monthly Volume 13 No. 75 January 1864 A Magazine of Literature Art and Politics by Various

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What plant we in the apple-tree? Fruits that shall swell in sunny June, And redden in the August noon, And drop, as gentle airs come by That fan the blue September sky; While children, wild with noisy glee, Shall scent their fragrance as they pass, And search for them the tufted grass At the foot of the apple-tree.

And when above this apple-tree The winter stars are quivering bright, And winds go howling through the night, Girls, whose young eyes o'erflow with mirth, Shall peel its fruit by cottage-hearth, And guests in prouder homes shall see, Heaped with the orange and the grape, As fair as they in tint and shape, The fruit of the apple-tree.

The fruitage of this apple-tree Winds and our flag of stripe and star Shall bear to coasts that lie afar, Where men shall wonder at the view, And ask in what fair groves they grew; And they who roam beyond the sea Shall look, and think of childhood's day, And long hours passed in summer play In the shade of the apple-tree.

Each year shall give this apple-tree A broader flush of roseate bloom, A deeper maze of verdurous gloom, And loosen, when the frost-clouds lower, The crisp brown leaves in thicker shower; The years shall come and pass, but we Shall hear no longer, where we lie, The summer's songs, the autumn's sigh, In the boughs of the apple-tree.

And time shall waste this apple-tree. Oh, when its aged branches throw Thin shadows on the sward below, Shall fraud and force and iron will Oppress the weak and helpless still? What shall the tasks of mercy be, Amid the toils, the strifes, the tears Of those who live when length of years Is wasting this apple-tree?

"Who planted this old apple-tree?" The children of that distant day Thus to some aged man shall say; And, gazing on its mossy stem, The gray-haired man shall answer them: "A poet of the land was he, Born in the rude, but good old times; 'Tis said he made some quaint old rhymes On planting the apple-tree."

RAY.

So Beltran was a Rebel.

Vivia stood before the glass, brushing out black shadows from her long, fine hair. There lay the letter as little Jane had left it, as she had let it lie till all the doors had clanged between, as she had laid it down again. She paused, with the brush half lifted, to glance once more at the clear superscription, to turn it and touch with her finger-tips the firm seal. Then she went on lengthening out the tresses that curled back again at the end like something instinct with life.

Southern noontide, winter twilight lost themselves again, as Vivia gazed, in the soft starry gleam of an April midnight. A quiet room, dimly lighted by a flame that dying eyes no longer see; two figures kneeling, one at either side of the mother,--the little apple-blossom of a mother brought up to die among her own people,--one shaking with his storm of sobs, the other supporting the dear, weary head on his strong breast, and stifling his very heart-beat lest it stir the frail life too roughly. And the mother lifts the lids of her faint eyes, as when a parting vapor reveals rifts of serene heaven, gazes for a moment into the depths of her first-born's tenderness, gropes darkly for his fingers and for the hot little hand thrust eagerly forth to meet hers, closes one about the other, and folds them both upon her own heart. Then Beltran bends and gathers from the lips the life that kindled his. With a despairing cry, Ray flings himself forward, and dead and living lie in Beltran's arms, while the strong convulsion of his heart rends up a hollow groan from its emptiness. And Vivia draws aside the curtain, and the gentle wind brings in the sweet earthy scent of fresh furrows lately wet with showers, and the ever-shifting procession of the silent stars unveil themselves of gauzy cloud, and glance sadly down with their abiding eyes upon these fleeting shadows.

After all, who can deny that there is magic in a mirror, a weird atmosphere imprisoned, between the metal and the glass, borrowing the occult powers of the gulf of space, and returning to us our own wraith and apparition at any hour of the day or night when we smite it with a ray of light,--reaching with its searching power into the dark places where we have hidden ourselves, and seizing and projecting them in open sight? Who doubts that this sheeny panel on so many walls, with wary art slurring off its elusive gleam, could, at the one compelling word, paint again the reflections of all on which it silently dreams in its reticent heart,--the joy, the grief, the weeping face, the laughing lip, the lover's kiss, the tyrant's sneer, almost the crouched and bleeding soul on which that sneer descended, of which some wandering beam carried record? When we remember the violin, inwardly ridged with the vibrations of old tunes, old discords, who would wonder to find some charactery of light tracing its indelible script within the crystal substance? And here, if Vivia saw one other scene blaze out before her and vanish, why not believe, for fancy's sake, that it was as real a picture as the image of the dark and beautiful girl herself bending there with the carmine stain upon her cheek, the glowing, parted lips, the shining eyes, the shadowy hair?

Late spring down on the Maryland farm: you know it by the intense blue through that quaint window draped with such a lushness of vines, such a glory of blossom. In at the open door, whose frame is arabesqued with hanging sprays of sweetbrier, with the pendent nest, with fluttering moth-wings sunshine-dusted, with crowds of bursting buds, pours the mellow sun in one great stream, pours from the peach-orchards the fragrant breeze laden with bird-song. A girl, standing aside, with clasped hands drooping before her, her gaze upon a shadow on the floor in the midst of that broad stream of light. Casting that shadow, under the lintel, a young man clad for travel. Since he left his Southern home, ruin has befallen it; he dares not ask one lapped in luxury to share such broken fortunes as his seem to-day, even though such stout shoulders, so valiant a heart, buffet them. If she loves, it is enough; they can wait; their treasure neither moth nor rust can corrupt; their jewel is imperishable. If she loves--He is looking in her eyes, holding to her his hands. Slowly the girl meets his glance. A long look, one long, silent look, infinitude in its assurance, its glow wrapping her, blue and smiling as heaven itself, reaching him like the evening star seen through tears,--a word, a touch, had profaned with a trait of earthliness so remote, so spiritual a betrothal. He goes, and still the upward-smiling girl sees the sunshine, hears the bird-song,--a boy dashes by the door and down the path to meet the last, close-lingering embrace of two waiting arms at the gate,--and then there is nothing but Vivia bending and gazing at herself in the glass with a flushed and fevered eagerness of rapture.

"The wild, sweet tunes that darkly deep Thrill through thy veins and shroud thy sleep, That swing thy blood with proud, glad sway, And beat thy life's arterial play,-- Still wilt thou have this music sweep Along thy brain its pulsing leap,-- Keep love away! keep love away!

"The joy of peace that wide and high Like light floods through the soaring sky, The day divine, the night akin, Heaven in the heart, ah, wilt thou win, The secret of the hoarded years, Life rounded as the shining spheres,-- Let love come in! let love come in!"

she sang, to case her heart of its swelling gladness.

But here Vivia dared not concentrate her recollections, dared not dally with such distant delight,--twisted and tossed her hair into its coils, and once more opened the letter. Ray had not lived for three years under converging influences, years which are glowing wax beneath the seal of fresh impressions, years when one puts off or takes on the tendencies of a lifetime,--Ray had not lived those three school-years without contracting habits, whims, determinations of his own: let her have Beltran's reasons to meet Ray's objections.

They were up at the little meadow-side cottage of Mrs. Vennard, Ray's maternal aunt, a quiet widow, who was glad to receive her dying sister in her house a year and a half ago, as she had often received her boys before, and who was still willing to eke out her narrow income with the board of one nephew and any summer guest; and as that summer guest, owing to an old family-friendship that overlooked differences of rank and wealth, Vivia had, for many a season, been established. Here, when bodings of trouble began to darken her sunny fields, she had, in early spring, withdrawn again, leaving her maiden aunt to attend to the affairs of the homestead, or to find more luxurious residence in watering-places or cities, as she chose. For Vivia liked the placid life and freedom of the cottage, and here, too, she had oftenest met those dear friends to whom one winter her father, long since dead, had taken her, and half of all that was pleasant in her life had inwoven itself with the simple surroundings of the place. Here, in that fatal spring when the first tocsin alarmed the land, Ray, now scarcely any longer a boy, yet with a boy's singleness of mind, though possessing neither patience nor power for subtilties of difficult reason and truth, thinking of no lonely portion, but of the one great fact of country, had been fired with spontaneous fervor, and had ever since been like some restive steed champing the bit and quivering to start. As for Vivia, she was a Maryland woman. Too burningly indignant, the blood bubbled in her heart for words sometimes, and she would be glad of Beltran's weapons with which to confront Kay when he returned from Boston, whither, the day before, without a word's explanation, he had betaken himself. So she turned again to the open letter, and scanned its weightiest paragraphs.

"There is a strange reversal of right and wrong, when the American Peace Society declares itself for war. There is, then, a greater evil than war, even than civil war, with its red, fratricidal hands?--Slavery. But, could that be destroyed, it would be the first great evil ever overcome by force of arms. They fight tangibly with an intangible foe; tangible issues rise between them; the black, intangible phantom hovers safe behind. But even should they visibly succeed, is there not left the very root of the matter to put forth fresh growth,--that moral condition in which the thing lived at all? An evil that has its source in the heart must be eradicated by slow medicinal cure of the blood. To fight against the stars in their courses, one must have brands of starry temper. No sudden shocks of battle will sweep Slavery from the sphere. Can one conquer the universe by proclamation? 'Lyra will rise to-morrow,' said some one, after Caesar reformed the calendar. 'Doubtless,' replied Cicero, 'there is an edict for it.' But, believe me, there can be no broad, stupendous evil, unless it be a part of God's plan; and in His own time, without other help from us than the performance of our duty, it will slough off its slime and rise into some fair superstructure. Our efforts dash like spray against the rock,--the spray is broken, the rock remains. To annihilate evil with evil,--that is an error in itself against which every man is justified in taking up his sword.

"So far, I have allowed the sin. Yet, sin or not, in this country the estate of the slave is unalterable. Segregately, the institution is their protection. For though there is no record of the contact of superior and inferior races on a basis of equality, where the inferior did not absorb the superior, yet, if every slave were set free to-day, imbruted through generations, it could not be on a basis of equality that we should meet, and they would be as inevitably sunk and lost as the detritus that a river washes into the sea. If the black stay here, it must be as a menial. In his own latitudes, where, after the third generation, the white man ceases to exist, he is the stronger; there the black man is king: let him betake himself to his realm. Abolition is impracticable, colonization feasible; on either is gunpowder wasted: one cannot explode a lie by the blast.

"But saying the worst of our incubus that can be said, could all its possible accumulation of wrong and woe exceed that of four years of such a war as this? Think a moment of what this land was, what a great beacon and celestial city across the waves to the fugitives from tyranny; think of our powerful pride in eastern seas, in western ports, when each ship's armament carried with it the broadside of so many sovereign States, when each citizen felt his own hand nerved with a people's strength, when no young man woke in the morning without the perpetual aurora of high hopes before him, when peace and plenty were all about us,--and then think of misery at every hearth, of civilization thrust back a century, of the prestige of freedom lost among the nations, of the way paved for despots. And how needlessly!

No matter whether all this was sophistry or truth. Beltran had said it,--that was enough; so strongly did she feel his personality in what he wrote, that the soul was exultant, jubilant, defiant, within her. Other words there were in the letter, such words as are written to but one; the blood swept up to Vivia's lips as she recalled them, and her heart sprang and bounded like one of those balls kept in perpetual play by the leaping, bubbling column of a fountain. She was in one of those dangerous states of excitement after which the ancients awaited disaster. That last picture of the mirror dazzled her vision again; she saw the sunshine, smelt the perfume, heard the bird-song. How a year had changed the scene! The house was a barrack; now down in her Maryland peach-orchards the black muzzles of Federal cannon yawned, and under the flickering shadows and sunshine the grimy gunners, knee-deep in grass and dew, brushed away the startled clover-blooms, as they touched fire to the breach. Beltran was a Rebel. Vivia was a Rebel, too! She ran down-stairs into her little parlor overflowing with flowers. As she walked to and fro, the silent keys of her pianoforte met her eye. Excellent conductors. Half standing, half sitting, she awoke its voices, and, to a rolling, silvery thunder of accompaniment, commenced singing,--

"The lads of Kilmarnock had swords and had spears And lang-bladed daggers to kill cavaliers, But they shrunk to the wall and the causey left free At one toss of the bonnet of Bonny Dundee! So fill up my cup, come fill up my can, Saddle my horses and call up my men, Open your west-port and let me gae free, For it's up with the bonnets of Bonny Dundee!"

Some one in the distance, echoing the last line with an emphasis, caught her ear in the pause. It was Ray. He had already returned, then. She snatched the letter and sped into the kitchen, where she was sure to find him.

Mrs. Vennard rocked in her miniature sitting-room at one side, contentedly matching patchwork. Little Jane Vennard, her step-daughter,--usually at work in the mills, but, since their close, making herself busy at home, whither she had brought a cookery-book through which Ray declared he expected to eat his way,--bustled about from room to room. Ray sat before the fire in the kitchen and toasted some savory morsel suspended on a string athwart the blaze.

"Where have you been, Ray?" said Vivia, approaching, with her glowing cheeks, her sparkling eyes. "And what are you doing now?"

"Trying camp-life again," replied Ray, looking up at her in a fixed admiration.

"I've had a letter from Beltran."

"Oh! where is he?" cried Ray.

"Beltran is in camp."

"And where?"

"Perhaps on the Rio Grande, perhaps on the Potomac."

"Do you mean to say," cried Ray, springing up, while string and all fell into the coals, "that Beltran, my brother"--

"Is a Rebel."

"Then I am a rebel, too," said Ray, chokingly, sitting down again, and mechanically stooping to pick up the burning string,--"a rebel to him!"

"You won't be a rebel to him, if you'll listen to reason,--his reason."

"He's got no reason. It's only because he was there."

"Now, Raymond Lamar! if you talk so, you sha'n't read the letter!"

"I don't want to read it."

"Have you left off loving Beltran, because he differs from you?"

"Left off loving Beltran!"

Vivia waited a moment, leaning on the back of his chair, and then Ray, bending, covered his face with his hands, and the large tears oozed from between his brown fingers.

Little Jane, whipping the frothy snow of her eggs, went on whipping all the harder for fear Ray should know she saw him. And Vivia, with one hand upon his head, took away the brown fingers, that her own cool, fragrant palm might press upon his burning lids. Such sudden tears belong to such tropical natures. For there was no anger or sullenness in Ray's grief; he was just and simply sorry.

"He must have forgotten me," said Ray, after a sober while.

"There was this note for you in mine, and a draft on New York, because he thought you might be in arrears."

"No, I'm not. Aunty can have the draft, though; she may need it before I come back," said Ray, brokenly, gazing into the fire. "Do you suppose Beltran wrote mine or yours first?"

"Yours."

"Then you've the last thing he ever set his hand to, perhaps!"

"Don't talk so, child!" said Vivia, with an angry shiver. "Come back! Where are you going?"

"I enlisted, yesterday, in the Kansas Cavalry."

"Great heavens, Ray! was there not another regiment in all the world than one to be sent down to New Mexico to meet Beltran and the Texan Rangers?" cried Vivia, wringing her hands.

Ray was on his feet again, a swarm of expletives buzzing inarticulately at his lips.

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