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The secular importance of Henry's activity has been somewhat obscured by his achievements in the sphere of ecclesiastical politics; but no small part of his energies was devoted to the task of expanding the royal authority at the expense of temporal competitors. Feudalism was not yet dead, and in the north and west there were medieval franchises in which the royal writ and common law hardly ran at all. Wales and its marches were brought into legal union with the rest of England by the statutes of Wales ; and after the Pilgrimage of Grace the Council of the North was set up to bring into subjection the extensive jurisdictions of the northern earls. Neither they nor the lesser chiefs who flourished on the lack of common law and order could be reduced by ordinary methods, and the Councils of Wales and of the North were given summary powers derived from the Roman civil law similar to those exercised by the Star Chamber at Westminster and the court of Castle Chamber at Dublin. Ireland had been left by Wolsey to wallow in its own disorder; but disorder was anathema to Henry's mind, and in 1535 Sir William Skeffington was sent to apply English methods and artillery to the government of Ireland. Sir Anthony St Leger continued his policy from 1540; Henry, instead of being merely lord of Ireland dependent on the pope, was made by an Irish act of parliament king, and supreme head of the Irish church. Conciliation was also tried with some success; plantation schemes were rejected in favour of an attempt to Anglicize the Irish; their chieftains were created earls and endowed with monastic lands; and so peaceful was Ireland in 1542 that the lord-deputy could send Irish kernes and gallowglasses to fight against the Scots.

No figure in France has been more popular than that of "Henry the Great." He was affable to the point of familiarity, quick-witted like a true Gascon, good-hearted, indulgent, yet skilled in reading the character of those around him, and he could at times show himself severe and unyielding. His courage amounted almost to recklessness. He was a better soldier than strategist. Although at bottom authoritative he surrounded himself with admirable advisers and profited from their co-operation. His love affairs, undoubtedly too numerous , if they injure his personal reputation, had no bad effect on his policy as king, in which he was guided only by an exalted ideal of his royal office, and by a sympathy for the common people, his reputation for which has perhaps been exaggerated somewhat in popular tradition by the circumstances of his reign.

Several portraits of Henry are preserved at Paris, in the Biblioth?que Nationale , at the Louvre at Versailles, Geneva , at Hampton Court, at Munich and at Florence.

A variety of reasons were leading to a rupture in the harmonious relations between Frederick and Henry, whose increasing power could not escape the emperor's notice, and who showed little inclination to sacrifice his interests in Germany in order to help the imperial cause in Italy. He was not pleased when he heard that his uncle, Welf, had bequeathed his Italian and Swabian lands to the emperor, and the crisis came after Frederick's check before Alessandria in 1175. The emperor appealed personally to Henry for help in February, or March 1176, but Henry made no move in response, and his defection contributed in some measure to the emperor's defeat at Legnano. The peace of Venice provided for the restoration of Ulalrich to his see of Halberstadt. Henry, however, refused to give up the lands which he had seized belonging to the bishopric, and this conduct provoked a war in which Ulalrich was soon joined by Philip, archbishop of Cologne. No attack on Henry appears to have been contemplated by Frederick to whom both parties carried their complaints, and a day was fixed for the settlement of the dispute at Worms. But neither then, nor on two further occasions, did Henry appear to answer the charges preferred against him; accordingly in January 1180 he was placed under the imperial ban at W?rzburg, and was declared deprived of all his lands.

Henry was a man of great ambition, and won his surname of "Lion" by his personal bravery. His influence on the fortunes of Saxony and northern Germany was very considerable. He planted Flemish and Dutch settlers in the land between the Elbe and the Oder, fostered the growth and trade of L?beck, and in other ways encouraged trade and agriculture. He sought to spread Christianity by introducing the Cistercians, founding bishoprics, and building churches and monasteries. In 1874 a colossal statue was erected to his memory at Brunswick.

FOOTNOTES:

The see was transferred to Schwerin by Henry in 1167.

Transferred to L?beck in 1163.

The prince died on the 13th of November 1460, in his town near Cape St Vincent, and was buried in the church of St Mary in Lagos, but a year later his body was removed to the superb monastery of Batalha. His great-nephew, King Dom Manuel, had a statue of him placed over the centre column of the side gate of the church of Belem. On the 24th of July 1840, a monument was erected to him at Sagres at the instance of the marquis de S? da Bandeira.

The glory attaching to the name of Prince Henry does not rest merely on the achievements effected during his own lifetime, but on the subsequent results to which his genius and perseverance had lent the primary inspiration. To him the human race is indebted, in large measure, for the maritime exploration, within one century , of more than half the globe, and especially of the great waterways from Europe to Asia both by east and by west. His own life only sufficed for the accomplishment of a small portion of his task. The complete opening out of the African or south-east route to the Indies needed nearly forty years of somewhat intermittent labour after his death , and the prince's share has often been forgotten in that of pioneers who were really his executors--Diogo Cam, Bartholomew Diaz or Vasco da Gama. Less directly, other sides of his activity may be considered as fulfilled by the Portuguese penetration of inland Africa, especially of Abyssinia, the land of the "Prester John" for whom Dom Henry sought, and even by the finding of a western route to Asia through the discoveries of Columbus, Balboa and Magellan.

HENRY OF GHENT , scholastic philosopher, known as "Doctor Solennis," was born in the district of Mude, near Ghent, and died at Tournai . He is said to have belonged to an Italian family named Bonicolli, in Flemish Goethals, but the question of his name has been much discussed . He studied at Ghent and then at Cologne under Albertus Magnus. After obtaining the degree of doctor he returned to Ghent, and is said to have been the first to lecture there publicly on philosophy and theology. Attracted to Paris by the fame of the university, he took part in the many disputes between the orders and the secular priests, and warmly defended the latter. A contemporary of Aquinas, he opposed several of the dominant theories of the time, and united with the current Aristotelian doctrines a strong infusion of Platonism. He distinguished between knowledge of actual objects and the divine inspiration by which we cognize the being and existence of God. The first throws no light upon the second. Individuals are constituted not by the material element but by their independent existence, i.e. ultimately by the fact that they are created as separate entities. Universals must be distinguished according as they have reference to our minds or to the divine mind. In the divine intelligence exist exemplars or types of the genera and species of natural objects. On this subject Henry is far from clear; but he defends Plato against the current Aristotelian criticism, and endeavours to show that the two views are in harmony. In psychology, his view of the intimate union of soul and body is remarkable. The body he regards as forming part of the substance of the soul, which through this union is more perfect and complete.

HENRY, EDWARD LAMSON , American genre painter, was born in Charleston, South Carolina, on the 12th of January 1841. He was a pupil of the schools of the Pennsylvania Academy of Fine Arts in Philadelphia, and of Gleyre and Courbet in Paris, and in 1870 was elected to the National Academy of Design, New York. As a painter of colonial and early American themes and incidents of rural life, he displays a quaint humour and a profound knowledge of human nature. Among his best-known compositions are some of early railroad travel, incidents of stage coach and canal boat journeys, rendered with much detail on a minute scale.

HENRY, JOSEPH , American physicist, was born in Albany, N.Y., on the 17th of December 1797. He received his education at an ordinary school, and afterwards at the Albany Academy, which enjoyed considerable reputation for the thoroughness of its classical and mathematical courses. On finishing his academic studies he contemplated adopting the medical profession, and prosecuted his studies in chemistry, anatomy and physiology with that view. He occasionally contributed papers to the Albany Institute, in the years 1824 and 1825, on chemical and mechanical subjects; and in the latter year, having been unexpectedly appointed assistant engineer on the survey of a route for a state road from the Hudson river to Lake Erie, a distance somewhat over 300 m., he at once embarked with zeal and success in the new enterprise. This diversion from his original bent gave him an inclination to the career of civil and mechanical engineering; and in the spring of 1826 he was elected by the trustees of the Albany Academy to the chair of mathematics and natural philosophy in that institution. In the latter part of 1827 he read before the Albany Institute his first important contribution, "On Some Modifications of the Electro-Magnetic Apparatus." Struck with the great improvements then recently introduced into such apparatus by William Sturgeon of Woolwich, he had still further extended their efficiency, with considerable reduction of battery-power, by adopting in all the experimental circuits the principle of J. S. C. Schweigger's "multiplier," that is, by substituting for single wire circuits, voluminous coils . In June 1828 and in March 1829 he exhibited before the institute small electro-magnets closely and repeatedly wound with silk-covered wire, which had a far greater lifting power than any then known. Henry appears to have been the first to adopt insulated or silk-covered wire for the magnetic coil; and also the first to employ what may be called the "spool" winding for the limbs of the magnet. He was also the first to demonstrate experimentally the difference of action between what he called a "quantity" magnet excited by a "quantity" battery of a single pair, and an "intensity" magnet with long fine wire coil excited by an "intensity" battery of many elements, having their resistances suitably proportioned. He pointed out that the latter form alone was applicable to telegraphic purposes. A detailed account of these experiments and exhibitions was not, however, published till 1831 . Henry's "quantity" magnets acquired considerable celebrity at the time, from their unprecedented attractive power--one lifting 750 lb., another 2300, and a third 3500.

In December 1846 Henry was elected secretary and director of the Smithsonian Institution, then just established. While closely occupied with the exacting duties of that office, he still found time to prosecute many original inquiries--as into the application of acoustics to public buildings, and the best construction and arrangement of lecture-rooms, into the strength of various building materials, &c. Having early devoted much attention to meteorology, both in observing and in reducing and discussing observations, he organized a large and widespread corps of observers, and made arrangements for simultaneous reports by means of the electric telegraph, which was yet in its infancy . He was the first to apply the telegraph to meteorological research, to have the atmospheric conditions daily indicated on a large map, to utilize the generalizations made in weather forecasts, and to embrace a continent under a single system--British America and Mexico being included in the field of observation. In 1852, on the reorganization of the American lighthouse system, he was appointed a member of the new board; and in 1871 he became the presiding officer of the establishment--a position he continued to hold during the rest of his life. His diligent investigations into the efficiency of various illuminants in differing circumstances, and into the best conditions for developing their several maximum powers of brilliancy, while greatly improving the usefulness of the line of beacons along the extensive coast of the United States, effected at the same time a great economy of administration. His equally careful experiments on various acoustic instruments also resulted in giving to his country the most serviceable system of fog-signals known to maritime powers. In the course of these varied and prolonged researches from 1865 to 1877, he also made important contributions to the science of acoustics; and he established by several series of laborious observations, extending over many years and along a wide coast range, the correctness of G. G. Stokes's hypothesis that the wind exerts a very marked influence in refracting sound-beams. From 1868 Henry continued to be annually chosen as president of the National Academy of Sciences; and he was also president of the Philosophical Society of Washington from the date of its organization in 1871.

Henry was by general concession the foremost of American physicists. He was a man of varied culture, of large breadth and liberality of views, of generous impulses, of great gentleness and courtesy of manner, combined with equal firmness of purpose and energy of action. He died at Washington on the 13th of May 1878.

Efforts have been made to draw up a chronology of his poems; but every scheme of this kind, is, in a stronger sense than in the case of Dunbar, mere guess-work. There are no biographical or bibliographical facts to guide us, and the "internal evidence" is inconclusive.

HENSLOWE, PHILIP , English theatrical manager, was the son of Edmund Henslowe of Lindfield, Sussex, master of the game in Ashdown Forest and Broil Park. He was originally a servant in the employment of the bailiff to Viscount Montague, whose property included Montague House in Southwark, and his duties led him to settle there before 1577. He subsequently married the bailiff's widow, and, with the fortune he got with her, he developed into a clever business man and became a considerable owner of Southwark property. He started his connexion with the stage when, on the 24th of March 1584, he bought land near what is now the southern end of Southwark Bridge, on which stood the Little Rose playhouse, afterwards rebuilt as the Rose. Successive companies played in it under Henslowe's financial management between 1592 and 1603. The theatre at Newington Butts was also under him in 1594. A share of the control in the Swan theatre, which like the Rose was on the Bankside, fell to Henslowe before the close of the 16th century. With the actor Edward Alleyn, who married his step-daughter Joan Woodward, he built in Golden Lane, Cripplegate Without, the Fortune Playhouse, opened in November 1600. In December of 1594, they had secured the Paris Garden, a place for bear-baiting, on the Bankside, and in 1604 they bought the office of master of the royal game of bears, bulls and mastiffs from the holder, and obtained a patent. Alleyn sold his share to Henslowe in February 1610, and three years later Henslowe formed a new partnership with Jacob Meade and built the Hope playhouse, designed for stage performances as well as bull and bear-baiting, and managed by Meade.

The district was once a portion of the Talaing kingdom of Pegu, afterwards annexed to the Burmese empire in 1753, and has no history of its own. During the second Burmese war, after Prome had been seized, the Burmese on the right bank of the Irrawaddy crossed the river and offered resistance to the British, but were completely routed. Meanwhile, in Tharawaddy, or the country east of the Irrawaddy, and in the south of Henzada, much disorder was caused by a revolt, the leaders of which were, however, defeated by the British and their gangs dispersed.

HEPHAESTION, a Macedonian general, celebrated as the friend of Alexander the Great, who, comparing himself with Achilles, called Hephaestion his Patroclus. In the later campaigns in Bactria and India, he was entrusted with the task of founding cities and colonies, and built the fleet intended to sail down the Indus. He was rewarded with a golden crown and the hand of Drypetis, the sister of Alexander's wife Stateira . In the same year he died suddenly at Ecbatana. A general mourning was ordered throughout Asia; at Babylon a funeral pile was erected at enormous cost, and temples were built in his honour .

HEPHAESTION, a grammarian of Alexandria, who flourished in the age of the Antonines. He was the author of a manual of Greek metres , which is most valuable as the only complete treatise on the subject that has been preserved. The concluding chapter discusses the various kinds of poetical composition. It is written in a clear and simple style, and was much used as a school-book.

HEPHAESTUS, in Greek mythology, the god of fire, analogous to, and by the ancients often confused with, the Roman god Vulcan ; the derivation of the name is uncertain, but it may well be of Greek origin. The elemental character of Hephaestus is far more apparent than is the case with the majority of the Olympian gods; the word Hephaestus was used as a synonym for fire not only in poetry , but also in common speech . It is doubtful whether the origin of the god can be traced to any specific form of fire. As all earthly fire was thought to have come from heaven, Hephaestus has been identified with the lightning. This is supported by the myth of his fall from heaven, and by the fact that, according to the Homeric tradition, his father was Zeus, the heaven-god. On the other hand, the lightning is not associated with him in literature or cult, and his connexion with volcanic fires is so close as to suggest that he was originally a volcano-god. The connexion, however, though it may be early, is probably not primitive, and it seems reasonable to conclude that Hephaestus was a general fire-god, though some of his characteristics were due to particular manifestations of the element.

The divine smith naturally became a "culture-god"; in Crete the invention of forging in iron was attributed to him, and he was honoured by all metal-workers. But we have little record of his cult in this aspect, except at Athens, where his worship was of real importance, belonging to the oldest stratum of Attic religion. A tribe was called after his name, and Erichthonius, the mythical father of the Attic people, was the son of Hephaestus. Terra-cotta statuettes of the god seem to have been placed before the hearths of Athenian houses. This temple has been identified, not improbably, with the so-called "Theseum"; it contained a statue of Athena, and the two deities are often associated, in literature and cult, as the joint givers of civilization to the Athenians. The class of artisans was under their special protection; and the joint festival of the two divinities--the Chalceia--commemorated the invention of bronze-working by Hephaestus. In the Hephaesteia there was a torch race, a ceremonial not indeed confined to fire-gods like Hephaestus and Prometheus, but probably in its origin connected with them, whether its object was to purify and quicken the land, or to transmit a new fire with all possible speed to places where the fire was polluted. If the latter view is correct, the torch race would be closely akin to the Lemnian fire-ritual which has been mentioned. The relation between Hephaestus and Prometheus is in some respects close, though the distinction between these gods is clearly marked. The fire, as an element, belongs to the Olympian Hephaestus; the Titan Prometheus, a more human character, steals it for the use of man. Prometheus resembles the Polynesian Maui, who went down to fetch fire from the volcano of Mahuika, the fire-god. Hephaestus is a culture-god mainly in his secondary aspect as the craftsman, whereas Prometheus originates all civilization with the gift of fire. But the importance of Prometheus is mainly mythological; the Titan belonged to a fallen dynasty, and in actual cult was largely superseded by Hephaestus.

In archaic art Hephaestus is generally represented as bearded, though occasionally a younger beardless type is found, as on a vase , on which he appears as a young man assisting Athena in the creation of Pandora. At a later time the bearded type prevails. The god is usually clothed in a short sleeveless tunic, and wears a round close-fitting cap. His face is that of a middle-aged man, with unkempt hair. He is in fact represented as an idealized Greek craftsman, with the hammer, and sometimes the pincers. Some mythologists have compared the hammer of Hephaestus with that of Thor, and have explained it as the emblem of a thunder-god; but it is Zeus, not Hephaestus, who causes the thunder, and the emblems of the latter god are merely the signs of his occupation as a smith. In art no attempt was made, as a rule, to indicate the lameness of Hephaestus; but one sculptor is said to have suggested the deformity without spoiling the statue.

HEPPENHEIM, a town of Germany, in the grand-duchy of Hesse-Darmstadt, on the Bergstrasse, between Darmstadt and Heidelberg, 21 m. N. of the latter by rail. Pop. , 6364. It possesses a parish church, occupying the site of one reputed to have been built by Charlemagne about 805, an interesting town hall and several schools. On an isolated hill close by stand the extensive ruins of the castle of Starkenburg, built by the abbot, Ulrich von Lorsch, about 1064 and destroyed during the Seven Years' War, and another hill, the Landberg, was a place of assembly in the middle ages. Heppenheim, at first the property of the abbey of Lorsch, became a town in 1318. After belonging to the Rhenish Palatinate, it came into the possession of Hesse-Darmstadt in 1803. Hops, wine and tobacco are grown, and there are large stone quarries, and several small industries in the town.

HEPTARCHY , a word which is frequently used to designate the period of English history between the coming of the Anglo-Saxons in 449 and the union of the kingdoms under Ecgbert in 828. It was first used during the 16th century because of the belief held by Camden and other older historians, that during this period there were exactly seven kingdoms in England, these being Northumbria, Mercia, East Anglia, Essex, Kent, Sussex and Wessex. This belief is erroneous, as the number of kingdoms varied considerably from time to time; nevertheless the word still serves a useful purpose to denote the period.

HERA, in Greek mythology, the sister and wife of Zeus and queen of the Olympian gods; she was identified by the Romans with Juno. The derivation of the name is obscure, but there is no reason to doubt that she was a genuine Greek deity. There are no signs of Oriental influence in her cults, except at Corinth, where she seems to have been identified with Astarte. It is probable that she was originally a personification of some department of nature; but the traces of her primitive significance are vague, and have been interpreted to suit various theories. Some of the ancients connected her with the earth; Plato, followed by the Stoics, derived her name from , the air. Both theories have been revived in modern times, the former notably by F. G. Welcker, the latter by L. Preller. A third view, that Hera is the moon, is held by W. H. Roscher and others. Of these explanations, that advanced by Preller has little to commend it, even if, with O. Gruppe, we understand the air-goddess as a storm deity; some of the arguments in support of the two other theories will be examined in this article.

Whatever may have been the origin of Hera, to the historic Greeks she was a purely anthropomorphic goddess, and had no close relation to any province of nature. In literature, from the times of Homer and Hesiod, she played an important part, appearing most frequently as the jealous and resentful wife of Zeus. In this character she pursues with vindictive hatred the heroines, such as Alcmene, Leto and Semele, who were beloved by Zeus. She visits his sins upon the children born of his intrigues, and is thus the constant enemy of Heracles and Dionysus. This character of the offended wife was borrowed by later poets from the Greek epic; but it belongs to literature rather than to cult, in which the dignity and power of the goddess is naturally more emphasized.

The connexion of Zeus and Hera was probably not primitive, since Dione seems to have preceded Hera as the wife of Zeus at Dodona. The origin of the connexion may possibly be due to the fusion of two "Pelasgic" tribes, worshipping Zeus and Hera respectively; but speculation on the earliest cult of the goddess, before she became the wife of Zeus, must be largely conjectural. The close relation of the two deities appears in a frequent community of altars and sacrifices, and also in the , a dramatic representation of their sacred marriage. The festival, which was certainly ancient, was held not only in Argos, Samos, Euboea and other centres of Hera-worship, but also in Athens, where the goddess was obscured by the predominance of Athena. The details of the may have varied locally, but the main idea of the ritual was the same. In the Daedala, as the festival was called at Plataea, an effigy was made from an oak-tree, dressed in bridal attire, and carried in a cart with a woman who acted as bridesmaid. The image was called Daedale, and the ritual was explained by a myth: Hera had left Zeus in her anger; in order to win her back, Zeus announced that he was about to marry, and dressed up a puppet to imitate a bride; Hera met the procession, tore the veil from the false bride, and, on discovering the ruse, became reconciled to her husband. The image was put away after each occasion; every sixty years a large number of such images, which had served in previous celebrations, were carried in procession to the top of Mount Cithaeron, and were burned on an altar together with animals and the altar itself. As Frazer notes , this festival appears to belong to the large class of mimetic charms designed to quicken the growth of vegetation; the marriage of Zeus and Hera would in this case represent the union of the king and queen of May. But it by no means follows that Hera was therefore originally a goddess of the earth or of vegetation. When the real nature of the ritual had become lost or obscured, it was natural to explain it by the help of an aetiological myth; in European folklore, images, corresponding to those burnt at the Daedala, were sometimes called Judas Iscariot or Luther . At Samos the was celebrated annually; the image of Hera was concealed on the sea-shore and solemnly discovered. This rite seems to reflect an actual custom of abduction; or it may rather refer to the practice of intercourse between the betrothed before marriage. Such intercourse was sanctioned by the Samians, who excused it by the example of Zeus and Hera . There is nothing in the Samian to suggest a marriage of heaven and earth, or of two vegetation-spirits; as Dr Farnell points out, the ritual appears to explain the custom of human nuptials. The sacred marriage, therefore, though connected with vegetation at the Daedala, was not necessarily a vegetation-charm in its origin; consequently, it does not prove that Hera was an earth-goddess or tree-spirit. It is at least remarkable that, except at Argos, Hera had little to do with agriculture, and was not closely associated with such deities as Cybele, Demeter, Persephone and Dionysus, whose connexion with the earth, or with its fruits, is beyond doubt.

In her general cult Hera was worshipped in two main capacities: as the consort of Zeus and queen of heaven; as the goddess who presided over marriage, and, in a wider sense, over the various phases of a woman's life. Dionysius of Halicarnassus calls Zeus and Hera the first wedded pair, and a sacrifice to Zeus and Hera was a regular feature of the Greek wedding. Girls offered their hair or veils to Hera before marriage. In Aristophanes she "keeps the keys of wedlock." The marriage-goddess naturally became the protector of women in childbed, and bore the title of the birth-goddess , at Argos and Athens. In Homer and Hesiod she is the mother of the Eileithyiae, or the single Eileithyia. Her cult-titles , and the "maiden," "wife," and "widow" have been interpreted as symbolical of the earth in spring, summer, and winter; but they may well express the different conditions in the lives of her human worshippers. The Argives believed that Hera recovered her virginity every year by bathing in a certain spring , a belief which probably reflects the custom of ceremonial purification after marriage . Although Hera was not the bestower of feminine charm to the same extent as Aphrodite, she was the patron of a contest for beauty in a Lesbian festival . This intimate relation with women has been held a proof that Hera was originally a moon-goddess, as the moon is often thought to influence childbirth and other aspects of feminine life. But Hera's patronage of women, though undoubtedly ancient, is not necessarily primitive. Further, the Greeks themselves, who were always ready to identify Artemis with the moon, do not seem to have recognized any lunar connexion in Hera.

Among her particular worshippers, at Argos and Samos, Hera was much more than the queen of heaven and the marriage-goddess. As the patron of these cities she held a place corresponding to that of Athena in Athens. The Argives are called "the people of Hera" by Pindar; the Heraeum, situated under a mountain significantly called Mt. Euboea, was the most important temple in Argolis. Here the agricultural character of her ritual is well marked; the first oxen used in ploughing were, according to an Argive myth, dedicated to her as ; and the sprouting ears of corn were called "the flowers of Hera." She was worshipped as the goddess of flowers ; girls served in her temple under the name of "flower-bearers," and a flower festival was celebrated by Peloponnesian women in spring. These rites recall our May day observance, and give colour to the earth-goddess theory. On the other hand it must be remembered that the patron deity of a Greek state had very wide functions; and it is not surprising to find that Hera assumed an agricultural character among her own people whose occupations were largely agricultural. So, although the warlike character of Hera was not elsewhere prominent, she assumed a militant aspect in her two chief cities; a festival called the Shield was part of the Argive cult, and there was an armed procession in her honour at Samos. The city-goddess, whether Hera or Athena, must be chief alike in peace and war.

The cow was the animal specially sacred to Hera both in ritual and in mythology. The story of Io, metamorphosed into a cow, is familiar; she was priestess of Hera, and was originally, no doubt, a form of the goddess herself. The Homeric epithet may have meant "cow-faced" to the earliest worshippers of Hera, though by Homer and the later Greeks it was understood as "large-eyed," like the cow. A car drawn by oxen seems to have been widely used in the processions of Hera, and the cow was her most frequent sacrifice. The origin of Hera's association with the cow is uncertain, but there is no need to see in it, with Roscher, a symbol of the moon. The cuckoo was also sacred to Hera, who, according to the Argive legend, was wooed by Zeus in the form of the bird. In later times the peacock, which was still unfamiliar to the Greeks in the 5th century, was her favourite, especially at Samos.

The earliest recorded images of Hera preceded the rise of Greek sculpture; a log at Thespiae, a plank at Samos, a pillar at Argos served to represent the goddess. In the archaic period of sculpture the or wooden statue of the Samian Hera by Smilis was famous. In the first half of the 5th century the sacred marriage was represented on an extant metope from a temple at Selinus. The most celebrated statue of Hera was the chryselephantine work of Polyclitus, made for the Heraeum at Argos soon after 423 B.C. It is fully described by Pausanias, who says that Hera was seated on a throne, wearing a crown , and carrying a sceptre in one hand and a pomegranate in the other. Various ancient writers testify to the beauty and dignity of the statue, which was considered equal to the Zeus of Pheidias. Polyclitus seems to have fixed the type of Hera as a youthful matron, but unfortunately the exact character of her head cannot be determined. A majestic and rather severe beauty marks the conception of Hera in later art, of which the Farnese bust at Naples and the Ludovisi Hera are the most conspicuous examples.

HERACLEA, the name of a large number of ancient cities founded by the Greeks.

For Heraclea Trachinia see TRACHIS, and for Heraclea Perinthus see PERINTHUS.

HERACLEA was also the name of one of the Sporades, between Naxos and Ios, which is still called Raklia, and bears traces of a Greek township with temples to Tyche and Zeus Lophites.

HERACLIDAE, the general name for the numerous descendants of Heracles , and specially applied in a narrower sense to the descendants of Hyllus, the eldest of his four sons by De?aneirathe, conquerors of Peloponnesus. Heracles, whom Zeus had originally intended to be ruler of Argos, Lacedaemon and Messenian Pylos, had been supplanted by the cunning of Hera, and his intended possessions had fallen into the hands of Eurystheus, king of Mycenae. After the death of Heracles, his children, after many wanderings, found refuge from Eurystheus at Athens. Eurystheus, on his demand for their surrender being refused, attacked Athens, but was defeated and slain. Hyllus and his brothers then invaded Peloponnesus, but after a year's stay were forced by a pestilence to quit. They withdrew to Thessaly, where Aegimius, the mythical ancestor of the Dorians, whom Heracles had assisted in war against the Lapithae, adopted Hyllus and made over to him a third part of his territory. After the death of Aegimius, his two sons, Pamphilus and Dymas, voluntarily submitted to Hyllus , who thus became ruler of the Dorians, the three branches of that race being named after these three heroes. Being desirous of reconquering his paternal inheritance, Hyllus consulted the Delphic oracle, which told him to wait for "the third fruit," and then enter Peloponnesus by "a narrow passage by sea." Accordingly, after three years, Hyllus marched across the isthmus of Corinth to attack Atreus, the successor of Eurystheus, but was slain in single combat by Echemus, king of Tegea. This second attempt was followed by a third under Cleodaeus and a fourth under Aristomachus, both of which were equally unsuccessful. At last, Temenus, Cresphontes and Aristodemus, the sons of Aristomachus, complained to the oracle that its instructions had proved fatal to those who had followed them. They received the answer that by the "third fruit" the "third generation" was meant, and that the "narrow passage" was not the isthmus of Corinth, but the straits of Rhium. They accordingly built a fleet at Naupactus, but before they set sail, Aristodemus was struck by lightning and the fleet destroyed, because one of the Heraclidae had slain an Acarnanian soothsayer. The oracle, being again consulted by Temenus, bade him offer an expiatory sacrifice and banish the murderer for ten years, and look out for a man with three eyes to act as guide. On his way back to Naupactus, Temenus fell in with Oxylus, an Aetolian, who had lost one eye, riding on a horse and immediately pressed him into his service. According to another account, a mule on which Oxylus rode had lost an eye. The Heraclidae repaired their ships, sailed from Naupactus to Antirrhium, and thence to Rhium in Peloponnesus. A decisive battle was fought with Tisamenus, son of Orestes, the chief ruler in the peninsula, who was defeated and slain. The Heraclidae, who thus became practically masters of Peloponnesus, proceeded to distribute its territory among themselves by lot. Argos fell to Temenus, Lacedaemon to Procles and Eurysthenes, the twin sons of Aristodemus; and Messene to Cresphontes. The fertile district of Elis had been reserved by agreement for Oxylus. The Heraclidae ruled in Lacedaemon till 221 B.C., but disappeared much earlier in the other countries. This conquest of Peloponnesus by the Dorians, commonly called the "Return of the Heraclidae," is represented as the recovery by the descendants of Heracles of the rightful inheritance of their hero ancestor and his sons. The Dorians followed the custom of other Greek tribes in claiming as ancestor for their ruling families one of the legendary heroes, but the traditions must not on that account be regarded as entirely mythical. They represent a joint invasion of Peloponnesus by Aetolians and Dorians, the latter having been driven southward from their original northern home under pressure from the Thessalians. It is noticeable that there is no mention of these Heraclidae or their invasion in Homer or Hesiod. Herodotus speaks of poets who had celebrated their deeds, but these were limited to events immediately succeeding the death of Heracles. The story was first amplified by the Greek tragedians, who probably drew their inspiration from local legends, which glorified the services rendered by Athens to the rulers of Peloponnesus.

HERACLIDES PONTICUS, Greek philosopher and miscellaneous writer, born at Heraclea in Pontus, flourished in the 4th century B.C. He studied philosophy at Athens under Speusippus, Plato and Aristotle. According to Suidas, Plato, on his departure for Sicily, left his pupils in charge of Heraclides. The latter part of his life was spent at Heraclea. He is said to have been vain and fat, and to have been so fond of display that he was nicknamed Pompicus, or the Showy . Various idle stories are related about him. On one occasion, for instance, Heraclea was afflicted with famine, and the Pythian priestess at Delphi, bribed by Heraclides, assured his inquiring townsmen that the dearth would be stayed if they granted a golden crown to that philosopher. This was done; but just as Heraclides was receiving his honour in a crowded assembly, he was seized with apoplexy, while the dishonest priestess perished at the same moment from the bite of a serpent. On his death-bed he is said to have requested a friend to hide his body as soon as life was extinct, and, by putting a serpent in its place, induce his townsmen to suppose that he had been carried up to heaven. The trick was discovered, and Heraclides received only ridicule instead of divine honours . Whatever may be the truth about these stories, Heraclides seems to have been a versatile and prolific writer on philosophy, mathematics, music, grammar, physics, history and rhetoric. Many of the works attributed to him, however, are probably by one or more persons of the same name.

HERACLITUS , Greek philosopher, was born at Ephesus of distinguished parentage. Of his early life and education we know nothing; from the contempt with which he spoke of all his fellow-philosophers and of his fellow-citizens as a whole we may gather that he regarded himself as self-taught and a pioneer of wisdom. So intensely aristocratic was his temperament that he declined to exercise the regal-hieratic office of which was hereditary in his family, and presented it to his brother. It is probable, however, that he did occasionally intervene in the affairs of the city at the period when the rule of Persia had given place to autonomy; it is said that he compelled the usurper Melancomas to abdicate. From the lonely life he led, and still more from the extreme profundity of his philosophy and his contempt for mankind in general, he was called the "Dark Philosopher" , or the "Weeping Philosopher," in contrast to Democritus, the "Laughing Philosopher."

Heraclitus is in a real sense the founder of metaphysics. Starting from the physical standpoint of the Ionian physicists, he accepted their general idea of the unity of nature, but entirely denied their theory of being. The fundamental uniform fact in nature is constant change ; everything both is and is not at the same time. He thus arrives at the principle of Relativity; harmony and unity consist in diversity and multiplicity. The senses are "bad witnesses" ; only the wise man can obtain knowledge.

The school of disciples founded by Heraclitus flourished for long after his death, the chief exponent of his teaching being Cratylus. A good deal of the information in regard to his doctrines has been gathered from the later Greek philosophy, which was deeply influenced by it.

HERALD , in Greek and Roman antiquities, the term for the officials described below; in modern usage, while the word "herald" is often used generally in a sense analogous to that of the ancients, it is more specially restricted to that dealt with in the article HERALDRY.

FOOTNOTE:

HERALDRY. Although the word Heraldry properly belongs to all the business of the herald , it has long attached itself to that which in earlier times was known as armory, the science of armorial bearings.

Tenants or neighbours of the great feudal lords were wont to make their arms by differencing the lord's shield or by bringing some charge of it into their own bearings. Thus a group of Kentish shields borrow lions from that of Leyborne, which is azure with six lions of silver. Shirland of Minster bore the same arms differenced with an ermine quarter. Detling had the silver lions in a sable field. Rokesle's lions are azure in a golden field with a fesse of gules between them; while Wateringbury has six sable lions in a field of silver, and Tilmanstone six ermine lions in a field of azure. The Vipont ring or annelet is in several shields of Westmorland knights, and the cheverons of Clare, the cinquefoil badge of Beaumont and the sheaves of Chester can be traced in the coats of many of the followers of those houses. Sometimes the lord himself set forth such arms in a formal grant, as when the baron of Greystock grants to Adam of Blencowe a shield in which his own three chaplets are charges. The Whitgreave family of Staffordshire still show a shield granted to their ancestor in 1442 by the earl of Stafford, in which the Stafford red cheveron on a golden field is four times repeated.

Although no general register of arms was maintained it is remarkable that there was little conflict between persons who had chanced to assume the same arms. The famous suit in which Scrope, Grosvenor and Carminow all claimed the blue shield with the golden bend is well known, and there are a few cases in the 14th century of like disputes which were never carried to the courts. But the men of the middle ages would seem to have had marvellous memories for blazonry; and we know that rolls of arms for reference, some of them the records of tournaments, existed in great numbers. A few examples of these remain to us, with painted shields or descriptions in French blazon, some of them containing many hundreds of names and arms.

An old herald wrote as his opinion that "there is little or nothing in precedent to direct the use of supporters." Modern custom gives them, as a rule, only to peers, to knights of the Garter, the Thistle and St Patrick, and to knights who are "Grand Crosses" or Grand Commanders of other orders. Royal warrants are sometimes issued for the granting of supporters to baronets, and, in rare cases, they have been assigned to untitled persons. But in spite of the jealousy with which official heraldry hedges about the display of these supporters once assumed so freely, a few old English families still assert their right by hereditary prescription to use these ornaments as their forefathers were wont to use them.

As in the case of many other such lists of the later armorists these eleven varieties need some pruning and a new explanation.

The most commonly found is the line engrailed, which for the student of medieval armory must be associated with the line indented. In its earliest form the line which a roll of arms will describe indifferently as indented or engrailed takes almost invariably the form to which the name indented is restricted by modern armorists.

The cross may serve as our first example. A cross, engrailed or indented, the words being used indifferently, is a cross so deeply notched at the edges that it seems made up of so many lozenge-shaped wedges or fusils. About the middle of the 14th century begins a tendency, resisted in practice by many conservative families, to draw the engrailing lines in the fashion to which modern armorists restrict the word "engrailed," making shallower indentures in the form of lines of half circles. Thus the engrailed cross of the Mohuns takes either of the two forms which we illustrate. Bends follow the same fashion, early bends engrailed or indented being some four or more fusils joined bendwise by their blunt sides, bends of less than four fusils being very rare. Thus also the engrailed or indented saltires, pales or cheverons, the exact number of the fusils which go to the making of these being unconsidered. For the fesse there is another law. The fesse indented or engrailed is made up of fusils as is the engrailed bend. But although early rolls of arms sometimes neglect this detail in their blazon, the fusils making a fesse must always be of an ascertained number. Montagu, earl of Salisbury, bore a fesse engrailed or indented of three fusils only, very few shields imitating this. Medieval armorists will describe his arms as a fesse indented of three indentures, as a fesse fusilly of three pieces, or as a fesse engrailed of three points or pieces, all of these blazons having the same value. The indented fesse on the red shield of the Dynhams has four such fusils of ermine. Four, however, is almost as rare a number as three, the normal form of a fesse indented being that of five fusils as borne by Percys, Pinkenys, Newmarches and many other ancient houses. Indeed, accuracy of blazon is served if the number of fusils in a fesse be named in the cases of threes and fours. Fesses of six fusils are not to be found. Note that bars indented or engrailed are, for a reason which will be evident, never subject to this counting of fusils. Fauconberg, for example, bore "Silver with two bars engrailed, or indented, sable." Displayed on a shield of the flat-iron outline, the lower bar would show fewer fusils than the upper, while on a square banner each bar would have an equal number--usually five or six.

While bends, cheverons, crosses, saltires and pales often follow, especially in the 15th century, the tendency towards the rounded "engrailing," fesses keep, as a rule, their bold indentures--neither Percy nor Montagu being ever found with his bearings in aught but their ancient form. Borders take the newer fashion as leaving more room for the charges of the field. But indented chiefs do not change their fashion, although many saw-teeth sometimes take the place of the three or four strong points of early arms, and parti-coloured shields whose party line is indented never lose the bold zig-zag.

While bearing in mind that the two words have no distinctive force in ancient armory, the student and the herald of modern times may conveniently allow himself to blazon the sharp and saw-toothed line as "indented" and the scolloped line as "engrailed," especially when dealing with the debased armory in which the distinction is held to be a true one and one of the first importance. One error at least he must avoid, and that is the following of the heraldry-book compilers in their use of the word "dancetty." A "dancetty" line, we are told, is a line having fewer and deeper indentures than the line indented. But no dancetty line could make a bolder dash across the shield than do the lines which the old armorists recognized as "indented." In old armory we have fesses dancy--commonly called "dances"--bends dancy, or cheverons dancy; there are no chiefs dancy nor borders dancy, nor are there shields blazoned as parted with a dancy line. Waved lines, battled lines and ragged lines need little explanation that a picture cannot give. The word invecked or invected is sometimes applied by old-fashioned heraldic pedants to engrailed lines; later pedants have given it to a line found in modern grants of arms, an engrailed line reversed. Dove-tailed and urdy lines are mere modernisms. Of the very rare nebuly or clouded line we can only say that the ancient form, which imitated the conventional cloud-bank of the old painters, is now almost forgotten, while the bold "wavy" lines of early armory have the word "nebuly" misapplied to them.

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