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'Thus the Flood came to its height; and 'tis not easy to represent to ourselves this strange scene of things, when the Deluge was in its fury and extremity; when the earth was broken and swallowed up in the abyss, whose raging waters rose higher than the mountains, and filled the air with broken waves, with an universal mist, and with thick darkness, so as nature seemed to be in a second chaos; and upon this chaos rid the distrest Ark, that bore the small remains of mankind. No sea was ever so tumultuous, as this, nor is there anything in present nature to be compared with the disorder of these waters; all the poetry, and all the hyperboles that are used in the description of storms and raging seas, were literally true in this, if not beneath it. The Ark was really carried to the tops of the highest mountains, and into the places of the clouds, and thrown down again into the deepest gulfs; and to this very state of the Deluge and of the Ark, which was a type of the Church in this world, David seems to have alluded in the name of the Church, Psalm xlii. 7, Abyss calls upon abyss at the noise of thy cataracts or waterspouts; all thy waves and billows have gone over me. It was no doubt an extraordinary and miraculous providence, that could make a vessel, so ill manned, live upon such a sea; that kept it from being dashed against the hills, or overwhelmed in the deeps. That abyss which had devoured and swallowed up whole forests of woods, cities, and provinces, nay the whole earth, when it had conquered all, and triumphed over all, could not destroy this single ship. I remember in the story of the Argonautics, Dion. Argonaut. l. i., v. 47, when Jason set out to fetch the Golden Fleece, the poet saith, all the gods that day looked down from Heaven to view the ship, and the nymphs stood upon the mountain-tops to see the noble youth of Thessaly pulling at the oars; we may with more reason suppose the good angels to have looked down upon this ship of Noah's; and that not out of curiosity, as idle spectators, but with a passionate concern for its safety and deliverance. A ship, whose cargo was no less than a whole world; that carried the fortune and hopes of all posterity, and if this had perished, the earth for any thing we know had been nothing but a desert, a great ruin, a dead heap of rubbish, from the Deluge to the conflagration. But death and hell, the grave, and destruction have their bounds. We may entertain ourselves with the consideration of the face of the Deluge, and of the broken and drowned earth, in this scheme, with the floating Ark, and the guardian angels.'

FOOTNOTES:

BUNYAN AND OTHER WRITERS OF FICTION.

Of Bunyan's character there can be but one opinion, he was a truly Apostolic man. As no one's diction is more forcible, unadulterated Saxon, so no life has better expressed the sturdy, sterling virtues of the Englishman. A wider culture would have enriched both his mind and his writings, but with the probable result of turning a remarkable man into an ordinary one. His good sense and his humility are illustrated by a charming anecdote. 'Ah, Mr. Bunyan,' said a grateful hearer, 'that was a sweet sermon!' 'You need not tell me that,' replied Bunyan, 'the devil whispered it to me before I was well out of the pulpit.'

'Well, I told you before, how the prisoners were entertained by the noble Prince Emmanuel, and how they behaved themselves before him, and how he sent them away to their home with pipe and tabor going before them. And now you must think, that those of the town that had all this while waited to hear of their death, could not but be exercised with sadness of mind, and with thoughts that pricked like thorns. Nor could their thoughts be kept to one point; the wind blew with them all this while at great uncertainties, yea, their hearts were like a balance that had been disquieted with shaking hand. But at last as they, with many a long look, looked over the wall of Mansoul, they thought that they saw some returning to the town; and thought again, who should they be? At last they discerned that they were the prisoners. But can you imagine, how their hearts were surprised with wonder! Especially when they perceived also in what equipage, and with what honour they were sent home. They went down to the camp in black, but they came back to the town in white; they went down to the camp in ropes, they came back in chains of gold; they went down to the camp with their feet in tatters, but they came back with their steps enlarged under them; they went also to the camp looking for death, but they came back from thence with assurance of life; they went down to the camp with heavy hearts, but came back again with pipe and tabor playing before them. So, so soon as they were come to Eye-gate, the poor and tottering town of Mansoul adventured to give a shout; and they gave such a shout, as made the captains in the Prince's army leap at the sound thereof. Alas! for them, poor hearts, who could blame them, since their dead friends were come to life again! For it was to them as life from the dead, to see the ancients of the town of Mansoul to shine in such splendour. They looked for nothing but the axe and the block; but behold! joy and gladness, comfort and consolation, and such melodious notes attending of them, that was sufficient to make a sick man well. So when they came up, they saluted each other with Welcome, welcome, and blessed be he that spared you. They added also, we see it is well with you, but how must it go with the town of Mansoul, and will it go well with the town of Mansoul, said they? Then answered them the Recorder, and my lord Mayor, Oh! tidings! glad tidings! good tidings of good; and of great joy to poor Mansoul! Then they gave another shout, that made the earth to ring again. After this, they enquired yet more particularly, how things went in the camp, and what message they had from Emmanuel to the town. So they told them all passages that had happened to them at the camp, and every thing that the Prince did to them. This made Mansoul wonder at the wisdom and grace of the Prince Emmanuel; then they told them what they had received at his hands, for the whole town of Mansoul; and the Recorder delivered it in these words, Pardon, Pardon, Pardon for Mansoul; and this shall Mansoul know to-morrow. Then he commanded, and they went and summoned Mansoul to meet together in the market-place to-morrow, there to hear their general pardon read.

'But who can think what a turn, what a change, what an alteration this hint of things did make in the countenance of the town of Mansoul; no man of Mansoul could sleep that night for joy; in every house there was joy and music, singing and making merry, telling and hearing of Mansoul's happiness was then all that Mansoul had to do; and this was the burden of all their song, "Oh! more of this at the rising of the sun! more of this to-morrow! Who thought yesterday, would one say, that this day would have been such a day to us? And who thought, that saw our prisoners go down in irons, that they would have returned in chains of gold! Yea, they that judged themselves as they went to be judged of their judge, were, by his mouth, acquitted, not for that they were innocent, but of the Prince's mercy, and sent home with pipe and tabor."'

'Little tract on worming dogs, Whereof the name, in sundry catalogues, Is extant yet.'

ESSAYISTS AND LETTER WRITERS, LITERARY HISTORIANS.

Butler's remains were only partially printed in 1759, but the MSS. from which Thyer's publication was drawn were acquired in 1885 by the British Museum. His selection seems to have been in general exceedingly judicious, but the opportunity may be taken of giving some examples of Butler's unpublished thoughts:

'There is no better argument to prove that the Scriptures were written by divine inspiration than that excellent saying of our Saviour, If any man will go to law with thee for thy cloak, give him thy coat also.

'Birds are taken with pipes that imitate their own voices, and men with those sayings that are most agreeable to their own opinions.

'If the French nobility should follow our fashions, and send their children over to learn our language, and receive their education from us, we should have as glorious an opinion of ourselves, and as mean a value of them, as they have of us; and therefore we have no reason to blame them, but our own folly for it.'

It is interesting to learn Butler's opinion of Dryden as a critic:

'Dryden weighs poets in his virtuoso's scales that will weigh to the hundredth part of a grain, as curiously as Juvenal's lady pedantess--

"Committit vates, et comparat inde Maronem, Atque alia parte in trutina suspendit Homerum."

He complained of Ben Jonson for stealing scenes out of Plautus. Set a thief to find out a thief.'

'Our Trimmer adores the Goddess Truth, though in all ages she has been scurvily used, as well as those that worshipped her. 'Tis of late become such a ruining virtue that mankind seems to be agreed to commend and avoid it; yet the want of practice, which repeals the other laws, has no influence upon the law of truth, because it has root in heaven, and an intrinsic value in itself that can never be impaired. She shows her greatness in this, that her enemies, even when they are successful, are ashamed to own it. Nothing but power full of truth has the prerogative of triumphing, not only after victories, but in spite of them, and to put conquest herself out of countenance. She may be kept under and suppressed, but her dignity still remains with her, even when she is in chains. Falsehood with all her impudence has not enough to speak ill of her before her face. Such majesty she carries about her that her most prosperous enemies are fain to whisper their treason, all the power upon the earth can never extinguish her. She has lived in all ages, and let the mistaken zeal of prevailing authority christen any opposition to her with what name they please, she makes it not only an ugly and an unmannerly, but a dangerous thing to persist. She has lived very retired indeed, nay, sometimes so buried that only some few of the discerning part of mankind could have a glimpse of her; with all that, she has eternity in her, she knows not how to die, and from the darkest clouds that shade and cover her she breaks from time to time with triumph for her friends, and terror to her enemies.

'Our Trimmer, therefore, inspired by this divine virtue, thinks fit to conclude with these assertions, That our climate is a trimmer between that part of the world where men are roasted and that part where they are frozen: That our Church is a trimmer between the phrenzy of phanatic visions and the lethargic ignorance of Popish dreams: That our laws are trimmers between the excess of unbounded power and the extravagance of liberty not enough restrained: That true virtue has ever been thought a trimmer, and to have its dwelling in the middle between the two extremes: That even God Almighty himself is divided between his two great attributes, his mercy and his justice.

'In such company our Trimmer is not ashamed of his name, and willingly leaves to the bold champions of either extreme the honour of contending with no less adversaries than nature, religion, liberty, prudence, humanity, and common sense.'

'A fool hath no dialogue within himself.

'Malice may be sometimes out of breath, Envy never. A man may make peace with hatred, but never with envy.

'An old man concludeth from his knowing mankind that they know him too, and that maketh him very wary.

'He that leaveth nothing to chance will do few things ill, but he will do very few things.'

The letter-writers of the age who have any claim to a place in literature as such are but few, and none of their epistles were intended for publication. Dryden, as elsewhere, takes the lead, and his letters, though scanty and occasional, occupy a pleasant chamber in the edifice of his prose writings. The first, dated 1655, and addressed to a female cousin in language of complimentary gallantry, is of especial interest as showing how early his prose style was formed. Notwithstanding the strain of high-flown sentiment enforced by the occasion, it is far less fanciful and involved than similar compositions of the early Caroline period, and is in all essential respects an example of the sound, clear prose of the Restoration. The letters to the two Rochesters, the man of letters and the man of office, are models of ingenious flattery in different styles; those to his publisher, Jacob Tonson, apart from their personal interest, are important for the light they throw upon the relations between publishers and authors at a period when publishers were as yet mere tradesmen, and the most popular author could hardly subsist by authorship. The latest of all, addressed to his Northamptonshire kindred, are mellow as with the light of a setting sun, and afford pleasant glimpses of the occasional ruralizings of the most urban of poets.

Sir William Temple is so thoroughly identified with the Restoration period, that although the Lady Temple's charming letters of his betrothed, Dorothy Osborne, were written in 1652-54, and not published until 1888, they may be regarded as belonging to it. The young lady was well known from Macaulay's account of her in his essay upon her husband, and many of her letters had been published in Courtenay's life of her husband, ere the whole, so far as preserved, recently became accessible in the edition of Mr. Edward Abbott Parry. Intended for no other eyes than her lover's, these letters have given Lady Temple high rank among English epistolographers. Though they are exceedingly well written, their charm is personal rather than literary. No biographer or novelist has painted a truer picture of the English maiden, high-minded and high spirited, heroically constant and at the same time full of engaging frailties and arch teasing ways, than is depicted in these artless self-revelations. Temple seems to have behaved perfectly well throughout their protracted engagement; and his fulfilment of it after Dorothy's beauty had been destroyed by the smallpox may be reasonably believed to have been the effect of inclination, no less than of honour and duty. The very slight glimpse we obtain of their married life reveals Lady Temple's interest in his political career; had this been guided by her his life would probably have been less comfortable, and his memory more glorious.

FOOTNOTES:

ANTIQUARIANS AND MEN OF SCIENCE.

The literature of England has this among other points in common with ancient literature, that it reckons books on fishing among its classics. Oppian, who sang of the sea and its inhabitants to Caracalla, is far from the worst among the Greek poets, and has in particular expressed the successful angler's exultation with a truth and terseness which no successor will surpass:

'Look, under the broad beech-tree, I sat down, when I was last this way a-fishing, and the birds in the adjoining grove seemed to have a friendly contention with an echo, whose dead voice seemed to live in a hollow tree, near to the brow of that primrose-hill; there I sat viewing the silver streams glide silently towards their centre, the tempestuous sea; yet sometimes opposed by rugged roots and pebble-stones, which broke their waves, and turned them into foam: and sometimes I beguiled time by viewing the harmless lambs, some leaping securely in the cool shade, whilst others sported themselves in the cheerful sun; and saw others craving comfort from the swollen udders of their bleating dams. As I sat there, these and other sights had so fully possessed my soul with content, that I thought, as the poet has happily exprest it,

"I was for that time lifted above earth; And possessed joys not promis'd in my birth."

As I left this place and entered into the next field, a second pleasure entertained me; 'twas a handsome milk-maid, that had not yet attained so much age and wisdom as to load her mind with any fears of many things that will never be, as too many men too often do; but she cast away all care, and sung like a nightingale; her voice was good, and the ditty fitted for it: 'twas that smooth song, which was made by Kit Marlow, now at least fifty years ago: and the milk-maid's mother sung an answer to it, which was made by Sir Walter Raleigh in his younger days.

'They were old-fashioned poetry, but choicely good, I think much better than the strong lines that are now in fashion in this critical age.'

'These I will pass by, but not those little nimble musicians of the air, that warble forth their curious ditties, with which nature hath furnished them to the shame of art.

'As first the lark, when she means to rejoice: to cheer herself and those that hear her, she then quits the earth, and sings as she ascends higher into the air, and having ended her heavenly employment, grows then mute and sad to think she must descend to the dull earth, which she would not touch but for necessity.

'How do the blackbird and thrassel with their melodious voices bid welcome to the cheerful spring, and in their fixed months warble forth such ditties as no art or instrument can reach to?

'Nay, the smaller birds also do the like in their particular seasons, as namely the leverock, the tit-lark, the little linnet, and the honest robin, that loves mankind both alive and dead.

'But the nightingale, another of my airy creatures, breathes such sweet loud music out of her little instrumental throat, that it might make mankind to think miracles are not ceased. He that at midnight, when the very labourer sleeps securely, should hear, as I have very often, the clear airs, the sweet descants, the natural rising and falling, the doubling and redoubling of her voice, might well be lifted above earth, and say Lord, what music hast thou provided for the saints in heaven, when thou affordest bad men such music on earth!'

It has been remarked that it was necessary to supplement Walton's imperfect knowledge of fly-fishing. This task, a delicate one in his lifetime, was piously and successfully performed by a scholar, Charles Cotton, of Beresford, Derbyshire , whose appendix of dialogues appeared in the fifth edition of Walton's own treatise with some graceful introductory lines from Izaak himself, then in his eighty-third year. 'I have been so obedient to your desires,' he says, 'as to endure all the praises you have ventured to fix upon me.' Cotton, a country gentleman of good family, whose fishing cottage on the Dove stands to this day, obtained some reputation as a man of letters by a translation of Scarron's burlesque poem, and other versions from the French. He was also an authority upon cards, which possibly accounts for the pecuniary embarrassments which clouded the latter part of his life. His piscatorial teaching is no doubt quite sound; but his book, although a lively dialogue, is no idyll like his master's, and would be forgotten but for its association with the latter. The best passages are those depicting the horror of the London visitor at the steepness of the Derbyshire hills and the narrowness of the Derbyshire bridges. 'I would not ride over it for a thousand pounds, nor fall off it for two; and yet I think I dare venture on foot, though if you were not by to laugh at me, I should do it on all four.'

FOOTNOTES:

TRAVELLERS.

Travel was well represented in the literature of the period, as could hardly be otherwise in an age distinguished by the awakening of a spirit of curiosity and intelligent inquiry. The time for systematic scientific exploration had not arrived; no Englishman devoted himself to travel as a profession with the steadiness of the Italian Della Valle, or described a foreign land with such thoroughness as in the Indian monograph of the French jeweller, Tavernier. But if no such monumental work was produced, there was no lack of standard ones. The two which have come nearest to attaining the rank of literary classics, however, were not the production of men of high attainments, but the work, or reputed work, of writers of imperfect education, whose chief claim to attention was the surpassing interest of their narratives.

Robert Knox belongs to the especially interesting class of travellers whose experience of foreign countries has been gained in captivity. Driven by a storm on to the coast of Ceylon in 1659, he was made prisoner and carried into the interior, then almost unknown to Europeans. Here he supported himself for nearly twenty years by knitting caps and hawking goods, resisting all inducements to enter the service of the native sovereign, whose caprice and cruelty he dreaded with good reason. At length he escaped to a Dutch settlement, and returned safely to England, where he entered the service of the East India Company. After several more voyages to the East he retired, and died in good circumstances in 1720. His letters to his cousin, Strype, preserved in the University Library, Cambridge, show him, it is said, 'to have been a man of morose temper, rough manners, and a woman-hater.' The 'manuscripts of my own life,' bequeathed by him to his nephew, Knox Ward, have unfortunately gone astray. His account of his captivity was published in 1681, with a preface by the illustrious natural philosopher, Robert Hooke, who no doubt gave Knox much literary assistance, but happily abstained from tampering with the simplicity of his narrative. As a classic of travel this ranks with the similar works of Drury and Mariner, which also received literary form from intelligent collaborators, and it may have served in some measure as an example to Defoe.

The times were not ripe for archaeological exploration, or for profound investigation of the manners and institutions of foreign nations; and the most gifted travellers of the age wrote with one eye upon things abroad and the other upon affairs at home. Among such itinerant politicians the first place must be given to Burnet, rather, however, for his celebrity in other fields than for the special merit of his travels. He recorded, nevertheless, a number of intelligent observations upon Switzerland, Italy, and Germany. Burnet is always lively and sagacious, and much more impartial than could have been expected in one so deeply concerned in political and theological controversies. His account of Venice is especially interesting. The book, written during his exile, was published in Holland, and was for some time prohibited in England. The somewhat similar work of Lord Molesworth owes its existence to accident. Molesworth, a theoretical republican of Algernon Sidney's school, was English envoy at Copenhagen from 1690 to 1692, and was obliged to quit the country in consequence, as was asserted, of an insult offered by him to the king; considering, however, the favourable character he gives of the monarch, this appears hardly probable. Whatever the reason, he threw up his embassy, and avenged himself by a severe indictment of the system of absolute government established in Denmark by the memorable revolution of 1660, which he declared to have entirely impoverished the country. Himself a patrician, he finds the principal cause of this in the abasement of his own class; and he probably wrote rather from regard to the affairs of England than those of Denmark. He is a forcible, but, at the same time, a candid writer, admitting frankly that 'In Denmark there are no seditions, mutinies, or libels against the government; but all the people either are, or appear to be lovers of their king, notwithstanding their ill treatment, and the hardships they groan under. There are no clippers or coiners, no robbers upon the highway, nor housebreakers; which conveniency of arbitrary government, among the multitude of mischiefs attending it, I have likewise observed in France.' He is greatly impressed with the merits of the Danish laws, apart from their administration. 'For justice, brevity, and perspicuity, they exceed all that I know in the world. They are grounded upon equity, and are all contained in one quarto volume, written in the language of the country.' Such passages are conclusive as to his impartiality, and the violent attacks which his book provoked were probably mainly due to its exceedingly plain speaking about individuals. Of the Danes in general he says: 'I never knew any country where the minds of the people were more of one calibre and pitch than here; you shall meet with none of extraordinary parts or qualifications, or excellent in particular studies and trades; you see no enthusiasts, madmen, natural fools, or fanciful folks; but a certain equality of understanding reigns among them. Every one keeps the ordinary beaten road of sense, which in this country is neither the fairest nor the foulest, without deviating to the right or left.' Molesworth was a man of parts and independent character, who afterwards rendered his country considerable services in Ireland, where Swift dedicated one of the Drapier's letters to him as a patriot.

Doctor Edward Browne, son of Sir Thomas Browne, was a highly accomplished man, whose travels in Eastern Europe contain a remarkable amount of accurate observation within a surprisingly narrow compass. It seems strange to find him foretelling a great territorial expansion of the Turkish empire at the expense of Christian Europe, but the prophecy came near being fulfilled by the peril of Vienna not long after Browne wrote.

This review of English travellers would not be complete without a brief notice of two foreign visitors to the country, whose narratives, translated into English, have probably been more read here than at home, and from whom much valuable information may be derived. Sorbi?re, a philosopher of Gassendi's school, a Protestant by birth, but who had become a nominal Catholic, visited England in 1663. Being, as he admits, entirely ignorant of the language, his attention was principally given to the intellectual aspects of the country, which were not unfamiliar to him, from his acquaintance with the works of Englishmen who had written in Latin. His accounts of Oxford and the Royal Society are neither unamusing nor uninstructive; he has a true veneration for English men of science, especially Bacon, whom he pronounces 'the greatest man for the interest of natural philosophy that ever was.' Of English letters he can only say that 'he understands that all English eloquence consists in mere pedantry.' Writing in the character of a courtier, Sorbi?re expresses himself antagonistically to the English constitution, but it is difficult to believe that his remarks are not sometimes ironical. He can hardly have thought it a very extravagant idea on the part of the commons 'that their king ought to apply himself entirely to maintain the public peace, to promote the happiness of his people, and to advance the honour and reputation of his country abroad, as much as possibly he can.' We are nevertheless informed that this and similar views arise from 'a particular inclination they have by nature to supply themselves with such disrespectful arguments.'

We have now accompanied the literature of the Restoration period from its apparently sudden manifestation contemporaneously with the return of the exiled monarch to its transition into what is so appropriately in one point of view, so unaptly in another, termed England's Augustan age. We have seen that this apparent abruptness was deceptive, arising from the interruption of English literary development by the Civil War and its consequences; and that the Restoration literature represented tendencies which must inevitably have prevailed without the infusion of any French element. The old Elizabethan mode had become inadequate to the vastly extended needs of the time, and we are now able to recognize the literature of the Restoration in its proper connection as a transition to the thoroughly practical and business-like style of the eighteenth century, which, having worked itself out in its turn, and arrived at an impracticable position through the total negation of imagination by its most characteristic representatives, brought about the revival of the Elizabethan spirit in the imaginative, spiritual, and at the same time intensely human literature of the nineteenth century. This in turn seems threatened with decay from the exaggeration of its characteristic qualities; and the antidote might be sought in less hopeful quarters than in the sound sense, manly vigour, and solid execution of the robust if prosaic writers of the Age of Dryden.

FOOTNOTES:

CHRONOLOGICAL TABLE.

Allestree, Richard, 227.

Antiquarians, 259-266.

Archippus, 92.

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