Read Ebook: Two Studios by Peard Frances Mary

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Ebook has 641 lines and 27515 words, and 13 pages

"In that case, unless he is hopelessly drunk, I will forward him."

"That is really good of you," she said, getting up; "and to prove that we are not ungrateful, we will go away this minute, and allow you to begin another cigarette in peace. I shall tell Kitty that you have made a solemn vow to provide the man she wants on Monday morning."

"I'll do my best," said Everitt.

"Oh, no limitations, please. If you can't get him, you will have to find another. I have no doubt they run about quite tamely in this long corridor of yours. Don't come any farther. I'm immensely obliged to you, and so Miss Lascelles will be when she hears of the ruffian--won't she, Bell?"

In spite of her request, Everitt walked with them to the carriage, which waited in the street. When it had driven off, he turned back, lit his cigarette, and paced up and down under the quaint little avenue. It had never seemed more peaceful, or offered a tenderer contrast to the hot exhausted-looking street outside. May had just begun; the delicate green had burst out, and was clothing the dark boughs with delicious and dainty lightness. A late sun was shining down on the little court, and the feeling of spring was abroad. Everitt stopped and looked round impatiently upon the houses.

"I can't stand this much longer, if the weather keeps fine," he said. "It's waste--sheer waste. And those shoals of old women on Saturday afternoons are becoming intolerable. I must break it off somehow. The best I could do would be to shut up and be off to Pont-aven, or somewhere where one hasn't a hundred and fifty interruptions. It would be a good thing for Jack, who might find fewer excuses to be idle, and it would stop having to provide models for young women who set up studios when they ought to be drawing straight strokes. I know the sort of thing--exactly. And unless I look out, Mary Marchmont will be making elaborate arrangements that I should go and correct her drawings. May the fates avert that! I'll provide this one model, and there my engagements begin and end."

STUDIO NUMBER TWO.

That was a rash boast, with which Everitt concluded his meditations under the trees, but no misgivings disturbed him as he went back to the studio, set a few things in order, gave some directions to the porter, and departed. He dined out and went to the play, and passed the next day without a thought of Miss Kitty Lascelles, until towards evening he met Mr and Mrs Marchmont near Albert Gate. As they parted, Mrs Marchmont reminded him of his promise.

"If you are faithless," she said, "I will never forgive you. I saw Kitty this morning, and she told me that a ruffian was exactly what she wanted."

"Well, she'll have him," said Everitt, grimly. "Why hurl threats at me? I am not likely to forget. But you are, apparently, as much interested as she is. May I ask why?"

"Because," she said, "she is my dearest friend, and I don't like my friends to be disappointed. And she is so enthusiastic and eager about her art! I do wish I could bring you two together. Won't you come and dine? George, persuade him."

"When I come back from Pont-aven," said Everitt, escaping with a laugh.

He was an early worker, and it was his custom to be in his studio, painting, a good hour before Jack Hibbert began his studies. He made an effective picture himself as he stood at his easel--a handsome man, rather above the usual height, dark and bright-eyed, with a clear olive skin, and well-cut features. The lofty studio, with its hangings of faded harmonious colours, its pleasant irregularities, and its pictures standing about, formed an excellent setting. A fire burnt on the hearth, and the parrot was engaged in making pertinent inquiries of his master, which Everitt answered absently, for he was at work upon a subject which interested him. At last he looked at his watch with an exclamation of annoyance.

"Where's that fellow? He should have been here half an hour ago." He pulled a bell impatiently, and it was answered by the porter. "Has Giuseppe come?"

"No, sir."

"Hurry him up when he makes his appearance--that's all. Or--stop! Is Greggs engaged this week?"

"Yes, sir."

"Foster--where's Foster?"

"Mr Sydney has him."

"Well--send that fellow in the moment he comes."

"Very good, sir."

Everitt fell to his painting again, but without success. He was a man who had a very strong feeling about a promise, and he hated the idea of failing to fulfil it. It began, indeed, very soon to annoy him seriously. He flung down his brushes, and caught up his hat to go in search of the delinquent, when Hill, the porter, once more appeared at the door, with a significant grin on his face, at sight of which Everitt abruptly stopped and whistled.

"Oh!" he remarked the next moment.

"Yes, sir."

"Bad?"

"Dead drunk, sir."

"Pack off the brute," said Everitt in a disgusted voice.

He came back and stood before his easel with his hands thrust into his pockets; then seized a brush and began filling in a bit of foreground. Presently he left his work again, and resumed his pacing.

"This won't do; I shan't get a decent bit of work done this morning, if I don't settle the matter one way or other. Now, what on earth's to be done? Write a note--present my compliments, model drunk, sorry to disappoint, and so on? Go myself, and apologise? No; that's a little too strong. What a fool I was to get drawn into this business! If Hill weren't wanted, I'd dress him up and send him--that wouldn't be half a bad plan; or if I could hit upon some one as accommodating as the duke's daughter," he added musingly, standing before the canvas. The next minute an odd, almost eager look crept into his eyes. He began to smile, shook his head impatiently, smiled again, overmastered by the fancy, whatever it was--suddenly turned away. "Yes, I'll do it!" he exclaimed aloud.

Whatever it was to which Everitt had made up his mind--and, as has been already hinted, he was at times the victim of freaks which laid his character open to the charge of inconsistency--he lost no time in carrying it out. His first act was to lock his doors, his second to go to a sort of cupboard where some half a dozen costumes were hanging, and to proceed to attire himself in one which belonged to the typical Italian at whom he had mocked; for it was one of his fancies to have a very complete set of these costumes, and his brother artists were not slow to avail themselves of his stores and his good-nature. Having fallen in with the fancy which suggested his present action, he was not the man to hesitate in the doing. He dressed himself rapidly, but with a care which descended to the smallest details, took down an old faded blue-green cloak, which had sunned itself often on the Trinita steps, and inspected himself closely in a looking-glass. On the whole, he thought it satisfactory. In an Italian dress his face appeared Italian; a weak point, of course, lay in his hair, which was short, but he pulled his broad hat over his forehead, and corked his eyebrows to a more generous breadth. He had no fear whatever of being recognised in the street, and as for Miss Lascelles, he assured himself that by exchanging him for Giuseppe, she had, unquestionably, no cause for complaint. His chief danger lay from meeting Jack Hibbert in the court, for Jack, with his investigating mind, was tolerably sure to overhaul an unknown model, and though in that case Everitt had resolved to take him into his confidence, it must be owned he shrank a little from the fun Jack was sure to get out of the affair.

However, he was not going to retreat; he was beginning to feel a keen interest in his own adventures. Opening the second door, which served for models and intimate friends, he took a glance round the court, and, finding it empty, hastily locked his door, and stepped out into the shadow of the trees. He was in luck, for no one was hanging about, and the next minute he was in the street. The plunge gave him, it must be owned, an odd sensation, the more so when he saw that he was only just in time, for Jack was on the other side of the street in the act of crossing, Everitt strode on quickly. He fancied himself the centre of all eyes, but after a time this feeling wore off. The people who glanced at him only saw a model on his way to a studio, a picturesque figure in the midst of unlovely things; the children stared as they would have stared at a man with a monkey, or any other show; there was nothing in him to attract unusual notice. But he felt so unusual himself, that it took him some time to make sure of this. Then, the awkwardness wearing off, his spirits rose. He found the situation amusing. He rather wished to meet some one whom he knew that he might test his disguises to the utmost. It was a beautiful morning, and there was a novelty in the impossibility of shocking probabilities by calling a hansom, which in itself was absolutely exhilarating.

When he reached the Hospital his pleasure increased. It was too early in the day for many of the old men to be out sunning themselves, but he became immediately aware of the peaceful and old-world atmosphere which hung about the place. A morning breeze was blowing up the river, and delicate white clouds sailed across the sky. In the midst of its trees lay the Hospital, warm red brick, with white pointings and grey stone pillars, on which the sunshine rested softly mellow; with its broad frontage of green turf, and its iron gates, and its little graveyard, where lie the old heroes waiting for the "last trumpet's sounding." Everitt had not been there for years; it seemed to him almost as if he had never been before--as if all those years he had lost something. When one or two old men, in long blue coats and brass buttons, and broad three-cornered hats, strolled out of the side gates and stared at him, he felt as if the picture were complete, except that he began to hate himself for being the incongruous feature.

He was directed to one of the brick houses which cluster near the Hospital itself, and closely resemble it in their details; his guide hobbling before him, and now and then throwing at him a suspicious glance. Everything was exquisitely trim and clean; the warm colours, the tender shadows on the old brick, the sunshine, the sober cheerfulness, the lilacs just breaking out in the gardens, the filmy green which daintily touched the trees, were full of delightful charm; and, though the river was not visible, a sort of feeling of its neighbourhood--a freshness in the air, an opening in the distance--added to this charm.

They were not long in reaching the Lascelles' house, built, like the others, of substantial, warm red brick, square and solid, with well-grown trees about it, and gay flowering shrubs, in which blackbirds were singing, as if London were miles away. It must be owned that, as Everitt walked up the back staircase--which was, however, of oak--he began to feel unusually embarrassed.

The little room into which he was ushered was as different from his own lofty and convenient studio as could be imagined, yet it was all in keeping with the rest. A rough sandy English terrier, with prick ears and bright dark eyes, made an immediate dash at him, and was seized by his mistress. This gave Everitt time to glance round him, and to observe that the room was panelled with old oak, and painted above a dull green; that the light was excellent, and the furniture of a somewhat scanty description; that a good many vigorous studies were stuck about; and that the whole aspect of the place looked like business.

Then he surveyed Miss Lascelles, who was pacifying her dog.

She was not at all the sort of person he had expected to see, though it must be owned he had built his ideas without a vestige of foundation. She was small and very girlish-looking, with a bright, happy face and pretty, graceful movements. Her dress was of some soft brown material, with velvet of a darker shade about the neck which matched the brown hair lying smoothly on her little head.

"Sandy, be quiet!" she said; then looking at Everitt, "You are sent by Mr Everitt?"

"Signorina, yes." He felt that on this score, at any rate, there could be no question.

"I have been expecting you for some time," she went on; "I should like you to be more punctual another morning. But now I will show you where you are to stand."

To stand! Everitt's heart sank; he had hoped he might sit.

"I want," said Miss Lascelles, calmly--"I want you to stand with your hand above your eyes, shading them--so. You are to be one of a group of peasants who are coming into Rome with all their goods, escaping from an inundation--you must have seen them, I'm sure? You are leading the string, and looking before you eagerly, perhaps to see whether some one who is missing is in front. You understand?"

"Signorina, yes. But--"

"What?"

"The sun with an inundation?"

"It has broken out, and is shining on the pools of water in the road."

Everitt felt much more capable of criticising and suggesting than of posing as she desired, but there was no help for it. She had even looked a little astonished at receiving his last remark. He exerted himself now to stand in such a position that he could see her at work at her easel, and he was sufficiently experienced to be able to judge from her manner of handling her brush that she worked with vigour and freedom. He was conscious at the same time that he was not himself a good model; he even suspected that he now and then read a little disappointment in her face. Keeping his arm raised was fatiguing; he knew that he swayed, then began to feel as if pins and needles were all about him, then as though he were turned to stone. The ordinary hour had seemed to double itself before Miss Lascelles inquired gently whether he wished to rest. Rest! Never had the word a sweeter sound.

He sat down by the window. Outside and below there was a little old-fashioned garden with a brick wall and gravel paths. Two or three children ran out into these paths, and began a joyful onslaught upon square little plots where mustard and cress were sprouting into different combinations of the letter L. Further on a swing was fastened between two fine elm trees which grew out of the turf. There was a great deal of sunshine, and as yet little shade: only a finely outlined delicate network of shadows cast by the branches on the grass. Everitt had never in his life been more glad to sit down, and he thought the look-out delightful.

Presently the door opened, and another young lady came in.

He looked round idly, but the next moment a very disagreeable sensation shot through him. He recognised her at once--the girl who had come to his studio with Mrs Marchmont. Supposing she also remembered him? What a fool he had been not to take such a possibility into account! Good Heavens! what was to prevent Mrs Marchmont herself from arriving?

He took refuge in the garden, and in a corner of his cloak, horribly conscious that in a few minutes he would have to stand up before her with the full light striking upon him. But if she did not know him at the first glance, she might become more hesitating and confused the longer she thought of it; and he trusted a good deal to his hat. Meanwhile the two girls were talking, too low for him to hear.

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