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Read Ebook: Dragons and Cherry Blossoms by Morris Alice A Parmelee

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Ebook has 124 lines and 31755 words, and 3 pages

All the evening he had been attempting to gain relief by a constant change of position, but his efforts did not seem to have been successful. We all of us were somewhat tired, but the Major had a great deal more to be tired than we. He had to compose himself, however, for one of the most distinctive features of the dinner.

There was a slight pause after his remark, and we began casting glances at one another and wondering what was to come next. The pause at an American dinner we should consider an awkward one, but our host did not seem to entertain any such idea. Suddenly we heard two snaps that apparently came from stringed instruments, and at the same time the panels in a rear room were drawn aside. We were taken somewhat by surprise, for we were not acquainted with the fact that a small theatrical performance is one of the usual accompaniments of a Japanese dinner.

The night had grown still more beautiful during the four hours we had spent within, and we caught many interesting glimpses of local colour on our way to the hotel. The air was warm, the sky clear, and the brilliantly-lighted parks were filled by proud Japanese fathers and mothers with their prattling children. Men and women were stopping under the cherry-trees that were in full bloom, gazing upon the sacred blossoms that have been dear to Japanese hearts for so many centuries. We went by one of the temples, standing on a hill, the approach marked by a succession of bright red gateways. Under the light of the moon, this ancient structure, which for ages has been the heaven of aspiration and love for so many hopeful spirits of this land, had an air of the utmost impressiveness. The whole scene made us forget that we had been sitting for four hours on our heels, and called to our minds the fact that we had had one of the most enjoyable experiences of our lives.

Our attending coolie informed us that we had hit upon a festival that has particular attractions to the foreign eye. You have probably heard of those sacred cherry-blossoms that are so dear to the hearts of the Japanese, and which, with the chrysanthemum, are their chief floral pride. It is true that meddling foreigners have said that they are not cherry-blossoms at all; but that does not seem to prevent the delicate mingling of pink and white from being a very beautiful flower. It is in the month of April that they are to be seen at their best, and it is then that this aesthetic people assemble in different ways, and touchingly illustrate the part that these flowers play in their lives,--for the Japanese without their cherry-blossoms would not be the Japanese at all. When, therefore, the coolie informed us that all these people were on their way to see the famous cherry-blossom dance, we lost no time in mingling with the throng and following it down the lane-like street.

Everything here was a maze of Japanese forms clad in their daintiest robes, and Japanese faces flushed with eagerness and anticipation. Though aesthetic before everything else, the people have a keen eye for business, and the street was lined with booths full of knicknacks and toys of every kind. And here also were whole families picturesquely seated on their heels, sipping the everlasting tea. Pushing our way through the crowd, we drew up before a platform-like entrance, and were immediately met by one of the attendants, who presented us each with a pair of enormous white duck shoes. If you travel long in Japan, you will become accustomed to this sort of thing, and cease from experiencing any embarrassment or indignation at being requested to remove your foot-gear before stepping on a Japanese floor. The irreverent foreigner, however, unaccustomed to walking around in stocking feet, does not always see things from the Japanese point of view, and it has therefore been necessary at the temples and places of public amusement to have a stock of these ungainly foot-coverings for his benefit. The measure, of course, is a conciliatory one, and is intended to smooth the ruffled feelings of the Westerner without at the same time scandalising the sensibilities of the Japanese. We had had many similar experiences, and so lost no time in incasing our feet in a manner that would insure us entrance into the theatre, even though it might detract a little from our dignity.

In the small lobby in which we found ourselves were a number of Japanese enjoying the national attitude of repose, and quietly waiting for something to turn up. The other end of the room was occupied by a counter on which was displayed a large collection of fans made of artificial cherry-blossoms, similar to those that were afterwards used in the dance. These are exhibited in a large measure for the benefit of the foreigner, who is expected to make generous purchases. All the while we could hear notes of that unmistakable Japanese music coming from beyond a small wooden door, mingled with weird voices and unclassifiable sounds. We began to fear that the dance had begun before our arrival, and that we might miss the best part of the show. We signified our wish to enter by pounding on the small door; but it was securely locked, and those on the other side treated our emphatic demands with oriental disdain. As we had paid our admission fee, we began to get indignant at this kind of treatment; but it is better not to get indignant at such things in Japan. Besides, the explanation was quite satisfactory, as one of the attendants told us that it was a fixed rule never to interrupt the performance by the entrance of new spectators, and, therefore, any one who came late must wait until all was finished. We were pacified when we learned that the dance was now nearly over and would shortly be repeated, and that we would lose nothing by waiting. But we were not the only ones who were impatient. There was one little Jap accompanied by his mother, who, after a careful search finally succeeded in discovering a small crack near the floor, to which he applied his eye in much the same fashion that his penniless occidental cousin watches the progress of a game of baseball; and evidently with the same emotions, if the glances of delight which he occasionally threw towards his mother might serve as indications.

Suddenly the music ceased, and the crowd began to push in. Japanese crowds are particularly noted for their good nature, and our progress into the theatre was the occasion of many sprightly jokes from the local wits, which were evidently very good, for they were received with bursts of laughter. We soon found ourselves in a front seat of a small gallery, with a three-sided stage before us. This gallery was reserved for those from over the seas and for those of the higher classes of Japan. Below in the pit sat those of humbler station, making themselves as comfortable as possible with their cushions spread out on the floor. Spectators who had already seen the performance were leaving the theatre from the two entrances under either end of the gallery, but the eager crowd from without was rapidly filling their places. The faces seemed the same that we had parted with a few minutes before, and they had the same appearance of expectant happiness. Here and there was a father and mother, followed by five or six wee ones, hurriedly rushing around to find the most convenient place. Apparently satisfied, they would finally sit down, begin to chatter and laugh, until suddenly one would notice what he thought a more advantageous place, when up they would all scramble again and hurry on in fear that some one might forestall them. It sometimes took more than two trials before they were satisfied, and so, while we were waiting for the curtain to rise, the gay mass below us was constantly changing about in the eagerness of the spectators to gain as comprehensive a view of the stage as possible. Each little group was provided with that indispensable adjunct to happiness,--the tobacco-box. The occasion meant far more to them than what took place on the stage; it was a general holiday, and they were there to get as much out of it as possible. There was a continual buzz as the conversation went on, and occasionally from some animated group there would rise a loud shout of laughter, whence we could infer that an oriental funny man had made another appreciated hit. Indeed, the sight below us was so interesting and brought us so in touch with the people themselves, that we almost forgot that there was a more pretentious display to follow, and gazed at the curtain before us in total disregard of the glories that lay beyond.

The word "dancing," in its western interpretation, can hardly be applied to the graceful body-motions which satisfy the more subdued taste of the Japanese. The nearest thing that our stage can offer for comparison is the march, more spectacular than artistic, in which glistening helmets and emblazoned shields and swords play so large a part. In place of the knightly helmet these Japanese use their cherry-blossom head-dresses to good effect, while their less aspiring minds are satisfied with a fan instead of a sword. They have large flowing sleeves which they are constantly waving with a motion not too slow to be picturesque, and they can bend their little bodies in a way that their Western rivals have yet to learn. They toss their heads backwards and forwards in a very graceful and captivating way, and make any number of gesticulations with their sleeves, holding them in all conceivable positions in front of the face, back of the head, or stretching them out at arm's length as a bat does its wings. At times the marching and counter-marching becomes delightfully confusing, the stage being a mass of slowly-waving colour, from the midst of which a large number of cherry-blossomed crests can be seen and an occasional smiling white-plastered face. The dancers do not show the slightest traces of fatigue, and when the curtain is rung, or to be more precise, clapped down at the conclusion of this first act, they seem as fresh as when it began, and a little disappointed that they are obliged to pause for a short time.

We were aroused from our enchantment by the gradual descent of the curtain. The spectators for the next performance were already entering, the conversational jabber once more began, and to the accompaniment of the same laughing voices and probably the same jokes, we made our way to the street.

It was our last night in Kioto. We had spent the day in the temples, and though we were somewhat tired, we still managed to keep up a desultory conversation upon the interesting things we had seen. Suddenly we were interrupted by a shy knock. Before any one had time to prevent it, a handsome Japanese face thrust itself through the gradually opening door; it was immediately followed by the handsome figure of a young man. Perhaps it was because of the good looks that the intrusion was not resented. The new-comer possessed large brown eyes, bushy black hair, and beautiful white teeth, and in addition to this spoke English.

"Can look see some of goods. Have very beautiful things."

This is the way they teach it--or, at least, learn it--at the mission schools.

The speaker continued: Would Madame be so kind as to glance at the charming wares at present gracefully reposing in a pack on his shoulders? They were something out of the usual run, and he had brought them especially for her inspection. To tell the truth, Madame was very tired, and murmured an objection; but a beautiful face has always touched her artistic sensibilities, and here was one of the finest she had yet seen in Japan. The new-comer seemed to notice this, for he entered without more ado. He immediately dropped to the floor and began to unpack his bundles. We were all soon interested in other things than our visitor's face, for he had hardly begun to display his wares, before we saw something novel ahead. Japanese peddlers usually have an innumerable collection of small boxes, but our friend's were larger and heavier and of a much richer kind. With the usual number of bows and smiles he began to reveal his treasures to our gaze, when we were honoured by the entrance of a small counterpart of himself, who had evidently been waiting outside until the coast was clear. Apparently they were brothers, and together they began to arrange their merchandise in a way to catch the American eye most temptingly.

We had already seen many of those hanging pictures which figure so prominently in Japanese art, but nothing of so delicate a texture as those our visitor now laid before us. They were for the most part representations of religious emblems, but there was one of a more secular kind of which the young man was particularly proud. It was rather large, with a dark background on which was exquisitely embroidered a tall, white cock with head erect, crowing to his heart's content, and strutting about in all the majesty of a flaming red comb.

However much we may have been puzzled by this, there was no doubt that we had before us one of the most delicate creations of art. Could it be possible that all this was the result of man's labour, using what many of us find so clumsy an instrument as a needle? I have thought long how to give an idea of the skill, the patience, the taste displayed in this piece of tapestry; but who can tell a blind man what a rainbow is like? Besides, I do not yet myself thoroughly appreciate what it all means, for, though I have owned the tapestry for some time, I never look at it without finding something I have not seen before. It seems such an inadequate thing to say, that it was about eight feet long and three wide, and that the figures were worked upon a grey background surrounded by a border of black. If you could only have seen it as it first flashed upon me that evening, a glorious mingling of the bright Japanese colours of red, black, and white, as yet totally undimmed by the nearly two centuries that it had lain, a holy thing, in the Daitokuji Temple at Kioto! There seemed to be some historical scene portrayed, evidently a naval battle, for there were castles and boats and water, and in the distance the sacred mountain of Fujiyama, worked in a rich gold. Over all, with outspread wings, were flying storks, and in the sea were strange fish and monsters. And there were royal crests, sailors, warriors, birds of many kinds, the colours as finely blended in this piece of needlework as in an artist's painting. Later I have had the opportunity to examine it more in detail, and to discover that the castles on the shore are undergoing a siege, the date of the events being that of the ascendency of Hideyoshi. We are sure of this because Hideyoshi himself is there in red armour, and though his face is not more than a quarter of an inch in diameter, the features are easily distinguishable. I have the names of the other officers and castles, with a full description of the event written in choice Japanese by the priest of whom the purchase was made.

For he would sell, after all. As we stood admiring this monument of skill and patience, little thinking that it might be ours, the young man kept up his story about the refusal of the priest to sell, and also his pathetic allusions to the mysterious tea-house. Suddenly, however, he cleared up everything by turning to us despairingly with the words,--

"Please buy!"

But, though the government was persistent, Buddha was even more so, and was very loath to give up the sway he had secured over the affections of the Japanese. The humbler classes were also blind to the superior virtues of the Shinto Temple, and therefore an interesting struggle began, to see which was the fitter to survive. The struggle is not ended yet, nor is there any great indication that it soon will be. The Mikado himself has confessed the weakness of his own cause, for he has found that the mere listening to the teachings of one's heart and obeying the decrees of the sovereign does not constitute a religion. He has therefore been obliged to borrow a great deal from his antagonist, and it so happens that the state religion of Japan is a tangled problem. But the masses of the people are still faithful to Buddha, whose temples are increasing every day.

A GLIMPSE OF ROYALTY.

"You must go to Nara," they told us, as soon as we had landed in Japan. "It is one of the oldest and most sacred cities of the Empire. Though now politically of little importance, there are many interesting things to be seen. There are beautiful groves of cryptomerias, shadowy roads, crumbling stone lanterns, tame deer, and many an ancient Shinto temple. If you do not see Nara, you do not see Japan."

And so on a certain April morning we found ourselves on our way to the southern part of the island.

You have heard much of the sunshine and the flowers, the tea-drinking, and the various aesthetic touches of Japanese life, so it may be somewhat disillusioning to learn that there are other points of view. This thought forces itself upon my mind whenever I think of our watery journey to Nara,--for it rains in Japan. The days can be cold and dark, hotel accommodations can be scanty, and foreigners can take a long and hungry railroad ride, and have impressions that they do not care to put down in a book of travels. We had heard the praises of the journey so rapturously sung, that the rainy mountains, the swollen streams, the dripping trees, the cold, wet, and uncomfortable passengers, struck us with a painful sense of the reality of things. As yet I had experienced only the warm and sunshiny side of the climate, and so, as I stepped from the train that afternoon, and gazed about on the various signs of general discomfort, I could but ask myself, "Is this Japan?"

This unconscious humourist furnished the only diversion of the ride. Doubtless I passed through many delightful scenes, and might have caught many charming bits of Japanese rural life. I shall never know how those tea-fields looked in that pouring rain, and the plodding Orientals that must have passed are a sealed picture. I could occasionally hear the tall trees swaying and scraping together in the cold breeze, but they were not for the eye. All that I could see was a small square of mud and water, and the mournful movement of the untrousered legs below. These were very instructive as object-lessons in domestic economy, but I would have preferred to have enough landscape to set them off to better advantage. Such an interesting thing, however, was enough in itself to keep my spirit up, and I thoroughly enjoyed the ride, in spite of the many things I could not see. My faithful friend unconsciously kept up a stock of that good humour which was soon to be called into play; for when we had reached the hotel where we were to spend the night, the guide came gloomily towards us and made the announcement that the house was full, and that we would be obliged to find some other place. He said that he had succeeded in finding a small Japanese house near by, and that this was the best that could be done.

The Empress had hardly disappeared when one of the priests, with long robes waving in the wind, came running towards us. We were now confident that he had some message from the Empress, and were fearful that the long-expected dislike of foreigners was to be shown. This idea could hardly have been gained from the priest's face, however, as it betrayed no evidence of offended dignity, though there were signs of anxiety and surprise. He paid no attention to us, but immediately engaged our guide in an earnest conversation, the conclusion of which we waited with some apprehension. Finally our attendant turned and spoke to us in the following surprising terms,--

"Her Majesty has learned with pleasure that you have come so far to see the sacred dance, and is very glad that you have happened here the same day as herself. She is very unwilling, however, that you should be kept standing while she witnesses the performance, but thinks that you should be treated with all the kindness and hospitality of Japan. She has therefore sent one of the priests to bid you greeting, and offers you the seats that have been prepared for herself and party; and she will feel very much offended if you do not accept."

These words affected us with mingled feelings of astonishment, flattery, and embarrassment. We had heard much of the politeness of the Japanese, but here was a unique expression of it; one could hardly receive more. And what had become of the dislike for foreigners which I had been told was so prominent a trait in her character? We were somewhat in doubt as to what was the right thing to do, and stood there gazing at each other for a few moments, waiting for some one to take the initiative.

"I hope you will thank her Majesty for us," I finally answered, "but we could not think of taking her place at the dance. We can just as conveniently wait until she has finished. We all, however, very deeply feel her kindness."

"Oh, but you must come--you must come," hurriedly returned the guide, dropping a little of his formality in his fear that we would not accept. "The Empress would not like it at all if you refused her invitation. She says that she can see it at any time, but you have come from far over the seas, and must see it to-day or never. You cannot decline,--it would never do."

Without considering the possibility of our refusal any further, he and the priest immediately led the way. There was nothing for us to do but to follow; and the faces of our Japanese friends were wreathed in smiles as they saw that we had overcome our scruples. We were much relieved on our arrival to find that the Empress and her train had gone to the northern part of the temple to perform their devotions. However much we would have liked to thank her in person, our acquaintance with Japanese court etiquette was not such that we could know just how it should be done. With a genuine oriental awe we seated ourselves in the chairs that had been destined for the venerable Empress, and from the cups made for nobler hands drank the tea that was meant for royal lips. We soon found ourselves in a more comfortable frame of mind, and by the time the dance had begun, we were in a condition to enjoy it.

We saw no more of the Empress who so disliked foreigners, but who could treat them with such delicacy. We had another indication of her kindly disposition, however, after we had left the pavilion at the conclusion of the dance. Outside stood the sacred white horse always to be found near these ancient temples, and one of the little girl attendants stood by, selling the peculiar mixture which forms his only food. After I had done my duty by the divine animal, I took the hand of the little girl, who looked up into my eyes and said,--

"Her Majesty has just gone by. She was very gentle to me, and gave the sacred horse many measures of grain."

FIN DE SI?CLE JAPAN.

You must not think that you are a person of no consequence if you do not receive an invitation to the Mikado's garden-party, for there are a great many important people not always on his Majesty's list. I cannot tell you just what are the necessary qualifications to the royal favour, for the presence of the entire diplomatic corps is not always requested, the pride of many a native noble receives a fall, and no one knows what anguish of mind the majority of the democratic Americans in Yokohama experience at not receiving a card. Perhaps the most fortunate thing connected with the party is the delicate flower that is its most prominent feature; everything in Japan connected with the cherry-blossom is sacred, and this probably accounts, to some extent, for the chariness with which the Mikado distributes his favours. In October the advent of the chrysanthemum is similarly observed, but this function is not as important as that held in April. Everything depends on the capriciousness of the cherry-blossom, and the party is given early or late as the pink and white deign to display themselves to the worshipping Japanese. Invitations, therefore, are issued only a few days in advance, and are then subject to recall should circumstances happen to prevent the spring-time flower from looking its daintiest.

You had better visit the Pound early, as the hats are in great demand, and you may have difficulty in fitting your head. You finally make a choice; the likelihood being at best that you will have a size too large or small, but this is only the simplest of the complications. You are by no means the first man that has worn this hat, and it shows the effects of many cherry-blossom parties. Occasionally a new sleek hat finds its way into the Pound, and there is considerable competition as to who shall secure the prize. You had better in some way exhaust all the humour that the idea gives you before you attend the party, else you will not have sufficient command over yourself to view the occasion with the stoical eye of the Japanese; for the hats show off to a better advantage from a comparative point of view. You must place a neat, decorous, low crown of the latest style beside the parabolic curve of several years ago to see really how funny it all is. There is the white and drab head-piece, suggestive of the gentleman of sporting tastes, and an occasional shaggy something that we now see only in pictorial representations of Uncle Sam. All this is very amusing; but it is a graver matter when a young man of eighteen has to parade around in a widower's weed, or a staid clergyman or pompous Member of Congress is obliged to hide behind the trees in order to conceal the fact that his head is adorned by one of the little peaked affairs in vogue a long time ago. Nor are these the only things in the same line. The ladies of the court have caught that disease which is spreading so rapidly in Japan, -- Europamania, -- and have cast aside their beautiful native costumes for a western dress. Their success at best is doubtful, but there is one who seems to have managed things with a greater skill. You will likely wonder how the Mikado's wife can look so well when you have heard of the difficulties she has to undergo in her desire to dress like a European lady. Her person is too sacred to be touched by vulgar hands, and this unfortunate fact interfered with her progressive plans for some time, until the problem was solved by fitting her dresses upon one of her attendants of similar height and figure. In spite of this inconvenience, the Empress appears very well, and is one of the few Japanese ladies who wears the European costume with dignity and grace.

Yet all this is only a fair example of what you may see in any part of Japan. The changes that have been sweeping over the country have not been confined to political institutions, but have affected the most trifling details of Japanese life. It makes no matter where you go, or the people you meet, everything bears the traces of the new lands and peoples that have found such favour in their eyes. To any one who has a taste for the picturesque, the attempts of the Japanese at cosmopolitanism are an interesting field of study. The background of their life is, of course, the Japan of ages gone by, with its Mikado, its flowers, its sunshine, and its tea; but upon this are sprinkled the innumerable foreign traits that make everything grotesquely amusing. With their Mikado they have parliamentary government, and though they are perhaps as fond of their tea as ever, they can occasionally lay it aside for the champagne of the West, and beer flows almost as freely as in Germany itself.

We Americans may take a pride in all this, and may feel delighted that the Japanese will christen themselves with such names as George Washington and Abraham Lincoln; yet I have my doubts whether it is not a mistaken idea of development that persuades us to dignify it by the name of progress. The Japanese are extremely quick and imitative, but like most imitative people, they are likely to perceive only what is most obvious, and so become grotesque. They can see that there are many attractive things about the feminine attire of the West; they fail to see that it is not suitable to themselves. It is a question, after all, whether it is the preferable qualities of the new things which they meet that leads them to adopt them, or whether it is a mania simply for what is new. At the best they are in a stage of transition. The East is constantly touching the West, and the average Japanese to-day is an interesting combination of the inherited traits and emotions of a remote civilisation, and an environment too powerful to be resisted.

You will understand all this immediately, should you take a short walk in one of the streets of a representative Japanese city. The appearance of the people will strike you as un-Japanese. The women, as a rule, do not now blacken their teeth, or shave their eyebrows, as you have been brought up to suppose. There are still, it is true, many who do not like to see these usages die out; but most of them live in the country districts, which have naturally not been affected by the changes in the same way that the cities have. The old women still go around with blackened teeth, but it is because they were disfigured this way before the innovation was introduced. The Empress adopted the new idea a few years ago, and the people have rapidly followed. Most of the women still wear the dress of their ancestors, yet it is doubtful whether this is by inclination or necessity; anything in a foreign line is a luxury, and only the higher classes can afford to follow the style. They still retain their peculiar ambling walk, which is like a slow run, but there are many little indications that this will be abandoned soon.

I have a Japanese friend who had been educated in America and had adopted our ways, who relates an amusing experience he had in connection with this strange innovation. The cars have bells and conductors after the American plan; but, unlike our custom, they are used for the purpose for which they are designed. My friend did not know this, and so when he wished to alight he walked out to the platform and jumped off while the car was in motion. He had not gone far, however, when he saw the conductor running frantically after him, with an air of the utmost consternation. The car was stopped, and quite a crowd collected to watch the outcome of the dispute. My friend was astonished, and completely in the dark as to what it all meant, when the conductor in angry tones asked him how he dared to disregard the law by alighting from a horse-car while it was going at full speed? The accused man protested his ignorance of such a statute; but the conductor was unpacified, and threatened to call a policeman. It was only when he learned that his unruly passenger had lately returned from America, where they do all kinds of barbarous things, and where he had learned to disregard the conductor, that he consented to let him go. My friend received a solemn warning never to repeat the act, and on so promising was reluctantly released.

The English language suffers at the hands of our commercial friends, and their attempts to catch the American trade in this way reveal many startling things. One shop informs us that "cakes and infections" are found within; but the best thing in this line I have seen, is the following business card of a Yokohama firm: "Jewelry maker, a finest in town, Whiskey Boy. Our shop is best and obliging worker that have everybody known, and having articles genuine Japanese crystal and all kinds of Curious Stones, Shells, Ivory Cats-eyes--work own name on monograms or any design according to orders. We can works how much difficult Job with lowest price insure, please try, once try. Don't forget name Whisky."

The Japanese have learned more things from the visits of foreigners than a change of costume and the art of war. Perhaps the spirit of trickery is inborn, but the numerous signs we saw of this were of an order that would do credit to the shrewdest Yankee. One of our party was always a little sensitive to any reference to ducks, and I myself had an experience with certain artistic representations of dragons of which I was frequently reminded by my friends. Our companion, while taking an evening walk in Kioto, had been attracted by a certain individual carrying, by means of shoulder straps, a miniature pond, in which there were very dainty images of ducks swimming around as naturally as you could wish. He paused to watch the proceeding, and became deeply interested. His enthusiasm reached its height when he saw the fowls occasionally dive under the water and reappear, apparently greatly refreshed by the plunge. My friend excitedly asked the price of these phenomenal birds, paid down a large sum with great willingness, received a paper with instructions as to the way to produce the desired effect, and started for the hotel. Arriving there, he began to read the paper in order to prepare for the first exhibition. He was somewhat chagrined by being advised therein to buy a few sprightly gold fish, attach them to the ducks, place both on the water, and await developments.

And now, I suppose, it would be only fair to tell you how I was victimised by a similar piece of roguery. I had not been in Japan long enough to distinguish the good shops from the bad, nor to know the proper methods of collecting curios. I was attracted one morning by a graphic representation of a woman sitting on a dragon, the whole evidently the work of a Japanese sculptor. The colour of the image, a rich dark brown, was what particularly struck my fancy. The keeper of the shop informed me that it was a rare piece of art, that it was made of a certain sacred wood, and that the price was thirty dollars. I did not buy that morning. In the evening we took a walk through one of the busy streets, and lo! here was an itinerant merchant with my dragon at his side, anxiously looking for a customer. I quickly stepped up to him, and listened to the same tale I had heard in the morning, with one important exception,--the price was now eighty-five cents. Perhaps because I thought I was getting a bargain, perhaps out of curiosity, I purchased the statue, had it done up in paper, and departed with my treasure. Before I showed it to my friends I thought I would wash it a little, as it had a very dusty look, and would be improved by a bath. I was somewhat startled to see the rich dark brown colour fade away and leave me a pure white dragon of a cheap Japanese material resembling plaster-of-paris. I called in the guide, who gave a broad grin as he surveyed the melancholy object before me. He kindly told me that it had been "dipped in medicine," and I made him a present of the curiosity for his information. He bore it away with a satisfied air, and that was the last I saw of my dark brown dragon,--though by no means the last I heard of it.

CHO AND EBA.

They were surely not the most distinguished friends we made while we were in Japan. As far as worldly considerations went, they were very humble indeed; but they possessed other qualifications which entitled them to our favour, and the youthful Eba particularly has left a lasting impression on our minds. Throughout our stay they were our companions; we could never visit a temple without their aid, nor climb a mountain without their words of advice and encouragement. On many a shopping expedition did they faithfully act as our guides, and many a quiet hint would they give us as to the commercial wiles of their countrymen.

Both for this reason and for another, which I afterwards learned, I soon lost sight of my companion, whose more sprightly attendant speedily left my veteran in the background. Cho made little effort to gain a position ahead of his fellows, but leisurely fell into line, and trotted along with the contentment of old age. As I knew that my forerunner was looking for rooms, I was not greatly annoyed.

He bowed profoundly, with a smile, and said,--

"Please you have me to-morrow."

My companion murmured that he might if he was a good man.

"Oh, yes; me very good man. Can run fast."

"What is your name?"

"My name Eba; can run very fast."

He had already given evidence of this, and he was told to be on hand the next morning. He bowed again, and moved on. But he had an unsatisfied air, and in a hesitating way he turned around and approached us once more.

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