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ANECDOTES

PAINTERS, ENGRAVERS, SCULPTORS, AND ARCHITECTS.

EGYPTIAN ART.

Champollion, the famous explorer of Egyptian antiquities, holds the following language at the end of his fifteenth letter, dated at Thebes. "It is evident to me, as it must be to all who have thoroughly examined Egypt or have an accurate knowledge of the Egyptian monuments existing in Europe, that the arts commenced in Greece by a servile imitation of the arts in Egypt, much more advanced than is vulgarly believed, at the period when the Egyptian colonies came in contact with the savage inhabitants of Attica or the Peloponnesus. Without Egypt, Greece would probably never have become the classical land of the fine arts. Such is my entire belief on this great problem. I write these lines almost in the presence of bas-reliefs which the Egyptians executed, with the most elegant delicacy of workmanship, seventeen hundred years before the Christian era. What were the Greeks then doing?"

The sculptures of the monument of El Asaffif are ascertained to be more than three thousand five hundred years old.

ANCIENT THEBES.

THE TEMPLE OF CARNAC.

The largest of the temples of Thebes, and of any in Egypt, is that of Carnac, on the site of the ancient Diospolis. Diodorus describes it as thirteen stadia, or about a mile and a half in circumference, which nearly agrees with the admeasurements of Denon. It has twelve principal entrances; and the body of the temple, which is preceded by a large court, consists of a prodigious hall or portico, the roof of which is supported by one hundred and thirty-four columns, some twenty-six, and others thirty feet in circumference; four beautiful obelisks then mark the entrance to the shrine, which consists of three apartments, built entirely of granite.

TEMPLE OF LUXOR.

The temple of Luxor is about one and a fourth mile above that of Carnac, and though it is of smaller dimensions it is in a superior style of architecture, and in more complete preservation. The entrance is thought to surpass everything else that Egypt presents. In front are the two finest obelisks in the world, formed of rose-colored granite, and rising, as Denon supposes, after allowing for the portion buried in the ground, to the height of one hundred feet. But the objects which most attract attention, are the sculptures which cover the east wing of the northern front. They represent on a grand scale, a victory gained by one of the ancient kings of Egypt over their Asiatic enemies, consisting of multitudes of figures, horses, and chariots, executed in the best style of Egyptian art; the number of human figures introduced exceeds fifteen hundred, five hundred of which are on foot, and the rest in chariots.

THE STATUES OF MEMNON.

There were many colossal statues of Memnon in Egypt, but the most remarkable were the two in the Memnonium or palace of Memnon, at Thebes. The largest is of rose-colored granite, and stood in the centre of the principal court; its height was sixty-four feet, and its remains are scattered forty feet around it. Rigaud, one of the French savans, says, "the excavations are still visible where the wedges were placed which divided the monument when it was thrown down by Cambyses." The trunk is broke off at the waist, and the upper part lies prostrate on the back; it measures six feet ten inches over the front of the head, and sixty-two feet round the shoulders. At the entrance of the gate which leads from the second court to the palace, is the famous colossal sounding statue, which, according to Herodotus, Strabo, and Pausanias, uttered a joyful sound when the sun rose, and a mournful one when it set. It is also related that it shed tears, and gave out oracular responses in seven verses, and that these sounds were heard till the fourth century after Christ. These phenomena, attested by many ancient and modern writers, are variously accounted for by the learned, as priestcraft, peculiar construction, escape of rarified air, &c. This statue is in excellent preservation. The head is of rose-colored granite, and the rest of a kind of black stone. Two other colossal statues, about fifty feet high, are seated on the plain.

HELIOPOLIS.

MEMPHIS.

The very situation of this famous ancient city of Egypt had long been a subject of learned dispute, till it was accurately ascertained by the French expedition to Egypt. Numerous heaps of rubbish, of blocks of granite covered with hieroglyphics and sculptures, of colossal fragments, scattered over a space three or four leagues in circumference, marks its site, a few miles south of Metarea or Heliopolis, at a village called Moniet-Rahinet. According to Herodotus, the foundation of Memphis was ascribed to Menes, the first king of Egypt. It was a large, rich, and splendid city, and the second capital of Egypt. Among its buildings were several magnificent temples, as those of Phtha, Osiris, Serapis, etc.; its palaces were also remarkable. In Strabo's time, it was next to Alexandria in size and population. Edrisi, who visited Memphis in the 12th century, thus describes its remains then existing: "Notwithstanding the vast extent of this city, the remote period at which it was built, the attempts made by various nations to destroy it and to obliterate every trace of it, by removing the materials of which it was constructed, combined with the decay of 4,000 years, there are yet in it works so wonderful as to confound the reflecting, and such as the most eloquent could not adequately describe." Among the works specified by him, are a monolithic temple of granite, thirteen and a half feet high, twelve long, and seven broad, entirely covered, within and without, with inscriptions; and colossal statues of great beauty, one of which was forty-five feet high, carved out of a single block of red granite. These ruins then extended about nine miles in every direction.

LAKE MOERIS.

This famous lake, according to Herodotus, with whose account Diodorus Siculus and Mela agree, was entirely an artificial excavation, made by king Moeris, to carry off the overflowing waters of the Nile, and reserve them for the purposes of irrigation. It was, in the time of Herodotus, 3,600 stadia or 450 miles in circumference, and 300 feet deep, with innumerable canals and reservoirs. Denon, Belzoni, and other modern travelers, describe it at the present time as a natural basin, thirty or forty miles long, and six broad. The works, therefore, which Herodotus attributes to King Moeris, must have been the mounds, dams, canals, and sluices which rendered it subservient to the purposes of irrigation. These, also, would give it the appearance of being entirely the product of human industry.

To keep his promise with El Hader, and avert destruction from Gaspar, Sebastian refrained from telling him of his purpose: alone, and in secret, he meditated and observed.

Though he was permitted to range through every part of the Cassavee domain, it was enclosed by walls of great height and thickness, upon which, at small distances, were placed sentinels day and night; the only possible avenue appeared to be that part where a narrow river washed the eastern wall, the sentinels there were far apart and relying on this natural barrier watched carelessly: here Sebastian thought it practicable to cut a passage through, and so passing from one side to the other, creep through the underwood to the river, and swim across.

The eastern wall was not far from that angle of the building in which he slept, and he might therefore pass and repass with less danger of discovery; though his door was locked nightly, his window was unbarred, and from it he could easily descend into the garden.

On reconnoitring the particular spot he pitched on, he found that a cluster of very thick trees would conceal him from possible observation, and that a canal, not many paces distant, would serve as a reservoir for the rubbish and stones: inspirited by these providential circumstances he commenced his project the ensuing night.

The implements of daily toil served now for the instruments of freedom; Sebastian was disciplined to labour, and rendered expert by practice; every night he worked during the half of it, leaving the increasing chasm, masked with stones well-fitted. Success seemed to await him; no one hitherto had suspected his nocturnal employment, and Gaspar, for whose delicate health he feared, rather strengthened than declined. Meanwhile peace and comfort reigned throughout the abode of El Hader; his slaves looked better, and performed more than they had ever done; groans and sighs were no longer heard in the Cassavee, and if the captives still wept for their country and friends, it was in the privacy of their own chambers.

Kara Aziek continued to move amongst them like the angel of pity; she compassionated them all, but she loved one, whose "looks were now her soul's food." Sometimes she sent for him to instruct her in the Portuguese songs and the Portuguese history, and then, though her father were present, she would speak to him in Italian of the subject nearest his heart. Sometimes she would loiter with her women for hours beside him in the gardens under pretence of giving orders about her bowers and her green-houses, when in reality it was to hear the music of his voice and to "suck in the honey of his sweet discourse."

Among all the wonderful subterranean monuments of Egypt, the Catacombs of Thebes are the most extraordinary and magnificent. These consist of the Necropolis, or city of the dead, on the west bank of the Nile , and the Tombs of the Kings. The latter lie to the northwest of the city, at some distance in the Desert. Having passed the Necropolis, the traveler enters a narrow and rugged valley, flanked with perpendicular rocks, and ascending a narrow, steep passage about ten feet high, which seems to have been broken down through the rock, the ancient passage being from the Memnonium under the hills, he comes to a kind of amphitheatre about 100 yards wide, which is called Bab-il-Meluke--that is, the gate or court of the kings--being the sepulchres of the kings of Thebes. In this court there are signs of about eighteen excavations; but only nine can be entered. The hills on each side are high, steep rocks, and the whole plain is covered with rough stones that seem to have rolled down from them.

The grottos present externally no other ornaments than a door in a simple square frame, with an oval in the centre of the upper part, on which are inscribed the hieroglyphical figures of a beetle, a man with a hawk's head, and beyond the circle two figures on their knees, in the act of adoration. Having passed the first gate, long arched galleries are discovered, about twelve feet wide and twenty feet high, cased with stucco, sculptured and painted; the vaults, of an elegant elliptical figure, are covered with innumerable hieroglyphics, disposed with so much taste, that notwithstanding the singular grotesqueness of the forms, and the total absence of demi-tint or a?rial perspective, the ceilings make an agreeable whole, a rich and harmonious association of colors. Four of five of these galleries, one within the other, generally lead to a spacious room, containing the sarcophagus of the king, composed of a single block of granite, about twelve feet long by eight in breadth, ornamented with hieroglyphics, both within and without; they are square at one end, and rounded at the other, like the splendid sarcophagus deposited in the British Museum, and supposed by Dr. Clarke to have contained the body of Alexander. They are covered with a lid of the same material, and of enormous thickness, shutting with a groove; but neither this precaution, nor these vast blocks of stone, brought from such a distance with immense labor, have been able to preserve the relics of the sovereigns from the attempts of avarice; all these tombs have been violated. The figure of the king appears to have been sculptured and painted at full length on the lid of each sarcophagus.

The paintings found in these sepulchres are among the most curious and interesting remains of Egyptian art; and they are in wonderful preservation, the colors being as fresh as when first executed. Some of these figures were copied by Bruce; and Denon, a member of the French Commission sent by Napoleon to examine the antiquities of Egypt, has published a most valuable collection which have all the appearance of spirited and characteristic resemblances. "I discovered," says he, "some little chambers, on the walls of which were represented all kinds of arms, such as panoplies, coats of mail, tigers' skins, bows, arrows, quivers, pikes, javelins, sabres, helmets, and whips: in another was a collection of household utensils, such as caskets, chests of drawers, chairs, sofas, and beds, all of exquisite forms, and such as might well grace the apartments of modern luxury. As these were probably accurate representations of the objects themselves, it is almost a proof that the ancient Egyptians employed for their furniture Indian wood, carved and gilt, which they covered with embroidery. Besides these, were represented various smaller articles, as vases, coffee-pots, ewers with their basins, a tea-pot and basket. Another chamber was consecrated to agriculture, in which were represented all its various instruments--a sledge similar to those in use at present, a man sowing grain by the side of a canal, from the borders of which the inundation is beginning to retire, a field of corn reaped with a sickle, and fields of rice with men watching them. In a fourth chamber was a figure clothed in white, playing on a richly ornamented harp, with eleven strings."

Denon observed everything with the eye of an artist. Speaking of the Necropolis, which consists of numerous double galleries of grottos, excavated in the solid rock for nearly a mile and a half square, he observes, "I was convinced by the magnificence both of the paintings and sculptures, that I was among the tombs of great men and heros. The sculpture in all is incomparably more labored and higher finished than any I had seen in the temples; and I stood in astonishment at the high perfection of the art, and its singular destiny to be devoted to places of such silence and obscurity. In working these galleries, beds of a very fine calcareous clay have occasionally been crossed, and here the lines of the hieroglyphics have been cut with a firmness of touch and a precision, of which marble offers but few examples. The figures have elegance and correctness of contour, of which I never thought Egyptian sculpture susceptible. Here, too, I could judge of the style of this people in subjects which had neither hieroglyphic, nor historical, nor scientific; for there were representations of small scenes taken from nature, in which the stiff profile outlines, so common with Egyptian artists, were exchanged for supple and natural attitudes; groups of persons were given in perspective, and cut in deeper relief than I should have supposed anything but metal could have been worked."

The Sepulchres of the Kings of Thebes are mentioned by Diodorus Siculus as wonderful works, and such as could never be exceeded by anything afterwards executed in this kind. He says that forty-seven of them were mentioned in their history; that only seventeen of them remained to the time of Ptolemy Lagus; adding that most of them were destroyed in his time. Strabo says, that above the Memnonium, the precise locality of Denon's description, were the sepulchres of the kings of Thebes, in grottos cut out of the rock, being about forty in number, wonderfully executed and worthy to be seen. In these, he says, were obelisks with inscriptions on them, setting forth the riches, power, and empire of these kings, as far as Scythia, Bactria, India, and Ionia, their great revenues, and their immense armies, consisting of one million of men.

THE PYRAMIDS OF EGYPT.

The pyramids of Egypt, especially the two largest of the group of Jizeh or Gize, are the most stupendous masses of buildings in stone that human labor has ever been known to accomplish, and have been the wonder of ancient and modern times.--The number of the Egyptian pyramids, large and small, is very considerable; they are situated on the west bank of the Nile, and extend in an irregular line, and in groups at some distance from each other, from the neighborhood of Jizeh, in 30? N. Latitude, as far as sixty or seventy miles south of that place. The pyramids of Jizeh are nearly opposite Cairo. They stand on a plateau or terrace of limestone, which is a projection of the Lybian mountain-chain. The surface of the terrace is barren and irregular, and is covered with sand and small fragments of rock; its height, at the base of the great pyramid, is one hundred and sixty four feet above the ordinary level of the Nile, from which it is distant about five miles. There are in this group three large pyramids, and several small ones. Herodotus, who was born B.C. 484, visited these pyramids. He was informed by the priests of Memphis, that the great pyramid was built by Cheops, king of Egypt, about B.C. 900, and that one hundred thousand workmen were employed twenty years in building it, and that the body of Cheops was placed in a room beneath the bottom, surrounded by a vault, to which the waters of the Nile were conveyed through a subterranean tunnel. A chamber has been discovered under the centre of the pyramid, but it is about fifty-six feet above the low-water mark of the Nile. The second pyramid, Herodotus says, was built by Cephren or Cephrenes, the brother and successor of Cheops, and the third by Mycerinus, the son of Cheops. Herodotus also says that the two largest pyramids are wholly covered with white marble; Diodorus and Pliny, that they are built of this costly material. The account of Herodotus is confirmed by present appearances. Denon, who accompanied the French expedition to Egypt, was commissioned by Buonaparte to examine the great pyramid of Jizeh; three hundred persons were appointed to this duty. They approached the borders of the desert in boats, to within half a league of the pyramid, by means of the canals from the Nile. Denon says, "the first impression made on me by the sight of the pyramids, did not equal my expectations, for I had no object with which to compare them; but on approaching them, and seeing men at their base, their gigantic size became evident." When Savary first visited these pyramids, he left Jizeh at one o'clock in the morning, and soon reached them. The full moon illuminated their summits, and they appeared to him "like rough, craggy peaks piercing the clouds." Herodotus gives 800 feet as the height of the great pyramid, and says this is likewise the length of its base, on each side; Strabo makes it 625, and Diodorus 600. Modern measurements agree most nearly with the latter.

The pyramid of Cheops consists of a series of platforms, each of which is smaller than the one on which it rests, and consequently presents the appearance of steps which diminish in length from the bottom to the top. There are 203 of these steps, and the height of them decreases, but not regularly, the greatest height being about four feet eight inches, and the least about one foot eight inches. The horizontal lines of the platforms are perfectly straight, the stones are cut and fitted to each other with the greatest accuracy, and joined with a cement of lime, with little or no sand in it. It has been ascertained that a bed has been cut in the solid rock, eight inches deep, to receive the lowest external course of stones. The vertical height, measured from this base in the rock to the top of the highest platform now remaining, is 456 feet. This last platform is thirty two feet eight inches square, and if to this were added what is necessary to complete the pyramid, the total height would be 479 feet. Each side of the base, measured round the stones let into the rock, is 763 feet 5 inches, and the perimeter of the base is about 3,053 feet. The measurements of travelers differ somewhat, but the above are very nearly correct. The area of the base is 64,753 square yards, or about 13-1/3 acres. The surface of each face, not including the base, is 25,493 square yards; and that of the four faces is consequently 101,972 square yards, or more than 21 acres. The solid contents of the pyramid, without making deductions for the small interior chambers, is 3,394,307 cubic yards. Reckoning the total height at 479 feet, the pyramid would be 15 feet higher than St. Peter's at Rome, and 119 higher than St. Paul's, London. The entrance to the great pyramid is on the north face, 47 1/2 feet above the base, and on the level of the fifteenth step from the foundation. The entrance is easily reached by the mass of rubbish which has fallen or been thrown down from the top. The passage to which this opening leads is 3 feet 7 1/2 inches square, with a downward inclination of about 26?. It is lined with slabs of limestone, accurately joined together. This passage leads to another, which has an ascending inclination of 27?. The descending passage is 73 feet long, to the place where it meets the ascending one, which is 109 feet long; at the top of this is a platform, where is the opening of a well or shaft, which goes down into the body of the pyramid, and the commencement of a horizontal gallery 127 feet long which leads to the Queen's chamber, an apartment 17 feet long, 14 wide, and 12 high. Another gallery, 132 feet long, 26 1/2 high, and 7 wide, commences also at this platform, and is continued in the same line as the former ascending passage, till it reaches a landing place, from which a short passage leads to a small chamber or vestibule, whence another short passage leads to the King's chamber, which as well as the vestibule and intermediate passage, is lined with large blocks of granite, well worked. The king's chamber is 34 1/2 feet long, 17 wide, and 19 3/4 high. The roof is formed of nine slabs of granite, reaching from side to side; the slabs are therefore more than 17 feet long by 3 feet 9 1/2 inches wide. This chamber contains a sarcophagus of red granite; the cover is gone, having probably been broken and carried away. The sarcophagus is 7 feet 6 1/2 inches long, 3 feet 3 inches wide, 3 feet 8 1/2 inches high on the outside, the bottom being 7 1/2 inches thick. There are no hieroglyphics upon it. Several other chambers have been discovered above the king's chamber, but as they are not more than three or four feet high, they were probably intended to lessen and break the weight of the mass above, which would otherwise fall on the King's chamber.

In 1816, Captain Caviglia discovered that the entrance passage did not terminate at the bottom of the ascending passage, but was continued downwards in the same inclined plane of 26?, 200 feet further, and by a short horizontal passage, opened on what appeared to be the bottom of the well. The passage, however, continued in the same direction 23 feet farther; then became narrower, and was continued horizontally 28 feet more, where it opened into a large chamber cut out of the rock below and under the centre of the pyramid. This chamber is about 26 by 27 feet. Another passage leads from this chamber 55 feet, where it appears to terminate abruptly.

The well, which appeared to Mr. Davidson and Capt. Caviglia to descend no lower than where it was intersected by the descending passage, its depth there being 155 feet, was afterwards cleared out by the French to the depth of near 208 feet, of which 145 feet are in the solid rock; so that the base of the pyramid being 164 feet above the low water level of the Nile, the present bottom of the well is 19 feet above the Nile; but the actual bottom does not appear to have been reached. The temperature within the body of the pyramid was found to be 81? 5', Farenheit, and in the well it was still higher. Herodotus was informed that the chambers cut in the solid rock, were made before the building of the pyramid was commenced. It is evident it was intended that the pyramid should not be entered after the body or bodies were deposited in it, as blocks of granite were fixed in the entrances to the principal passages, in such a manner as not only to close them, but to conceal them.--There are evidences, however, that this pyramid was entered both by the Roman and Arab conquerors of Egypt.

The materials of all the pyramids are limestone, and, according to Herodotus, were brought from the mountains near Cairo, where there are ancient quarries of vast extent; but Belzoni is of opinion that a part of them, for the second pyramid at least, was procured immediately on the spot; others think that the greatest part of the materials came from the west side of the Nile. The granite which forms the roofing of the chambers, etc., was brought down the Nile from Syene. The stones of which it is built, rarely exceed 9 feet in length, and 6 1/2 in breadth; the thickness has already been stated.

The ascent to the great pyramid, though not without difficulty and danger, is frequently accomplished, even by females.

The pyramid of Cephren, the second in size, according to Belzoni, has the following dimensions:

Side of the base, 684 feet. Vertical height, 456 " Perpendicular, bisecting the face of the pyramid, 568 " Coating from the top, to where it ends, 140 "

Belzoni, after great exertion, succeeded in opening the second pyramid, and after traversing passages similar to those already described in the great pyramid, reached the main chamber, which is cut in the solid rock, and is 46 feet 3 inches long, 16 feet 3 inches wide, and 23 feet 6 inches high. The covering is made of blocks of limestone, which meet in an angular point, forming a roof, of the same slope as the pyramid. The chamber contained a sarcophagus, formed of granite, 8 feet long, 3 feet 6 inches wide, and 2 feet 3 inches deep, on the inside. There were no hieroglyphics on it. Some bones were found in it, which were sent to London, and proved to be those of a bull or an ox. From an Arabic inscription on the wall of the chamber, it appears that some of the Arab rulers of Egypt had entered the pyramid, and closed it again. Belzoni also discovered another chamber in this pyramid.

The pyramid of Mycernius, the third in size of the Jizeh group, is about 330 feet square at the base, and 174 feet high. This pyramid has never been opened.

There are some large pyramids at Sakk?rah, one of which is next in dimensions to the pyramid of Cheops, each side of the base being 656 feet, and the height 339 feet. At Dashour there are also some large pyramids, one of which has a base of 700 feet on each side, and a perpendicular height of 343 feet; and it has 154 steps or platforms. Another pyramid, almost as large at the base as the preceding, is remarkable. It rises to the height of 184 feet at an angle of 70?, when the plane of the side is changed, to one of less inclination, which completes the pyramid. At Thebes, there are some small pyramids of sun dried bricks. Herodotus says, "About the middle of Lake Moeris, there are two pyramids, each rising about 300 feet above the water. The part that is under the water is just the same height." It is probable that these pyramids were built on an island in the lake, and that Herodotus was misinformed as to the depth of the water. There are numerous pyramids in Nubia--eighty or more--but they are generally small.

The object of the Egyptians in building these pyramids, is not known. Some writers maintain that they were as memorials, pillars, or altars consecrated to the sun; others, that they served as a kind of gnomon for astronomical observations; that they were built to gratify the vanity and tyranny of kings, or for the celebration of religious mysteries; according to Diderot, for the transmission and preservation of historical information; and to others, for sepulchres for the kings,--which last was the common opinion of the ancients. Some suppose that they were intended as places for secret meetings, magazines for corn, or lighthouses; but their structure, and great distance from the sea, are sufficient refutations of these absurd hypotheses.

PERILOUS ASCENT OF THE PYRAMID OF CEPHREN.

The upper part of this pyramid is still covered with the original polished coating of marble, to the distance of 140 feet from the top towards the base, which makes the ascent extremely difficult and dangerous. Mr. Wilde, in his "Narrative of a Voyage to Madeira, Teneriffe, and along the shore of the Mediterranean," published in 1840, made the ascent to the top, and thus describes the adventure:

"I engaged two Arabs to conduct me to the summit of the pyramid--one an old man, and the other about forty, both of a mould, which for combination of strength and agility, I never saw surpassed. We soon turned to the north, and finally reached the outer casing on the west side. All this was very laborious to be sure, though not very dangerous; but here was an obstacle that I knew not how the Arabs themselves could surmount, much less how I could possibly master--for above our heads jutted out, like an eave or coping, the lower stones of the coating, which still remain and retain a smooth, polished surface. As considerable precaution was necessary, the men made me take off my hat, coat, and shoes at this place; the younger then placed his raised and extended hands against the projecting edge of the lower stone, which reached above his chin; and the elder, taking me up in his arms as I would a child, placed my feet on the other's shoulders, and my body flat on the smooth surface of the stone. In this position, we formed an angle with each other; and here I remained for upwards of two minutes, till the older man went round, and by some other means, contrived to get over the projection, when, creeping along the line of junction of the casing, he took my hands, drew me up to where he was above me, and then letting down his girdle, assisted to mount up the younger, but less daring and less active of the two. We then proceeded much as follows. One of them got on the shoulders of the other, and so gained the joining of the stone above. The upper man then helped me in a similar action, while the lower pushed me up by the feet. Having gained this row, we had after to creep to some distance along the joining, to where another opportunity of ascending was offered. In this way we proceeded to the summit; and some idea may be formed of my feelings, when it is recollected that all of these stones of such a span are highly polished, are set on an angle of little less than 45?, and that the places we had to grip with our hands and feet were often not more than two inches wide, and their height above the ground more than 400 feet. A single slip of the foot, and we all three must have been dashed to atoms long before we reached the bottom. On gaining the top, my guides gave vent to sundry demonstrations of satisfaction, clapping me on the back, patting me on the head, and kissing my hands. From this I began to suspect that something wonderful had been achieved; and some idea of my perilous situation broke upon me, when I saw some of my friends beneath, waving their handkerchiefs and looking up with astonishment, as we sat perched upon the top, which is not more than six feet square. The apex stone is off, and it now consists of four outer slabs, and one in the centre, which is raised up on the end and leans to the eastward. I do not think human hands could have raised it from its bed, on account of its size, and the confined space they would have to work in. I am inclined to think the top was struck by lightning, and the position of the stone thus altered by it. The three of us had just room to sit upon the place. The descent, as might be expected, was much more dangerous, though not so difficult. The guides tied a long sash under my arms, and so let me slide down from course to course of these coverings of stones, which are of a yellowish limestone, somewhat different from the material of which the steps are composed, and totally distinct from the rock at the base, or the coating of the passages."

EGYPTIAN OBELISKS.

Obelisks belong to the oldest and most simple monuments of Egyptian architecture, and are high four-sided pillars, diminishing as they ascend, and terminating in a small pyramid. Herodotus speaks of them, and Pliny gives a particular account of them. The latter mentions king Mesphres, or Mestres, of Thebes, as the first builder of obelisks, but does not give the time; nor is this king noticed either by Herodotus or Diodorus. It is probable that these monuments were first built before the time of Moses, at least two centuries before the Trojan war. There are still several obelisks in Egypt; there is one erect, and another fallen at Alexandria, between the new city and the light-house; one at Matarea, among the ruins of old Heliopolis; one in the territory of Fayoum, near ancient Arsino?; eight or ten among the ruins of Thebes; the two finest at Luxor, at the entrance of the temple, &c. These obelisks, exclusively of the pedestals, are mostly from 50 to 100 feet high, and of a red polished granite ; a few of the later ones are of white marble and other kinds of stone. At their base, they commonly occupy a space of from 4 1/2 to 12 feet square, and often more. Some are adorned on all sides, and some on fewer, with hieroglyphics cut in them, sometimes to the depth of two inches, divided into little squares and sections, and filled with paint: sometimes they are striped with various colors. Some are entirely plain and without hieroglyphics. The foot of the obelisk stands upon a quadrangular base, commonly two or three feet broader than the obelisk, with a socket, in which it rests. They were commonly hewn out of a single stone, in the quarries of Upper Egypt, and brought on canals, fed by the Nile, to the place of their erection.

REMOVAL OF AN OBELISK BY FONTANA.

The following curious account of the removal of the obelisk in the Circus Vaticanus to the centre of St. Peter's square, by Domenico Fontana, is extracted from Milizia's life of that famous architect. It shows plainly that the Egyptians must have attained great skill and perfection in mechanics and engineering, to have been able to quarry out obelisks at least a third larger, and convey them often several hundred miles, to the places where they erected them.

"The greater number were for removing it by means of an iron carriage and thirty-two levers. Others invented a half wheel, on which the obelisk was to be raised by degrees. Some proposed screws, and others thought of carrying it upon slings.

"Bartolomeo Ammanati, a Florentine architect and sculptor, sent expressly by the grand duke, presented himself before the pope, without either models or designs, and requested a year to consider it; for this he was most severely reprimanded by the pontiff. Fontana exhibited his wooden model, with a leaden pyramid, which, by means of a windlass and crane, was raised and lowered with the greatest facility; he explained the nature of these machines and movements, and gave a practical proof of their capability by raising a small pyramid in the mausoleum of Augustus, which was in a ruinous condition. After many disputes, Fontana's invention was approved; but, as he had not yet acquired a name of sufficient importance, the execution of it was committed to two architects of renown, Giacomo della Porta and Bartolomeo Ammanati.--These immediately commenced a scaffold in the centre of the square where the obelisk was to stand.

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