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g to his code, she must be taught to know her place, which is to cook and sew, and produce "cannon-fodder" for the Government. Readers of Schopenhauer and Nietzsche will remember the advice given by those philosophers for the treatment of women. Nietzsche recommends a whip. It never occurred to German officialdom that the pedantic condemnation of one obscure woman, guilty by the letter of their law, would stir the heart of England and America to the depths, and steel our soldiers to further efforts against an enemy whose moral unlikeness to ourselves becomes more apparent with every new phase in the struggle.

THE DEAN OF ST. PAUL'S

What does this cartoon suggest? I am asked and I ask myself. At first very little, almost nothing, only uninteresting, ugly death, gloomy, ghastly, dismal, but dull and largely featureless, blank and negative. Has the artist's power failed him? No, it is strongly drawn. Has his inspiration? What does it mean? Is it indeed meant? As I gaze and pore on it longer, I seem to see that it is just in this blank negation that its strength and its suggestion lie. It is meant. It has meaning. A blast has passed over this place, and this is its sequel; its derelict rubbish.

But men killed by machines, men killed by natural forces unnaturally employed, are indeed a fact and a spectacle squalid, sorry, unutterably sad.

All wars have been horrible, but modern wars are more in extremes. Heroism is there, but not always. It is possible only in patches. There is much of the mere sacrifice of numbers. Strictly, there are scenes far worse than this, for death unredeemed is not the worst of sufferings or of ills. But few are sadder. This is indeed war made by those who hold it and will it to be "not a sport, but a science." There is no sport here. Men killed like this are like men killed by plague or the eruption of a volcano. And, indeed, what else are they? They are victims of a diseased humanity of the eruption--literal and metaphorical--of its hidden fires. And wars will grow more and more like this. What can stop them and banish these scenes? Only the hate of hate, only the love that can redeem even such a sight as this when at last we remember that it is for love's sake only that flesh and blood are in the last resort content to endure it.

HERBERT WARREN

"FOR YOUR MOTHERLAND"

England's your Mother! Shall not you, her child, Quicken the everlasting fires that glow Upon your birthright's altar? England smiled Beside your cradle, trusting you to show, With manhood's might, The undying light That points the road her freeborn spirits go.

England's your Mother! What though dark the day Above the storm-swept frontier that you tread? Her vanished children throng the glorious way: A myriad legions of her living dead-- Those starry trains That shared your pains-- Shall set their crown of light upon your head.

England's your Mother! When the race is run And you are called to leave your life and die, Small matter what is lost, so this be won: An after-glow of blessed memory, Gracious and pure, In witness sure "England was this man's Mother: he, her son."

EDEN PHILLPOTTS

The bubble is very nicely balanced, for German "kultur," which is in reality but another word for "system" or "organisation," rather than that which English-speaking people understand by "culture," has built up a system of internal credit that shall ensure the correct balance of the bubble--for just as long as the militarist policy of Germany can endure the strain of war. But money alone is not sufficient for victory; the peasant hard put to it to suppress his laugh, and the crowned Germania that built up the paper pedestal of the bubble, needed many other things to make that pedestal secure; there was needed integrity, and the respect of neighbouring nations, and the understanding of other points of view beside the doctrine of force, and liberty instead of coercion of a whole nation, and many other things that the older civilisations of Europe have accepted as parts of their code of life--the things this new, upstart Germany has not had time to learn. Thus, with the paper credit--and even with the gold reserve of which Germany has boasted, the pedestal is but paper. And the winds that blow from the flooded, corpse-strewn districts of the Yser, from Artois, from Champagne and the Vosges hills and forests, and from the long, long line of Russia's grim defences--these winds shall blow it away, leaving a nation bankrupt not only in money, but in the power to coerce, in the power to inspire fear, and in all those things out of which the Hohenzollern dynasty has built up the last empire of force.

E. CHARLES VIVIAN

There are some English critics who have not yet considered so simple a thing as that the case against horrors must be horrible. In this respect alone this publication of the work of the distinguished foreign cartoonist is a thing for our attention and enlightenment. It is the whole point of the awful experience which has to-day swallowed up all our smaller experiences, that we are in any case confronted with the abominable; and the most beautiful thing we can hope to show is only an abomination of it. Nevertheless, there is horror and horror. The distinction between brute exaggeration and artistic emphasis could hardly be better studied than in Mr. Raemaekers' cartoon, and the use he makes of the very ancient symbol of the wheel. Europe is represented as dragged and broken upon the wheel as in the old torture; but the wheel is that of a modern cannon, so that the dim background can be filled in with the suggestion of a wholly modern machinery. This is a very true satire; for there are many scientific persons who seem to be quite reconciled to the crushing of humanity by a vague mechanical environment in which there are wheels within wheels. But the inner restraint of the artist is suggested in the treatment of the torment itself; which is suggested by a certain rending drag in the garments, while the limbs are limp and the head almost somnolent. She does not strive nor cry; neither is her voice heard in the streets. The artist had not to draw pain but to draw despair; and while the pain is old enough the particular despair is modern. The victim racked for a creed could at least cry "I am converted." But here even the terms of surrender are unknowable; and she can only ask "Am I civilised?"

G. K. CHESTERTON

The Next to be Kicked Out--Dumba's Master

Note that Bernstorff--the victim of a gesture "fortunately rare amongst gentlemen"--is already in full flight through the air, while Uncle Sam's left foot has still fifteen inches to travel. The promise of an added velocity indicates that the flight of the unmasked diplomatist will be far. The sketched vista of descending steps gives us the satisfaction of knowing that the drop at the end will be deep. Every muscle of our sinewy relative is tense, limp, and projectile--the mouthpiece of Prussia goes to his inevitable end. There is no need of a sequel to show him shattered and crumpled at the bottom of the stairway.

ARTHUR POLLEN

The Friendly Visitor

Raemaekers is never false, and he never works for effect alone. That is what makes him so terrible to the people he criticises, and so effective.

When he wants to depict the sturdy Dutch soul he draws a sturdy Dutch Body--ready to defend her home. No flags, no highfalutin, no symbolical figure posed for show; just cleanliness, determination, and good sense facing bestiality and oppression.

The figure that stands for the Freedom of the Home opposed to the figure that stands for the Freedom of the Seas.

Many an Englishman might take this picture to heart.

H. DE VERE STACPOOLE

"To Your Health, Civilisation!"

THE DEAN OF ST. PAUL'S

Fox Tirpitz Preaching to the Geese

There is nothing more pathetic in some ways to-day than the position of the small neutral countries in Europe, and especially those which directly adjoin Germany. And there is nothing more galling than the inability of the Allies to give them any help. For the hour they are absolutely at the mercy of Germany, or would be, if she had any, and they know it. They are certainly liable and exposed to all her flouts and cuffs and to any displays of bad temper or bullying or terrorism it may please her to exercise. And none perhaps is worse off in this respect than Holland. It suits Germany to be fairly civil to Switzerland, who could give her a good deal of trouble by joining France and Italy; and no doubt it suits her too to some extent to consider Denmark, for Denmark commands the entrance to the Baltic; and, further, Germany does not wish to bring all Scandinavia down upon herself just at present. That can wait; but Holland is in the worst plight of all. She has the terrible spectacle of Belgium, ruined and ravaged just on the other side of the way. And she has a very considerable and valuable mercantile marine.

The great and good Germany cannot be troubled to distinguish between Dutch and other boats, and if occasionally a Dutch ship is captured or sent to the bottom, it is a useful reminder of what she might do to her "poor relation" if she really let herself go. Fighting for the freedom of the seas! Holland has fought for them herself. Holland has a great naval tradition. She knows quite well what England has been and is. She knows too, and can see, how her sons and brothers in South Africa were treated by the British in England's last war, and how they regard England and Germany now.

Raemaekers' cartoon is very skilful. If we had not seen it done, we should not have believed it possible to produce at once so clever a likeness of von Tirpitz and so excellent an old fox. But the goose is by no means a foolish bird, though its wisdom may sometimes be shown in knowing its own weakness. It was they, and not the watch-dogs, that saved the Capitol. In old days it was the custom to call the Germans the "High Dutch" and the inhabitants of Holland the "Low Dutch." It was a geographical distinction. The contrast in moral elevation is the other way.

HERBERT WARREN

The Prisoners

A vile feature of German "frightfulness" is this: that she mixes poison with her prisoners' rations. Not content with starving their bodies, she hides truth from them and floods their minds with lies. Those in command--officers, educated men, claiming the service of their soldiers and civil guard and the respect of their nation--deliberately hash a daily meal of falsehood and serve up German victories and triumphs on land and sea as sauce to the starvation diet of their defenceless captives.

In the earlier months of the war, while yet the spiritual slough into which Germany had sunk was unguessed, and the mixture of child and devil exemplified by "frightfulness" continued unfathomed, these daily lies undoubtedly answered their cowardly purpose, cast down the spirit of thousands, and added another pang to their captivity. But our armies know better now, and those diminishing numbers likely to be taken prisoner in the future see the end more clearly than the foe can. Lies will be met with laughter henceforth, for our enemies have put themselves beyond the pale. They may starve and insult our bodies; but their power to poison our brains has passed from them for ever. We know them at last. They have spun a web of barbed villainy between their souls and ours; and the evil committed for one foul purpose alone--to terrify free men and break the spirit of the sons of liberty--has produced results far different and created a situation more terrible for them than for their outraged enemies.

For in this matter of misrepresentation and lying, born of Prussia and by her spoon-fed pack of martinets, professors, and Churchmen, mingled with Germany's daily bread for a generation, it is she and not we who will reap the whirlwind of that sowing; it is she and not we who must soon pant and tear the breast in the pangs of the poison.

Between the mad and the sane there can be only one victor; and when the time comes, may Germany's robe of repentance be a strait-waistcoat of the Allies' choosing. For she has drunk deep of the poison, and those who anticipate a speedy cure will be as mad as she. When the escaped tigress is back in her cage, men look to the bars, for none wants a second mauling.

EDEN PHILLPOTTS

It's Unbelievable

I am not sure that in this cartoon of Raemaekers the most pleasing detail is not the servant's right eye. You will observe in that servant's right eye an expression familiar in those who overhear this sort of comment upon the peculiar bestialities of the Prussian in Belgium and Poland, this extenuation of his baseness. When the war was young the opportunity for giving that glance was commoner than it is now. There were many even in a belligerent country who would tell you in superior fashion how foolishly exaggerated were the so-called "atrocities." The greater number of such men talked of "two Germanies"--one the nice Germany they knew and loved so well, and the other apparently nasty Germany which raped, burned, stole, broke faith, tortured, and the rest. Their number has diminished. But there is a little lingering trace of the sort of thing still to be discovered: men and women who hope against hope that the Prussian will really prove good at heart after all. And it is usually just after some expression of the kind that the most appalling news arrives with a terrible irony to punctuate their folly. It reminds one a little of the man in the story who was sure that he could tame a wild cat, and was in the act of recording its virtues when it flew in his face. To an impartial observer who cared nothing for our sufferings or the enemy's vices, there would be something enormously comic in the vision of these few remaining that approach the wild beast with soothing words and receive as their only reward a very large bomb through the roof of their house, or the news that someone dear to them has been murdered on the high seas. But to those actively suffering in the struggle the comic element is difficult to seize, and it is replaced by indignation. This fantastic misconception of the thing that is being fought is bound to be burned right out by the realities of the enemy acts in belligerent countries. It will be similarly destroyed--and that in no very great space of time--in all neutral countries as well. Prussia will have it so. She is allowing no moral defence to remain for her future. It is almost as though the men now directing her affairs lent ear carefully to every word spoken in praise of them abroad, and met it at once by the tremendous denial of example. It is almost as though the Prussian felt it a sort of personal insult to receive the praise of dupes and fools, and perhaps it is.

HILAIRE BELLOC

Kreuzland, Kreuzland ?ber Alles

THE DEAN OF ST. PAUL'S

The Ex-Convict

HILAIRE BELLOC

Miss Cavell

Most of the English caricaturists are much too complimentary to the German Emperor. They draw his moustaches, but not his face. Now his moustaches are exactly what he, or the whole Prussian school he represents, particularly wishes us to look at. They give him the fierce air of a fighting cock; and however little we may like fierceness, there will always be a certain residual respect for fighting, even in a cock. Now the Junker moustache is a fake; almost as much so as if it were stuck on with gum. It is, as Mr. Belloc has remarked, curled in a machine all night lest it should hang down. Raemaekers, in the sketch which shows the Kaiser as waiting for Nurse Cavell's death to say, "Now you can bring me the American protest," has gone behind the moustache to the face, and behind the face to the type and the spirit. The Emperor is not commanding in a lordly voice from a throne, but with a leer and behind a curtain. In the few lines of the lean unnatural face is written the real history of the Hohenzollerns, the kind of history not often touched on in our comfortable English humour, but common to the realism of Continental art: the madness of Frederick William, the perversion of Frederick the Great, the hint, mingled with subtler talents, of the mere idiocy that seems to have flowered again in the last heir of that inhuman house. The Hohenzollerns have varied from generation to generation in many things and like many families; some of them have been tyrants, some of them geniuses, some of them merely boobies; but they have shared in something more than that hereditary policy which has been the poison in Christendom for two hundred years. There is a ghost who inhabits these perishing tenements, and in such a picture as this of Raemaekers' men can see it looking out of the eyes. And it is neither the spirit of a tyrant nor of a booby; but the spirit of a sly invalid.

G. K. CHESTERTON

The Hostages

Ay, boy--you may well ask.

And the world asks also, and in due time will exact an answer--to the last drop of innocent blood.

What have you done?

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