Read Ebook: The fields of France by Robinson A Mary F Agnes Mary Frances Macdougall W B William Brown Illustrator

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A FARM IN THE CANTAL 1

A MANOR IN TOURAINE 45

THE FRENCH PEASANT 77

THE FORESTS OF THE OISE 133

A LITTLE TOUR IN PROVENCE 167

HOW THE POOR LIVED IN THE FOURTEENTH CENTURY 195

THE MEDIAEVAL COUNTRY HOUSE 239

A FARM IN THE CANTAL A FARM IN THE CANTAL

The farm lies in a wonderful country.

Every landscape has a basis of geology: in order to seize the features of the Cantal, you should stand, if possible, on the pointed crest of the Puy Mary. Before you, where once yawned a crater, rises an ash-grey cone of clinkstone: the Puy de Griou, a perfect sugarloaf. Here was the centre of volcanic force; and from this pile of long-dead lava some twelve or fifteen deep valleys radiate like the beams of a star. Down every valley runs a river. The rocky fissures of these river-beds separate, by a series of wooded gorges, the group of hills that mark the crater's rim; and these, on their further flank, roll down towards the plain in immense wavy plateaux, attaining at their highest point an altitude of some 6000 feet. These rolling pastures on the mountain-tops are the wealth of our country and the condition of our agriculture. I have never climbed higher than the long cliff behind our house, which bounds on the south the lovely valley of the C?re; even that is an ascent of some thousand feet. Green at its base with pastures, our hillside is crowned with a cornice of fluted rocks, andesite and basalt, which tower above the serried beech woods, mantled on its breast. When at last you reach Les Huttes , you see that our valley--wide, romantic, irregular as it appears--is, none the less, a sort of ca?on or ravine sunk between two high table-lands, whose basalt floor is covered with pasture and dotted here and there with odd little huts or cabins, which in fact are cheese-farms; for the people of the valleys send their herds to pasture on the mountain-tops from May till after Michaelmas. This plateau is not flat; it rolls and undulates like the sea, and any of its higher points affords a marvellous view. To the north, the Puy de Griou rises sheer, as fine and as sharp as the Fusiyama in a Japanese print. The long-backed ridges of the Plomb du Cantal and Puy Mary, each with its double hump, crouch beside it, like great dragons, with lean, grey, ravined flanks, while the endless blue of the rolling plains stretches in the distance.

The Plomb is an old friend; with the black peaks of the Lioran, it closes our horizon in the valley, as you look to the north-east. Although the highest of our mountains --and quite a respectable summit, for it is eight metres higher than the Righi--yet the Plomb is less effective than the frail ash-grey peak of Griou . From Olmet, these bound our view to the right. In front of us rises the long saddle-shaped back of the Courpou-Sauvage, strewn with rocks which simulate fantastic ruins. Out of sight, but close at hand, are Peyre-Arse, L'Usclade, Peyroux, Bataillouze, Puy Violent, Chavaroche, le Roc des Ombres. Their names preserve the image of a terror long forgotten. The Wild Creature, with Burnt Rock and Rock Ruddy; their neighbour, the Scorched Mountain, together with Rock Warful, Mount Violent and the Rock of Shadows, all rest in peace these many thousand years; the woods wave, the pasture flowers, the herds feed upon their rocky sides. Only the black stones, rolled smooth so long ago, fallen among our fields of flowering buckwheat; only these, and the veins of lava, which burst their veil of mountain-pink and heather, remain and tell of that enormous upheaval, still apparent, of an elder world.

It is astonishing with what personality an accustomed eye invests a mountain. We say: "The Lioran is darker than usual this morning," as we should say: "Emilia has a headache." And what a pleasure when, towards September, the Courpou-Sauvage begins to blush with the blossoming heather! No mountains have ever seemed to me so friendly as these. They are not very high above our valley, which is situate some 2000 feet above sea-level, so that we behold a scant two-thirds of their real height. But their forms are lovely in their infinite variety. Time cannot wither them, nor custom stale. Woods cling to them; cliffs and rocks jut from them in peak or turret; cascades and fountains and innumerable streams gush from their hearts of fire; pasture, fern or heather robe them higher than the girdle; only the peaks are bare and take a thousand colours in the changing lights.

The hills do not rise sheer from the bottom, as in Switzerland. Innumerable landslips have torn their sides which, at periods of great distance, have fallen away from the cliff, heaping the ground with vast swellings and ridges, in much romantic confusion. Even to-day, these landslips continue, and the aspect of the country is slowly but continually transformed. Covered with beechwood or heather near the heights, green with pasture lower down, these ledges and terraces lead the eye to the valley bottom, which itself is never flat, but cradle-shaped. And therein lies the small winding river of the C?re.

My husband's old house of Olmet stands on one such ledge, some way up the southern bank of the valley, with the farm at its feet. Farm and house no longer belong to each other, but they are still on cordial terms; which is as well, since from our hinder terrace our eye drops involuntarily on all the life and business of our neighbours. The farm has been recently rebuilt by its new owner, and is no longer the picturesque hovel we used alternately to admire and deplore. But our tiny mountain manor, or moorland cottage, still bears the stamp of three hundred years on its thick solid walls and tower. The roof is beautiful, very steep, as befits a land of six months' snow, and a soft ash-grey in colour, being covered with thick heart-shaped tiles of powdery mica-schist, which surmount with a pyramid either tiny solid turret: a balcony starts out from the tower, whence you could sling a stone into the bottom of the valley, for Olmet stands on a jutting rock, to the great advantage of our view. The house is stunted from the front, where the garden is on the level of the first floor; but, seen from below, there is about the place a look at once austere and peaceful, rustic and dignified, as befits this land of hay and lava, of mountain peak and cream.

various beauty of the view. To the south rise the ravined foot-hills, clothed in woods, crowned with cornices and organ-pipes of rock, their green hummocks swelling and rising to the east, ever larger and ever higher, till they reach the black cone of the Lioran, to which the valley ascends in a series of rugged steps, narrowing as it goes. To the west, on the other hand, it opens like a fan. The precipitous walls of cliff soften into downs of limestone, which die in the rolling plain beyond Arpajon, where, thirteen miles away, one lovely hill, broken from the chain, and larger and more lovely than its fellows, rises soft and blue, shaped like the breast of Ceres. To the one hand, the scene is full of grandeur and melancholy; while the western landscape smiles, most tranquil and noble in its dreamy peace. The mountains cease there, but long leagues beyond, in the vaporous blue of the distance, the plain still heaves and swells as with the movement of a sea: such an ocean of calm and space in which to bathe and renew one's self from the troubles of the town!

From early June to Michaelmas our valley and half our hills are deep in flowering hay, or busy with haymaking, or studded with haycocks. As a poet says, with whom I hope to acquaint my readers--

"Noun! jusqu' ohu?i digun n'o pas enbentat res Coumo oquelo sentour des prats seguats de fr?s Que porfumo, l'estiou, l'Oubergno tout enti?iro!"

No one has ever invented anything like the smell of the new-mown hayfields, which, in summer, perfumes the whole of Auvergne! Hay is our wealth, and--when it has suffered a transmutation into cheese and cattle--our only export and exchange with the valleys below. It is in order that we may grow our hay all summer for the winter's needs, that our cattle are sent in troops to feed on the mountain-tops, leaving behind only the draught-oxen and the cows for milking. We need plenty of hay, for, in the stables during the five months of snow that follow All Saints, you may roughly calculate four cartloads of it to every cow. On the higher slopes, we cut it once in July and again in September; while June, August, Michaelmas, and early October are haymaking time for the water-meadows in the bottoms, which yield four crops a year.

??????, ????? ?????? ??? ???????? ???????' ????, ?????? ???, ?????? ????, ?????? ?????? ?????.

"I fear, madam, my manners have not been all they ought!"

"Your manners!" said my cousin, astounded.

"Yes, ma'am. On the stairs I met a foreign priest, and I just bowed. It comes over me that I ought to have fallen on my knees, and perhaps kissed his ring."

"A foreign priest!" cried my cousin, more and more bewildered.

"Good morning, farmer," says she. "Is that an ox or a cow?"

"It's a cow, madam."

"And how do you know the difference?"

The farmer hesitated an instant, and then, with an indescribable look of roguish respect, he answered the nun--

I give the little dialogue in patois, in case my book should stray into the hands of a philologist.

Another farmer of our acquaintance answered an amateur agriculturist , who advised him to irrigate a particularly arid hayfield, "I'll put the water-course, if you'll find the water!"

These genial and kindly peasants live in farms roomy and solid, built of blocks of grey volcanic stone; the steep roof has several tiers of windows; one would suppose it from outside a comfortable home. But in name and in fact the attics are granaries, and all the household crowd together in one or two rooms on the ground-floor. A huge chimney, with a hospitable mantle, shelters a couple of comfortable salt-box settles, reserved for the old; one stands on either side the cavernous hearth, where, winter or summer, smoulders the half-trunk of a tree; a tall grandfather's clock by the dresser, is bright with painted earthenware dishes and pewter tankards; the best bed, high as a catafalque, stands, warmly curtained, in the corner under the stairs; a linen cupboard of walnut or cherry-wood, a huge massive table of unstained oak, flanked by two benches, a straw-bottomed chair or so, a few rough stools: such is the furniture of a kitchen in our parts, seldom clean. Here all the cooking is done, and the eating; here the other day I saw, in a box-bed, like a ship's berth, built into the wall, a young mother and her baby one day old, perfectly happy, while the farm-hands lunched at the table, and the fowls strolled in and out; here the masters sleep, in sickness and health; here visitors are received and farm-hands paid--it is, as they say in Yorkshire, the house-place. With its one window, its floor of dark unsmoothed volcanic stone , with its ceiling hung with herbs and sausages and huge sides of bacon, it is a warm and homely refuge, but not, as a rule, a bright or a pleasant place.

Sometimes I think the beasts have the best of it. The barns here are as large as churches. Built against the side of the mountain, they have two entrances, each on the level of the ground: the higher story forms the barn, the lower the byre. I have sometimes counted as many as twenty windows, set some two metres apart, along one side of those huge stone structures. Here from mid-November till mid-May the cattle live under cover, chew the cud and see in memory, no doubt, the meadows hard by with their delicious grass and the aromatic pastures on the mountain-top. Here in February and March the calves are born. Nothing is quainter than to see their wild delight, their leaps, their bounds, their joy, their tearing races, their frantic gambols,

when, for the first time in their lives, they come forth into the green fields and balmy air of May.

But listen! What unearthly noise is that which rises at this very moment from the farm? No pigsticking, for we are in summer still. There goes Madame Langeac, followed by her two maids and a small boy; each of them holds high a copper saucepan, warming-pan, or kettle , on which she clatters with a key or fork. The three dogs and old Gaffer Langeac look on and grin. Slowly in calm procession they move down the lane till they reach the old walnut-tree in the field beneath our wall. And now I see a sort of fruit on a bough of the tree, like a black hanging pear or melon. It is a swarm of bees. From field to field, its owners have followed it with this infernal symphony, which serves, as they suppose, to attract the bees, or in any case to advertise the owner of the land on which they settle, whose property they are. See, a woman brings the hive. To-morrow, the swarm will be busy in its straw-clad home on the sunny bench beneath the south-east wall. And the bees will take rank as friends. On feast-days the children will deck their hive with flowers or coloured ribbons; a bow of crape will be tied to it in times of mourning. So, deeming themselves beloved and associate, the bees will work and supply their masters with the sweet, dark honey of Auvergne, so pungently perfumed, so luscious and aromatic, filled with the scent of the heather and the savour of the sarrazin.

A greater calamity--a real one--happened last autumn, and then I thought that Florentine--such an anxious, sobered Florentine!--would never play the truant any more. She was not at fault, or I tremble to think of her punishment. Happily the day was a Sunday; Jean-Ir?n?e himself was seated in the field beside the child, when suddenly the cow stepped on a rolling stone, fell down a precipitous bank, and broke her leg. It was a fine beast, in full milk, having weaned its first calf. Even at Olmet, such a beast is worth from twelve to fifteen pounds. I shall not forget the consternation of the man, the white despair of the child, as they came back that afternoon supporting the patient animal, whose russet foreankle dropped pending. The poor beastie munched cheerfully a handful of clover and a crust, and lay in the stable, in no great pain apparently, not ill-content.

"Lou mosut, coumo un golitchiou Quilhat omoun, rougi e pitchiou, Ol mi?t d?l cieu blus, dins lo glorio."

"L'erbo que pousso eici, p?s pu?ts ? sus plot?u N'es pas coumo en obal, e pus rudo e pus sono, E sent bon; li troubai l'ourgulhouso cinsono, Que despleguo soi flours jiaunos coumo un drop?u."

Do you understand?

"The grass that grows up here, on the puys and the plateau, Is not like that below, it is rougher and more wholesome: It smells good; there you find the proud gentian Who displays her yellow flowers like a banner."

Sometimes we hire a carriage and drive far and wide, with half a dozen huge flagoons under the driver's seat, in search of fountain-water for my husband to analyze. Last year, on one of these expeditions, he left me in the phaeton while he, with his great glass bottles, went down a hill to the springs of Badalhac. It was Sunday. The peasants of that cheerful mountain-eyrie were standing about, picturesque enough in their white shirts, with short black boleros or sleeved waistcoats, and large sombreros. One of them came up to the carriage, and, after a few words to the coachman, began to address me in patois. I caught the words "Prouben?o, Pi?mont." "He says," explained the coachman, "that if you cannot speak our patois, he can understand you almost as well in the dialect of Provence or Pi?mont." Never have I felt so ignorant! Here were three modern languages, in none of which was I able to say good morning to a friendly fellow-traveller.

"J?u pouorte pas toutchiour, quond tourne de lo casso, L?bre, perdigal ou becasso, M?s, se trobe plus res, pes puets ou pes trob?rs Li culisse ou min fouor?o b?rs, O plenoi mos e per doutchino, Deis b?rs de brousso que sentou lo soubotchino"

"Nautres que son lou Naut-Mietjiour, Contau, Obeiroun, o Louz?ro, Porlons tobe lo lengo fi?ro De los onticos Cours d'Omour."

"We others, of the High-South: Cantal, Aveyron, Loz?re, we also speak the proud language of the antique Courts of Love," says Vermenouze, mindful that his dialect is a branch of that vast and ancient Langue d'Oc which includes the Proven?al and the Catalan, so recently honoured and preserved by a Mistral and a Verdaguer.

When my friend Vernon Lee affords us the pleasure of a visit, we turn to other interests, such as fall in with the picturesque and archaeological turn of her imagination. Our hills are studded everywhere with ancient castles, mountain manors, and country houses, some of them very small, mere cottages, scarce larger than our tiny Olmet which does not boast a dozen rooms all told. Such are

Cols, buried in woods under the toppling mountain-crags; and beautiful Tr?moulet, perched on the peak of a rock suddenly reared in the wild gorge of the C?re. Others are solid feudal keeps, to which has been added, some two hundred years ago, a steep-roofed comfortable dwelling-house, with charming unsymmetrical windows, an air of open grace, and a complete indifference to the old fortress it has married. Comblat-le-Ch?teau is of this sort. Just opposite our windows, on the other side the valley, it stands amid its lawns and gardens, at the foot of the mountain, on a low mound, overlooking the road to Vic. Though seldom inhabited, it looks the most cheerful and habitable of our ch?teaux, of which the most picturesque are Pestels and Vixouge. Pestels, alas! restored last year, but still magnificent, by virtue of the immense proportions of its six-storied battlemented keep, and its romantic position--Pestels is seated on a steep ledge or platform some way up the mountain, surrounded by precipices which, on three sides, drop to the valley, and, on the fourth, into a wooded ravine or glen. Vixouge stands halfway up the opposite hill, built on a knoll or holm, with the pastures falling gently from it. The walls and gateway are of the fourteenth century, the latter fortified by two small round towers. But now the gate stands open on a shady lane, opposite a circular stone fountain, with a drinking-trough for cattle. It leads to a dark abandoned garden, all overgrown, and a tall seventeenth-century manor, steep-roofed, with corbelled turrets at the corners, and a peculiar, inexpressible air of poetic melancholy. Just so must have looked the moated grange of Mariana. The owls must love to hoot here, and at night, no doubt, the ravens flap about the lonely house, which might have taken life from a dream of Robida or Gustave Dor?. From the manor-wall, the eye drops sheer to a glittering lozenge of water in the fields below--a reservoir, with beside it, half in ruins, a Louis Seize Chinese pagoda, the bathhouse of some eighteenth-century ancestress; its bright red dilapidated roof and damp-stained walls tell of a century's neglect. All round the mountains lie in heaps. Below Vixouge, right and left, stretches the Pas du Luc, a long-backed ridge of moor, where landslip after landslip has loosed the great blocks of andesitic breccia, which lie heaped up among the bracken and heather. It is a place to dream in, hour after hour.

Vic itself has its ch?teau--the Consular House of the Prince of Monaco, who was the old hereditary Consul of Vic-en-Carlad?s. Behind, the grey houses climb the hill, some of them fine old turreted structures standing in their orchards and walled gardens, ancient town residences of the local gentry, while others are the merest village shops, with wooden balconies and gabled roofs. They lead to the church, not unpicturesque, with a Romanesque choir. Above the mountain rises, clad in beech-woods, with great organ-flutings and overhanging blocks of reddish stone, any one of which, one would think, might fall at any moment and crush into nothingness the little town below.

Michaelmas! This year the woods are still unchanged, although the frosts have turned to golden sequins the leaves of the aspens by the river. At twilight, Venus glitters in a frosty sky above the faded summits of the mountain. The wild cherries in the hedge are as pink in their foliage as the maples on a Japanese fan. The weather is of that intense autumn blueness and brilliance which Madame de S?vign? once called "un temps d'or et de cristal." There is a sharp, pleasant quality in the air. Our walks on the mountain are longer and taken at a brisker pace, and so the other day we came upon the prettiest sight: a knoll upon the hillside crowned by a tall group of mountain thistles of more than a woman's stature; the fluff of the thistledown, the delicate tracery of the leaves profiled against the sunset sky. The sound of our steps aroused from the heart of it some thirty or forty tiny goldfinches who had been feeding there,--in that immense landscape they looked scarce larger than humming-birds, as they rose up, poising, quivering, fluttering, soaring, like a living fountain of golden downy wings.

The birds here are a great delight. The blackbird, the finches, the blackcap, the chaffinch, sing in all the fields. I seldom hear the lark, save on the sunny uplands, and never the nightingale; but the blackbird pipes his flute in every bush. The larger sort of birds especially love the mountain: the great buzzard with his brown eagle-wings and wailing melancholy cry, the crow, the rook, flocks of friendly magpies, and in every spinny the bright blue flash of the jay. How I love the jay! Its harsh gay laughter seems to me an integral part of spring--as much so as the sunny winds of March. No bird is so handsome. I have a friendship for its fierce, bold eye, its short, proud head of a winy grey, its breast and pinions so blue, spotted with black, with penfeathers of black and dazzling white. No creature seems more wild, and none, in fact, is easier to tame. This very summer I tried to rear a nestling which a wanton shepherd took. I fed it hour by hour, and the little creature warmed itself in my hands. I watched it develop with a religious sense of the mystery of life. The first day I had it, the nestling was blind, naked, motionless, half stunned from hunger and exposure; yet even then, mere lump of jelly as it was, the creature had instincts of decency, and never would defile its nest of snow-white wadding. The second day, it gave voice to a cry, and afterwards it knew me, screaming for food when I passed; on the third, its wings and half its breast were covered with the first blue feathers; on the fourth, it could rear on its legs, and began to buck and jump in the quaintest fashion. On the fifth day, alas! it fell from a table and died. My cousin had better luck, and reared a jay who lived to haunt the woods about her country house, and often fluttered to her shoulder. When, in November, she drove home to Aurillac, a matter of eleven miles, the jay, flitting from tree to tree, accompanied her carriage all the way!

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