: The Silent Isle by Benson Arthur Christopher - English essays

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THE SILENT ISLE

ARTHUR CHRISTOPHER BENSON

Fellow of Magdalene College, Cambridge

Nec prohibui cor meum.

To PERCY LUBBOCK

INTRODUCTION

There are two ways of recording and communicating to others an impression, say, of a building or a place. One way is to sit down at a definite point, and make an elaborate picture. It is thus perhaps that one grasps the artistic significance and unity of the object best; one sees it in a chosen light of noon or eve; one feels its dominant emotion, its harmony of proportion and outline. Or else one may wander about and take sketches of it from a dozen different points of view, record little delicacies of detail, tiny whims and irregularities; and thus one learns more of the variety and humours of the place, its gestures and irritabilities, its failures of purpose or design. The question is whether you like a thing idealised or realised. As to the different methods of interpretation, they can hardly be compared or subordinated. An artist does not choose his method, because his method is himself.

I was then, in embarking upon this book, in what may be described as a holiday-making frame of mind, as a man might be who, after a long period of sedentary life, finds himself at leisure, strolling about on a sunny morning in a picturesque foreign town, in that delicious mood when the smallest sights and sounds and incidents have a sharpness and delicacy of flavour which brings back the untroubled and joyful passivity of childhood, when one had no need to do anything in particular, because it was enough to be. It seemed so futile to go on consuming stolidly and grimly the porridge of life, when one might take one's choice of its dainties! I had no temptation to waste my substance in riotous living. I had no relish for the passionate and feverish delights of combat and chase. It did not seem to be worth while to pretend that I had, merely for the sake of being considered robust and full-blooded. To speak the truth, I did not particularly care what other people thought of my experiment. It seemed to me that I had deferred to all that too long; and though I had no wish to break violently with the world or to set it at defiance, I thought I might venture to find a little corner and a little book, and see the current spin by. It seemed to me, too, that most of the people who waxed eloquent about the normal duties and responsibilities of life chose them not reluctantly and philosophically, but because, on the whole they preferred them, and felt dull without them; and I imagined that I had my right to a preference too, particularly if it was not pursued at the expense of other people.

Whether or not the choice was wise or foolish will be seen, or may be inferred. But I do not abjure the theory. I think and believe that there are a good many people in the world who pursue lives for which they are not fitted, and lose all contentment in the process, simply because they respect conventions too much, and have not the courage to break away from them. Some of the most useful people I know are people who not only think least about being useful, but are ready to condemn themselves for their desultoriness. The people who have time to listen and to talk, to welcome friends and to sympathise with them, to enjoy and to help others to enjoy, seem to me often to do more for the world than the people who hurry from committee to committee, address meetings, and do what is called some of the drudgery of the world, which might in a hundred cases be just as well undone. It is most of it merely a childish game either way; and the child who looks on and applauds is often better employed than the child who makes a long score, and thinks of nothing else for the rest of the afternoon.

And anyhow, this is what I saw and thought and did; not a very magnificent performance, but a little piece of life observed and experienced and written down.

THE SILENT ISLE

The Silent Isle, I name it; and yet in no land in which I have ever lived is there so little sight and sound of water as here. It oozes from field to drain, it trickles from drain to ditch, it falls from ditch to dyke, and then moves silently to the great seaward sluice; it is not a living thing in the landscape, bright and vivacious, but rather something secret and still, drawn almost reluctantly away, rather than hurrying off on business of its own. And yet the whole place gives me the constant sense of being an island, remote and unapproachable; the great black plain, where every step that one takes warns one of its quivering elasticity of soil, runs sharply up to the base of the long, low, green hills, whose rough, dimpled pastures and old elms contrast sharply and pleasantly with the geometrical monotony of the immense flat. The village that I see a mile away, on a further promontory of the old Isle, has the look of a straggling seaport town, dipping down to wharves and quays; and the eye almost expects a fringe of masts and shipping at the base of the steep streets. Then, too, the encircling plain is like water in its tracklessness. There are no short cuts nor footpaths in the fen. You may strike out for the village that on clear days looks so close at hand, and follow a flood-bank for miles without drawing a pace nearer to the goal. Or you may find yourself upon the edge of one of the great lodes or levels, and see the pale-blue stripe of water lie unbridged, like a pointed javelin of steel, to the extreme verge of the horizon. The few roads run straight and strict upon their reed-fringed causeways; and there is an infinite sense of tranquil relief to the eye in the vast green levels, with their faint parallel lines of dyke or drift, just touched into prominence here and there by the clump of poplars surrounding a lonely grange, or the high-shouldered roof of a great pumping-mill. And then, to give largeness to what might else be tame, there is the vast space of sky everywhere, the enormous perspective of rolling cloud-bank and fleecy cumulus: the sky seems higher, deeper, more gigantic, in these great levels than anywhere in the world. The morning comes up more sedately; the orange-skirted twilight is more lingeringly withdrawn. The sun burns lower, down to the very verge of the world, dropping behind no black-stemmed wood or high-standing ridge; and how softly the colour fades westward out of the sky, among the rose-flushed cloud-isles and green spaces of air! And out of all this spacious tracklessness comes a sense of endless remoteness. While the roads converge like the rays of a wheel upon the inland town, each a stream of hurrying life, here the world flows to you more rarely and deliberately. Indeed, there seems no influx of life at all, nothing but a quiet interchange of voyagers. Promotion arrives from no point of the compass; nothing but a little tide of homely life ebbs and flows in these elm-girt villages above the fen. Of course, the anxious and expectant heart carries its own restlessness everywhere; but to read of the rush and stress of life in these grassy solitudes seems like the telling of an idle tale. And then the silence of the place! The sounds of life have a value and a distinctness here that I have never known elsewhere. I have lived much of my life in towns; and there, even if one is not conscious of distinct sound, there is a blurred sense of movement in the air, which dulls the ear. But here the sharp song of the yellow-hammer from the hedge, or the cry of the owl from the spinney, come pure and keen through the thin air, purged of all uncertain murmurs. I can hear, it seems, a mile away, the rumble of the long procession of red mud-stained field-carts, or the humming of the threshing-gear; or the chatter of children on the farm-road beyond my shrubberies breaks clear and jocund on the ear. I become conscious here of how noisily and hurriedly I have lived my life; happily enough, I will confess; but the thought of it all--the class-room, the street, the playing-field--bright and vivacious as it all was, seems now like a boisterous prelude of blaring brass and tingling string, which lapses into some delicate economy of sweet melody and gliding chord. It has its shadows, I do not doubt, this Silent Isle; but to-day at least it is all still and translucent as its clear-moving quiet waters, free as its vaulted sky, rich as its endless plain.

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