: A Small Boy and Others by James Henry - James Henry 1843-1916; James William 1842-1910

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It was these of the improvised and casual sort that I shared with him thus indelibly; for truly if we took the boat to town to do things I did them quite as much as he, and so that a little boy could scarce have done them more. My part may indeed but have been to surround his part with a thick imaginative aura; but that constituted for me an activity than which I could dream of none braver or wilder. We went to the office of The New York Tribune--my father's relations with that journal were actual and close; and that was a wonderful world indeed, with strange steepnesses and machineries and noises and hurrying bare-armed, bright-eyed men, and amid the agitation clever, easy, kindly, jocular, partly undressed gentlemen some of whom I knew at home, taking it all as if it were the most natural place in the world. It was big to me, big to me with the breath of great vague connections, and I supposed the gentlemen very old, though since aware that they must have been, for the connections, remarkably young; and the conversation of one of them, the one I saw oftenest up town, who attained to great local and to considerable national eminence afterwards, and who talked often and thrillingly about the theatres, I retain as many bright fragments of as if I had been another little Boswell. It was as if he had dropped into my mind the germ of certain interests that were long afterwards to flower--as for instance on his announcing the receipt from Paris of news of the appearance at the Th??tre Fran?ais of an actress, Madame Judith, who was formidably to compete with her coreligionary Rachel and to endanger that artist's laurels. Why should Madame Judith's name have stuck to me through all the years, since I was never to see her and she is as forgotten as Rachel is remembered? Why should that scrap of gossip have made a date for my consciousness, turning it to the Com?die with an intensity that was long afterwards to culminate? Why was it equally to abide for me that the same gentleman had on one of these occasions mentioned his having just come back from a wonderful city of the West, Chicago, which, though but a year or two old, with plank sidewalks when there were any, and holes and humps where there were none, and shanties where there were not big blocks, and everything where there had yesterday been nothing, had already developed a huge energy and curiosity, and also an appetite for lectures? I became aware of the Com?die, I became aware of Chicago; I also became aware that even the most alluring fiction was not always for little boys to read. It was mentioned at the Tribune office that one of its reporters, Mr. Solon Robinson, had put forth a novel rather oddly entitled "Hot Corn" and more or less having for its subject the career of a little girl who hawked that familiar American luxury in the streets. The volume, I think, was put into my father's hand, and I recall my prompt desire to make acquaintance with it no less than the remark, as promptly addressed to my companion, that the work, however engaging, was not one that should be left accessible to an innocent child. The pang occasioned by this warning has scarcely yet died out for me, nor my sense of my first wonder at the discrimination--so great became from that moment the mystery of the tabooed book, of whatever identity; the question, in my breast, of why, if it was to be so right for others, it was only to be wrong for me. I remember the soreness of the thought that it was I rather who was wrong for the book--which was somehow humiliating: in that amount of discredit one couldn't but be involved. Neither then nor afterwards was the secret of "Hot Corn" revealed to me, and the sense of privation was to be more prolonged, I fear, than the vogue of the tale, which even as a success of scandal couldn't have been great.

That must have been a rich hour, for I mix the marvel of the Boon Children, strange pale little flowers of the American theatre, with my conscious joy in bringing back to my mother, from our forage in New York, a gift of such happy promise as the history of the long-legged Mr. Hamilton and his two Bavarian beauties, the elder of whom, Hildegarde, was to figure for our small generation as the very type of the haughty as distinguished from the forward heroine . I couldn't have got very far with Hildegarde in moments so scant, but I memorably felt that romance was thick round me--everything, at such a crisis, seeming to make for it at once. The Boon Children, conveyed thus to New Brighton under care of a lady in whose aspect the strain of the resolute triumphed over the note of the battered, though the showy in it rather succumbed at the same time to the dowdy, were already "billed," as infant phenomena, for a performance that night at the Pavilion, where our attendance, it was a shock to feel, couldn't be promised; and in gazing without charge at the pair of weary and sleepy little mountebanks I found the histrionic character and the dramatic profession for the first time revealed to me. They filled me with fascination and yet with fear; they expressed a melancholy grace and a sort of peevish refinement, yet seemed awfully detached and indifferent, indifferent perhaps even to being pinched and slapped, for art's sake, at home; they honoured me with no notice whatever and regarded me doubtless as no better than one of the little louts peeping through the tent of the show. In return I judged their appearance dissipated though fascinating, and sought consolation for the memory of their scorn and the loss of their exhibition, as time went on, in noting that the bounds of their fame seemed somehow to have been stayed. I neither "met" them nor heard of them again. The little Batemans must have obscured their comparatively dim lustre, flourishing at the same period and with a larger command of the pictorial poster and the other primitive symbols in Broadway--such posters and such symbols as they were at that time!--the little Batemans who were to be reserved, in maturer form, for my much later and more grateful appreciation.

A fainter image, that of one of the New York moments, just eludes me, pursue it as I will; I recover but the setting and the fact of his brief presence in it, with nothing that was said or done beyond my being left with my father to watch our distinguished friend's secretary, who was also a young artist, establish his easel and proceed to paint. The setting, as I recall it, was an odd, oblong, blank "private parlour" at the Clarendon Hotel, then the latest thing in hotels, but whose ancient corner of Fourth Avenue and--was it Eighteenth Street?--long ago ceased to know it; the gentle, very gentle, portraitist was Mr. Eyre Crowe and the obliging sitter my father, who sat in response to Mr. Thackeray's desire that his prot?g? should find employment. The protector after a little departed, blessing the business, which took the form of a small full-length of the model seated, his arm extended and the hand on the knob of his cane. The work, it may at this time of day be mentioned, fell below its general possibilities; but I note the scene through which I must duly have gaped and wondered as a happy example again of my parent's positive cultivation of my society, it would seem, and thought for my social education. And then there are other connections; I recall it as a Sunday morning, I recover the place itself as a featureless void--bleak and bare, with its developments all to come, the hotel parlour of other New York days--but vivid still to me is my conscious assistance for the first time at operations that were to mean much for many of my coming years. Those of quiet Mr. Crowe held me spellbound--I was to circle so wistfully, as from that beginning, round the practice of his art, which in spite of these earnest approaches and intentions never on its own part in the least acknowledged our acquaintance; scarcely much more than it was ever to respond, for that matter, to the overtures of the mild aspirant himself, known to my observation long afterwards, in the London years, as the most touchingly resigned of the children of disappointment. Not only by association was he a Thackerayan figure, but much as if the master's hand had stamped him with the outline and the value, with life and sweetness and patience--shown, as after the long futility, seated in a quiet wait, very long too, for the end. That was sad, one couldn't but feel; yet it was in the oddest way impossible to take him for a failure. He might have been one of fortune's, strictly; but what was that when he was one of Thackeray's own successes?--in the minor line, but with such a grace and such a truth, those of some dim second cousin to Colonel Newcome.

The second definite matter in the Dickens connection is the Smike of Miss Weston--whose praenomen I frivolously forget but who was afterwards Mrs. E. L. Davenport and then, sequently to some public strife or chatter, Mrs. Charles Matthews--in a version of Nicholas Nickleby that gracelessly managed to be all tearful melodrama, long-lost foundlings, wicked Ralph Nicklebys and scowling Arthur Grides, with other baffled villains, and scarcely at all Crummleses and Kenwigses, much less Squeerses; though there must have been something of Dotheboys Hall for the proper tragedy of Smike and for the broad Yorkshire effect, a precious theatrical value, of John Brodie. The ineffaceability was the anguish, to my tender sense, of Nicholas's starved and tattered and fawning and whining prot?g?; in face of my sharp retention of which through all the years who shall deny the immense authority of the theatre, or that the stage is the mightiest of modern engines? Such at least was to be the force of the Dickens imprint, however applied, in the soft clay of our generation; it was to resist so serenely the wash of the waves of time. To be brought up thus against the author of it, or to speak at all of the dawn of one's early consciousness of it and of his presence and power, is to begin to tread ground at once sacred and boundless, the associations of which, looming large, warn us off even while they hold. He did too much for us surely ever to leave us free--free of judgment, free of reaction, even should we care to be, which heaven forbid: he laid his hand on us in a way to undermine as in no other case the power of detached appraisement. We react against other productions of the general kind without "liking" them the less, but we somehow liked Dickens the more for having forfeited half the claim to appreciation. That process belongs to the fact that criticism, roundabout him, is somehow futile and tasteless. His own taste is easily impugned, but he entered so early into the blood and bone of our intelligence that it always remained better than the taste of overhauling him. When I take him up to-day and find myself holding off, I simply stop: not holding off, that is, but holding on, and from the very fear to do so; which sounds, I recognise, like perusal, like renewal, of the scantest. I don't renew, I wouldn't renew for the world; wouldn't, that is, with one's treasure so hoarded in the dusty chamber of youth, let in the intellectual air. Happy the house of life in which such chambers still hold out, even with the draught of the intellect whistling through the passages. We were practically contemporary, contemporary with the issues, the fluttering monthly numbers--that was the point; it made for us a good fortune, constituted for us in itself romance, on which nothing, to the end, succeeds in laying its hands.

The whole question dwells for me in a single small reminiscence, though there are others still: that of my having been sent to bed one evening, in Fourteenth Street, as a very small boy, at an hour when, in the library and under the lamp, one of the elder cousins from Albany, the youngest of an orphaned brood of four, of my grandmother's most extravagant adoption, had begun to read aloud to my mother the new, which must have been the first, instalment of David Copperfield. I had feigned to withdraw, but had only retreated to cover close at hand, the friendly shade of some screen or drooping table-cloth, folded up behind which and glued to the carpet, I held my breath and listened. I listened long and drank deep while the wondrous picture grew, but the tense cord at last snapped under the strain of the Murdstones and I broke into the sobs of sympathy that disclosed my subterfuge. I was this time effectively banished, but the ply then taken was ineffaceable. I remember indeed just afterwards finding the sequel, in especial the vast extrusion of the Micawbers, beyond my actual capacity; which took a few years to grow adequate--years in which the general contagious consciousness, and our own household response not least, breathed heavily through Hard Times, Bleak House and Little Dorrit; the seeds of acquaintance with Chuzzlewit and Dombey and Son, these coming thickly on, I had found already sown. I was to feel that I had been born, born to a rich awareness, under the very meridian; there sprouted in those years no such other crop of ready references as the golden harvest of Copperfield. Yet if I was to wait to achieve the happier of these recognitions I had already pored over Oliver Twist--albeit now uncertain of the relation borne by that experience to the incident just recalled. When Oliver was new to me, at any rate, he was already old to my betters; whose view of his particular adventures and exposures must have been concerned, I think, moreover, in the fact of my public and lively wonder about them. It was an exhibition deprecated--to infant innocence I judge; unless indeed my remembrance of enjoying it only on the terms of fitful snatches in another, though a kindred, house is due mainly to the existence there of George Cruikshank's splendid form of the work, of which our own foreground was clear. It perhaps even seemed to me more Cruikshank's than Dickens's; it was a thing of such vividly terrible images, and all marked with that peculiarity of Cruikshank that the offered flowers or goodnesses, the scenes and figures intended to comfort and cheer, present themselves under his hand as but more subtly sinister, or more suggestively queer, than the frank badnesses and horrors. The nice people and the happy moments, in the plates, frightened me almost as much as the low and the awkward; which didn't however make the volumes a source of attraction the less toward that high and square old back-parlour just westward of Sixth Avenue that formed, romantically, half our alternative domestic field and offered to our small inquiring steps a larger range and privilege. If the Dickens of those years was, as I have just called him, the great actuality of the current imagination, so I at once meet him in force as a feature even of conditions in which he was but indirectly involved.

But it has taken me quite out of the other house, so that I patch up again, at a stroke, that early scene of her double guardianship at which my small wonder assisted. It even then glimmered on me, I think, that if Albert was, all so romantically, in charge of his aunt--which was a perfectly nondescript relation--so his uncle Henry, her odd brother, was her more or less legal ward, not less, despite his being so very much Albert's senior. In these facts and in the character of each of the three persons involved resided the drama; which must more or less have begun, as I have hinted, when simple-minded Henry, at a date I seem to have seized, definitely emerged from rustication--the Beaverkill had but for a certain term protected, or promoted, his simplicity--and began, on his side, to pace the well-worn field between the Fourteenth Street windows and the piazza of the Isabella grapes. I see him there less vividly than his fellow-pedestrian only because he was afterwards to loom so much larger, whereas his companion, even while still present, was weakly to shrink and fade. At this late day only do I devise for that companion a possible history; the simple-minded Henry's annals on the other hand grew in interest as soon as they became interesting at all. This happened as soon as one took in the ground and some of the features of his tutelage. The basis of it all was that, harmless as he appeared, he was not to be trusted; I remember how portentous that truth soon looked, both in the light of his intense amiability and of sister Helen's absolute certitude. He wasn't to be trusted--it was the sole very definite fact about him except the fact that he had so kindly come down from the far-off Beaverkill to regale us with the perfect demonstration, dutifully, resignedly setting himself among us to point the whole moral himself. He appeared, from the moment we really took it in, to be doing, in the matter, no more than he ought; he exposed himself to our invidious gaze, on this ground, with a humility, a quiet courtesy and an instinctive dignity that come back to me as simply heroic. He had himself accepted, under strenuous suggestion, the dreadful view, and I see him to-day, in the light of the grand d?nouement, deferred for long years, but fairly dazzling when it came, as fairly sublime in his decision not to put anyone in the wrong about him a day sooner than he could possibly help. The whole circle of us would in that event be so dreadfully "sold," as to our wisdom and justice, he proving only noble and exquisite. It didn't so immensely matter to him as that, the establishment of his true character didn't; so he went on as if for all the years--and they really piled themselves up: his passing for a dangerous idiot, or at least for a slave of his passions from the moment he was allowed the wherewithal in the least to indulge them, was a less evil for him than seeing us rudely corrected. It was in truth an extraordinary situation and would have offered a splendid subject, as we used to say, to the painter of character, the novelist or the dramatist, with the hand to treat it. After I had read David Copperfield an analogy glimmered--it struck me even in the early time: cousin Henry was more or less another Mr. Dick, just as cousin Helen was in her relation to him more or less another Miss Trotwood. There were disparities indeed: Mr. Dick was the harmless lunatic on that lady's premises, but she admired him and appealed to him; lunatics, in her generous view, might be oracles, and there is no evidence, if I correctly remember, that she kept him low. Our Mr. Dick was suffered to indulge his passions but on ten cents a day, while his fortune, under conscientious, under admirable care--cousin Helen being no less the wise and keen woman of business than the devoted sister--rolled up and became large; likewise Miss Trotwood's inmate hadn't at all the perplexed brooding brow, with the troubled fold in it, that represented poor Henry's only form of criticism of adverse fate. They had alike the large smooth open countenance of those for whom life has been simplified, and if Mr. Dick had had a fortune he would have remained all his days as modestly vague about the figure of it as our relative consented to remain. The latter's interests were agricultural, while his predecessor's, as we remember, were mainly historical; each at any rate had in a general way his Miss Trotwood, not to say his sister Helen.

The good Henry's Miss Trotwood lived and died without an instant's visitation of doubt as to the due exercise of her authority, as to what would happen if it faltered; her victim waiting in the handsomest manner till she had passed away to show us all--all who remained, after so long, to do him justice--that nothing but what was charming and touching could possibly happen. This was, in part at least, the dazzling d?nouement I have spoken of: he became, as soon as fortunate dispositions could take effect, the care of our admirable Aunt, between whom and his sister and himself close cousinship, from far back, had practically amounted to sisterhood: by which time the other house had long been another house altogether, its ancient site relinquished, its contents planted afresh far northward, with new traditions invoked, though with that of its great friendliness to all of us, for our mother's sake, still confirmed. Here with brief brightness, clouded at the very last, the solution emerged; we became aware, not without embarrassment, that poor Henry at large and supplied with funds was exactly as harmless and blameless as poor Henry stinted and captive; as to which if anything had been wanting to our confusion or to his own dignity it would have been his supreme abstinence, his suppression of the least "Didn't I tell you?" He didn't even pretend to have told us, when he so abundantly might, and nothing could exceed the grace with which he appeared to have noticed nothing. He "handled" dollars as decently, and just as profusely, as he had handled dimes; the only light shade on the scene--except of course for its being so belated, which did make it pathetically dim--was the question of how nearly he at all measured his resources. Not his heart, but his imagination, in the long years, had been starved; and though he was now all discreetly and wisely encouraged to feel rich, it was rather sadly visible that, thanks to almost half a century of over-discipline, he failed quite to rise to his estate. He did feel rich, just as he felt generous; the misfortune was only in his weak sense for meanings. That, with the whole situation, made delicacy of the first importance; as indeed what was perhaps most striking in the entire connection was the part played by delicacy from the first. It had all been a drama of the delicate: the consummately scrupulous and successful administration of his resources for the benefit of his virtue, so that they could be handed over, in the event, without the leakage of a fraction, what was that but a triumph of delicacy? So delicacy conspired, delicacy surrounded him; the case having been from the early time that, could he only be regarded as sufficiently responsible, could the sources of his bounty be judged fairly open to light pressure that bounty might blessedly flow. This had been Miss Trotwood's own enlightened view, on behalf of one of the oddest and most appealing collections of wistful wondering single gentlewomen that a great calculating benevolence perhaps ever found arrayed before it--ornaments these all of the second and third cousinship and interested spectators of the almost inexpressible facts.

Let me hurry, however, to catch again that thread I left dangling from my glance at our small vague spasms of school--my personal sense of them being as vague and small, I mean, in contrast with the fuller and stronger cup meted out all round to the Albany cousins, much more privileged, I felt, in every stroke of fortune; or at least much more interesting, though it might be wicked to call them more happy, through those numberless bereavements that had so enriched their existence. I mentioned above in particular the enviable consciousness of our little red-headed kinsman Gus Barker, who, as by a sharp prevision, snatched what gaiety he might from a life to be cut short, in a cavalry dash, by one of the Confederate bullets of 1863: he blew out at us, on New York Sundays, as I have said, sharp puffs of the atmosphere of the Institution Charlier--strong to us, that is, the atmosphere of whose institutions was weak; but it was above all during a gregarious visit paid him in a livelier field still that I knew myself merely mother'd and brother'd. It had been his fate to be but scantly the latter and never at all the former--our aunt Janet had not survived his birth; but on this day of our collective pilgrimage to Sing-Sing, where he was at a "military" school and clad in a fashion that represented to me the very panoply of war, he shone with a rare radiance of privation. Ingenuous and responsive, of a social disposition, a candour of gaiety, that matched his physical activity--the most beautifully made athletic little person, and in the highest degree appealing and engaging--he not only did us the honours of his dazzling academy but had all the air of showing us over the great State prison which even then flourished near at hand and to which he accompanied us; a party of a composition that comes back to me as wonderful, the New York and Albany cousinships appearing to have converged and met, for the happy occasion, with the generations and sexes melting together and moving in a loose harmonious band. The party must have been less numerous than by the romantic tradition or confused notation of my youth, and what I mainly remember of it beyond my sense of our being at once an attendant train to my aged and gentle and in general most unadventurous grandmother, and a chorus of curiosity and amusement roundabout the vivid Gussy, is our collective impression that State prisons were on the whole delightful places, vast, bright and breezy, with a gay, free circulation in corridors and on stairs, a pleasant prevalence of hot soup and fresh crusty rolls, in tins, of which visitors admiringly partook, and for the latter, in chance corners and on sunny landings, much interesting light brush of gentlemen remarkable but for gentlemanly crimes--that is defalcations and malversations to striking and impressive amounts.

I see them in any case as old-world images, figures of an antique stamp; products, mustn't they have been, of an order in which some social relativity or matter-of-course adjustment, some transmitted form and pressure, were still at work? Mr. Dolmidge, inordinately lean, clean-shaved, as was comparatively uncommon then, and in a swallow-tailed coat and I think a black satin stock, was surely perfect in his absolutely functional way, a pure pen-holder of a man, melancholy and mild, who taught the most complicated flourishes--great scrolls of them met our view in the form of surging seas and beaked and beady-eyed eagles, the eagle being so calligraphic a bird--while he might just have taught resignation. He was not at all funny--no one out of our immediate family circle, in fact almost no one but W. J. himself, who flowered in every waste, seems to have struck me as funny in those years; but he was to remain with me a picture of somebody in Dickens, one of the Phiz if not the Cruikshank pictures. Mr. Coe was another affair, bristling with the question of the "hard," but somehow too with the revelation of the soft, the deeply attaching; a worthy of immense stature and presence, crowned as with the thick white hair of genius, wearing a great gathered or puckered cloak, with a vast velvet collar, and resembling, as he comes back to me, the General Winfield Scott who lived so much in our eyes then. The oddity may well even at that hour have been present to me of its taking so towering a person to produce such small "drawing-cards"; it was as if some mighty bird had laid diminutive eggs. Mr. Coe, of a truth, laid his all over the place, and though they were not of more than handy size--very small boys could set them up in state on very small desks--they had doubtless a great range of number and effect. They were scattered far abroad and I surmise celebrated; they represented crooked cottages, feathery trees, browsing and bristling beasts and other rural objects; all rendered, as I recall them, in little detached dashes that were like stories told in words of one syllable, or even more perhaps in short gasps of delight. It must have been a stammering art, but I admired its fluency, which swims for me moreover in richer though slightly vague associations. Mr. Coe practised on a larger scale, in colour, in oils, producing wondrous neat little boards that make me to this day think of them and more particularly smell them, when I hear of a "panel" picture: a glamour of greatness attends them as brought home by W. J. from the master's own place of instruction in that old University building which partly formed the east side of Washington Square and figures to memory, or to fond imagination, as throbbing with more offices and functions, a denser chiaroscuro, than any reared hugeness of to-day, where character is so lost in quantity. Is there any present structure that plays such a part in proportion to its size?--though even as I ask the question I feel how nothing on earth is proportioned to present sizes. These alone are proportioned--and to mere sky-space and mere amount, amount of steel and stone; which is comparatively uninteresting. Perhaps our needs and our elements were then absurdly, were then provincially few, and that the patches of character in that small grey granite compendium were all we had in general to exhibit. Let me add at any rate that some of them were exhibitional--even to my tender years, I mean; since I respond even yet to my privilege of presence at some Commencement or Commemoration, such as might be natural, doubtless, to any "university," where, as under a high rich roof, before a Chancellor in a gown and amid serried admirers and impressive applause, there was "speaking," of the finest sort, and where above all I gathered in as a dazzling example the rare assurance of young Winthrop Somebody or Somebody Winthrop, who, though still in jackets, held us spellbound by his rendering of Serjeant Buzfuz's exposure of Mr. Pickwick. Long was I to marvel at the high sufficiency of young Winthrop Somebody or Somebody Winthrop--in which romantic impression it is perhaps after all the sense of the place is embalmed.

Little else of that Parisian passage remains with me--it was probably of the briefest; I recover only a visit with my father to the Palais de l'Industrie, where the first of the great French Exhibitions, on the model, much reduced, of the English Crystal Palace of 1851, was still open, a fact explaining the crowded inns; and from that visit win back but the department of the English pictures and our stopping long before The Order of Release of a young English painter, J. E. Millais, who had just leaped into fame, and my impression of the rare treatment of whose baby's bare legs, pendent from its mother's arms, is still as vivid to me as if from yesterday. The vivid yields again to the vague--I scarce know why so utterly--till consciousness, waking up in London, renews itself, late one evening and very richly, at the Gloucester Hotel which occupied that corner of Piccadilly and Berkeley Street where more modern establishments have since succeeded it, but where a fatigued and famished American family found on that occasion a fine old British virtue in cold roast beef and bread and cheese and ale; their expert acclamation of which echoes even now in my memory. It keeps company there with other matters equally British and, as we say now, early Victorian; the thick gloom of the inn rooms, the faintness of the glimmering tapers, the blest inexhaustibility of the fine joint, surpassed only by that of the grave waiter's reserve--plain, immutably plain fare all, but prompting in our elders an emphasis of relief and relish, the "There's nothing like it after all!" tone, which re-excited expectation, which in fact seemed this time to re-announce a basis for faith and joy.

I dare say our perambulations of Baker Street in our little "top" hats and other neatnesses must have been what W. J. meant by our poverty of life--whereas it was probably one of the very things most expressive to myself of the charm and the colour of history and of society. We were often in Baker Street by reason of those stretched-out walks, at the remembered frequency and long-drawn push of which I am to-day amazed; recalling at the same time, however, that save for Robert Thompson's pitching ball with us in the garden they took for us the place of all other agilities. I can't but feel them to have been marked in their way by a rare curiosity and energy. Good Mr. Thompson had followed us in our move, occupying quarters, not far off, above a baker's shop on a Terrace--a group of objects still untouched by time--where we occasionally by way of change attended for our lessons and where not the least of our inspirations was the confidence, again and again justified, that our mid-morning "break" would determine the appearance of a self-conscious stale cake, straight from below, received by us all each time as if it had been a sudden happy thought, and ushered in by a little girl who might have been a Dickens foundling or "orfling." Our being reduced to mumble cake in a suburban lodging by way of reaction from the strain of study would have been perhaps a pathetic picture, but we had field-days too, when we accompanied our excellent friend to the Tower, the Thames Tunnel, St. Paul's and the Abbey, to say nothing of the Zoological Gardens, almost close at hand and with which we took in that age of lingering forms no liberty of abbreviation; to say nothing either of Madame Tussaud's, then in our interminable but so amiable Baker Street, the only shade on the amiability of which was just that gruesome association with the portal of the Bazaar--since Madame Tussaud had, of all her treasures, most vividly revealed to me the Mrs. Manning and the Burke and Hare of the Chamber of Horrors which lurked just within it; whom, for days after making their acquaintance I half expected, when alone, to meet quite dreadfully on the staircase or on opening a door. All this experience was valuable, but it was not the languages--save in so far indeed as it was the English, which we hadn't in advance so much aimed at, yet which more or less, and very interestingly, came; it at any rate perhaps broke our fall a little that French, of a sort, continued to be with us in the remarkably erect person of Mademoiselle Cusin, the Swiss governess who had accompanied us from Geneva, whose quite sharply extrusive but on the whole exhilarating presence I associate with this winter, and who led in that longish procession of more or less similar domesticated presences which was to keep the torch, that is the accent, among us, fairly alight. The variety and frequency of the arrivals and departures of these ladies--whose ghostly names, again, so far as I recall them, I like piously to preserve, Augustine Danse, Am?lie Fortin, Marie Guyard, Marie Bonningue, F?licie Bonningue, Clarisse Bader--mystifies me in much the same degree as our own academic vicissitudes in New York; I can no more imagine why, sociable and charitable, we so often changed governesses than I had contemporaneously grasped the principle of our succession of schools: the whole group of phenomena reflected, I gather, as a rule, much more the extreme promptitude of the parental optimism than any disproportionate habit of impatience. The optimism begot precipitation, and the precipitation had too often to confess itself. What is instructive, what is historic, is the probability that young persons offering themselves at that time as guides and communicators--the requirements of our small sister were for long modest enough--quite conceivably lacked preparedness, and were so thrown back on the extempore, which in turn lacked abundance. One of these figures, that of Mademoiselle Danse, the most Parisian, and prodigiously so, was afterwards to stand out for us quite luridly--a cloud of revelations succeeding her withdrawal; a cloud which, thick as it was, never obscured our impression of her genius and her charm. The daughter of a political proscript who had but just escaped, by the legend, being seized in his bed on the terrible night of the Deux-D?cembre, and who wrote her micawberish letters from Gallipolis, Ohio, she subsequently figured to my imagination as the most brilliant and most genial of irregular characters, exhibiting the Parisian "mentality" at its highest, or perhaps rather its deepest, and more remarkable for nothing than for the consummate little art and grace with which she had for a whole year draped herself in the mantle of our innocent air. It was exciting, it was really valuable, to have to that extent rubbed shoulders with an "adventuress"; it showed one that for the adventuress there might on occasion be much to be said.

It was with no such frippery, however, that I connected the occasional presence among us of the young member of the cousinship who most moved me to wistfulness of wonder, though not at all, with his then marked difference of age, by inviting my free approach. Vernon King, to whom I have in another part of this record alluded, at that time doing his baccalaur?at on the other side of the Seine and coming over to our world at scraps of moments , as to quite a make-believe and gingerbread place, the lightest of substitutes for the "Europe" in which he had been from the first so technically plunged. His mother and sister, also on an earlier page referred to, had, from their distance, committed him to the great city to be "finished," educationally, to the point that for our strenuous cousin Charlotte was the only proper one--and I feel sure he can have acquitted himself in this particular in a manner that would have passed for brilliant if such lights didn't, thanks to her stiff little standards, always tend to burn low in her presence. These ladies were to develop more and more the practice of living in odd places for abstract inhuman reasons--at Marseilles, at D?sseldorf , at Naples, above all, for a long stage; where, in particular, their grounds of residence were somehow not as those of others, even though I recollect, from a much later time, attending them there at the opera, an experience which, in their fashion, they succeeded in despoiling for me of every element of the concrete, or at least of the pleasantly vulgar. Later impressions, few but firm, were so to enhance one's tenderness for Vernon's own image, the most interesting surely in all the troop of our young kinsmen early baffled and gathered, that he glances at me out of the Paris period, fresh-coloured, just blond-bearded, always smiling and catching his breath a little as from a mixture of eagerness and shyness, with such an appeal to the right idealisation, or to belated justice, as makes of mere evocation a sort of exercise of loyalty. It seemed quite richly laid upon me at the time--I get it all back--that he, two or three years older than my elder brother and dipped more early, as well as held more firmly, in the deep, the refining waters the virtue of which we all together, though with our differences of consistency, recognised, was the positive and living proof of what the process, comparatively poor for ourselves, could do at its best and with clay originally and domestically kneaded to the right plasticity; besides which he shone, to my fancy, and all the more for its seeming so brightly and quietly in his very grain, with the vague, the supposititious, but the intensely accent-giving stamp of the Latin quarter, which we so thinly imagined and so superficially brushed on our pious walks to the Luxembourg and through the parts where the glamour might have hung thickest. We were to see him a little--but two or three times--three or four years later, when, just before our own return, he had come back to America for the purpose, if my memory serves, of entering the Harvard Law School; and to see him still always with the smile that was essentially as facial, as livingly and loosely fixed, somehow, as his fresh complexion itself; always too with the air of caring so little for what he had been put through that, under any appeal to give out, more or less wonderfully, some sample or echo of it, as who should say, he still mostly panted as from a laughing mental embarrassment: he had been put through too much; it was all stale to him, and he wouldn't have known where to begin. He did give out, a little, on occasion--speaking, that is, on my different plane, as it were, and by the roundabout report of my brother; he gave out, it appeared, as they walked together across shining Newport sands, some fragment, some beginning of a very youthful poem that "Europe" had, with other results, moved him to, and a faint thin shred of which was to stick in my remembrance for reasons independent of its quality:

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